To inform. To inspire. To ignite change for the common good.

Another Memorial Day of boasts, insults, "self-defense strikes," cheap clichés from a Secretary of War Crimes prattling about unnecessary dead "delivered from the battlefield into the arms of a loving Lord and savior." Spare us. And maybe revisit the war to end all wars, which didn't - its "infinity of waste" and trenches with skulls in the sides where "he who had a corpse to stand on was lucky." Pat Barker: “A society that devours its own young deserves (no) unquestioning allegiance.”

"Happy Memorial Day to all," babbled our ever-unseemly Idiot-In-Chief, "including the Dumocrats, who disrespect our Military and all of the tremendous success that it has had over the last year," because obviously the best way to honor the dead is to not acknowledge their sacrifice but to insult half the country they died defending. Also, at Arlington National Cemetery, "Wherever the American soldier (falls), he does it for the destiny of a nation like no other - there’s never been anybody like you." Also, 18,000 Williams, over 20,000 Johns, and other names fell, but "not too many" Donalds. Huh.

Adding to the day's eloquence with "a monster truck rally vibe" was non-veteran, Hegseth bestie, and tawdry aging rock star Kid Rock. Because "Tokyo Rose wasn't available," he was chosen by the Pentagon to honor American service members' ultimate sacrifice in a hoodie, fedora, gold chain and sunglasses, looking like "a creature you’d expect to hiss at you from the dank depths of a garbage bin." "We are remembering the sacrifice and service of so many who are not with us today," he noted. "It’s a special day. We’re thinking of them... Keep on Kid Rocking in the free world."

Then there was blood-lusting, dime-store-cliché-spouting Christo-fascist Pete Hegseth urging we "remember our republic was forged and purchased with blood, American blood," evidently only male. He declaimed "the sacred names of bygone eras to the 13 souls of Epic Fury (who) answered the call when it mattered the most (and) gave the last full measure of devotion," even when he failed them in an Iranian strike in Yemen: "They stood against the darkness of the world wearing the breastplate of righteousness (and) raced to the brink so we could walk in freedom and prosperity (and) may almighty God bless our warriors."

It remains unclear how many of the up to 22 million dead, both military and civilian, and over 20 million wounded, "the butcher's bill" of World War One, came to be blessed by almighty God, especially in its Western Front's godforsaken trenches teeming with sludge, rats, mud, blood, water and disease. The war's "inconceivable loss" and "purposeless waste of a generation" is perhaps best exemplified by the Battle of Verdun, where the French, set upon by German forces, adopted a "They Shall Not Pass” mantra that in the end saw over 700,000 dead on both sides - ultimately, vast "heaps of bones."

For many, the horrors of "the greatest conflagration the world had seen" live on through the searing literature, both prose and poetry, that emerged from them. Wilfred Owen's Dulce et Decorum Est epitomizes the bitter, bloody tone that often prevailed amidst its "guttering, choking, drowning" victims - Hegseth's benighted "warriors." "Bent double, like old beggars under sacks/ Knock-kneed, coughing like hags," cursing, gargling, limping bootless through sludge, "blood-shod...deaf even to the hoots/Of gas-shells dropping softly behind," they reject, "The old Lie: Dulce et decorum est/Pro patria mori."

Siegfried Sassoon lived the privileged life of a British country gentleman, writing poetry and fox hunting, until the start of World War 1, when he served as an officer with the Royal Welch Fusiliers in France. He was awarded a Military Cross, was later wounded in action, and refused to fight any longer to protest "a senseless slaughter." On June 15, 1917, he wrote "A Soldier's Declaration" as "an act of wilful defiance of military authority, because I believe that the War is being deliberately prolonged by those how have the power to end it. I am a soldier, convinced that I am acting on behalf of soldiers."

"I have seen and endured the sufferings of the troops, and I can no longer be a party to prolonging those sufferings for ends which I believe to be evil and unjust," he wrote. He was protesting, he made clear, "against the political errors and insincerities for which the fighting men are being sacrificed...against the deception which is being practiced on them. Also I believe that it may help to destroy the callous complacence with which the majority of those at home regard the continuance of agonies which they do not share, and which they have not sufficient imagination to realise."

His letter was read before the House of Commons and printed in The London Times. He expected to be court-martialed; instead, he was declared "mentally unsound" and sent to Craiglockhart War Hospital, where Dr. William Rivers was charged with restoring Sassoon’s “sanity” and sending him back to the trenches. The story of their real-life encounter, wherein Rivers came to diagnose war's "shell-shock" and share Sassoon's view, is powerfully told in Pat Barker's historical novel Regeneration, the first in a trilogy about the psychological carnage of war. "It (was) the Great White God de-throned. We assumed we were the measure of all things," Rivers says. "(But) nothing justifies this. Nothing nothing nothing."

Siegfried Sassoon's 1918 Suicide in the Trenches mourns a "a simple soldier boy/Who grinned at life in empty joy" until he goes to war: "In winter trenches, cowed and glum/With crumps and lice and lack of rum/He put a bullet through his brain./No one spoke of him again./ You smug-faced crowds with kindling eye/Who cheer when soldier lads march by,/Sneak home and pray you'll never know/The hell where youth and laughter go."

At a cemetery near Ypres, one Inscription stands out; it was written on the grave of Arthur Young by his diplomat father: "Sacrificed to the fallacy that war can end war."