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"Come with me on a reporting trip," said New York Times columnist Nicholas Kristof. "You'll see the dying children themselves."
As Elon Musk continues to claim that "not a single" child has died as a result of his foreign aid cuts at the beginning of the second Trump administration, journalists—including ones who witnessed the consequences of the policy firsthand—are correcting the record.
Since being called out by Rep. Ro Khanna (D-Calif.), who cited a journal's projection that 4.5 million children under 5 could die by 2030 as a result of the Department of Government Efficiency's (DOGE) sudden termination of most of the United States Agency for International Development's (USAID) programs—including an 88% cut to children's health aid awards—last year, the newly minted trillionaire has repeatedly asserted that the claim that he is responsible for the deaths of kids is "a total lie."
"There is not even a single dead child!" Musk wrote on his social media platform X last Monday. "If there were, it would be worldwide headline news!"
Multiple journalists have been quick to respond that, in fact, the deaths of children and other people directly attributed to the termination of USAID programs by the agency he headed have been widely documented by major news outlets.
"Independent analyses estimate that your actions to dismantle USAID and drastically reduce lifesaving foreign aid have already killed 700,000 people," wrote Atul Gawande, the former USAID global health chief and longtime New Yorker writer, who cited models from Boston University epidemiologist Brooke Nichols.
In a lengthy thread posted on Thursday, Gawande cited nearly two-dozen examples in which news outlets named people who died as a direct result of cuts to health programs they relied upon, including:
These are just a few of the numerous other examples cited by Gawande, who added that part of the reason verifying deaths has been challenging is that DOGE's cuts also "destroyed" USAID's data and auditing systems, which meant that figures and overall mortality effects would take another year to fully tally.
However, he said he and a team of reporters had already compiled individual reports of more than 1,200 people whose deaths can be directly attributed to the cuts.
Even after being presented with direct evidence to the contrary, Musk continued to insist on Sunday that critics of his cuts to USAID "cannot cite a single name of someone who died out of the 'millions' they falsely claim have died. Not a single name!"
New York Times columnist Nicholas Kristof, whose reporting on the impacts of the sudden aid cuts was a finalist for a Pulitzer Prize, responded that he could give Musk a list of "many, many names of people who have died because of your aid cuts."
He listed the names of just a few of the people whose cases he had witnessed firsthand, which are recounted in greater depth in his reports. As Kristoff wrote:"I could go on and on," Kristof continued, "In almost every village you go to in South Sudan, Uganda, Liberia, Sierra Leone or other countries I reported in, you find people dying because of aid cuts."
He issued a "challenge" to Musk: "Come with me on a reporting trip, and we'll talk to these moms and dads, and you'll see the dying children themselves. I think if you see the kids whose lives are at stake, maybe you'll change your mind."
"The media don't belong to politicians. They belong to us all and we won't allow them to be stolen from us."
Public media journalists and staff are on a 24-hour strike in Czechia on Monday, just a day after thousands of people marched in Prague against attacks by the right-wing government on the nation's public broadcasting system.
Gathered outside the public television offices in Prague, those gathered Sunday shouted "Hand off public media!" as they railed against reforms proposed by the government of billionaire Prime Minister Andrej Babiš, a far-right ideologue compared to US President Donald Trump and Hungary's former Prime Minister Viktor Orbán.
The right-wing reforms, approved by the Babiš cabinet last week, would eviscerate the annual budgets for both public radio and television programming by 15% next year—bringing them back to 2008 levels by cutting a combined €57 million—while also changing the funding mechanism going forward. Instead of funds generated through fees paid by individuals, households, and businesses, the annual budgets would now come from government allocations, which critics of the changes say would give the ruling party more influence over content.
"The media don't belong to politicians," Mikulas Minar, an organizer with the group behind the protest movement—dubbed the Million Moments for Democracy—told Deutsche Welle on Sunday. "They belong to us all and we won't allow them to be stolen from us."
Thousands Protest in Prague: “Hands Off Public Media” Over Funding Reform 🇨🇿
Large crowds gathered in Prague under the slogan “Hands Off Public Media”, protesting the Czech government’s proposed reform to replace license fees with direct state budget funding for public… pic.twitter.com/793Q2dZf6W
— Unit News (@Unit_News) June 22, 2026
The fight over the countries public media system, "is not just about money," reports The Guardian.
“The reforms have been prepared without consultation and without guarantees for the independence of public service media,” Pavla Kubálková, a member of Czech Television’s strike committee, told the newspaper. “A large part of society remembers what the news looked like when politicians chose the content before 1989. We don’t want to go back there.”
On Monday, the striking workers formed a symbolic human chain around the Czech public radio offices in Prague.

“What matters most to us is preserving independence and the direct relationship between Czech Television and its viewers,” added Kubálková, warning against increased political pressure on the public broadcasters from the state.
As the Guardian reports, those concerns, "were reinforced last week when Josef Nerušil, an MP for the far-right Freedom and Direct Democracy (SPD) party, which is part of the governing coalition, appeared to suggest that changes to funding should eventually lead to greater scrutiny of what public broadcasters air."
“The point is to change the funding,” Nerušil told Czech Radio. “But if we’re talking about what public service media should broadcast, then of course, in a further step, we want to get to a broader discussion.”
Nerušil admitted the aim was “to control not only the financial side but also the content side,” as he accused the broadcasters of political bias in their coverage.
The workers on strike and the people in the street, said Kubálková, should signal to the government that the people of Czechia are ready for a fight.
“The employees of both broadcasters are ready to defend their service to citizens, and we are determined to continue with even more vigorous protests,” she said. “We will do everything we can to defend public service media in their current form.”
"She was putting a thumb on the scale on behalf of the administration. Constantly looking out for the views of the president."
Days after being fired from the CBS News program '60 Minutes' for speaking out against the dismissal of several top correspondents and declaring that editor-in-chief Bari Weiss was "brought in to kill" the show, veteran journalist Scott Pelley described in detail the right-wing former opinion columnist's efforts to push for political coverage that centered the White House's point of view—regardless of the facts.
"There was a thumb on the scale for the president’s version of events that I felt was a level of political influence that I had never seen in 37 years at CBS News," Pelley told The New York Times' Lulu Garcia-Navarro Sunday.
Pelley was interviewed after he and his former colleagues spoke out against what fired correspondent Cecilia Vega called "censorship" at the 58-year-old program since Weiss took the helm of CBS News last year. Weiss was installed following a White House-approved merger of parent company Paramount and Skydance Media, owned by the son of President Donald Trump backer Larry Ellison.
The new editor-in-chief, who first gained notoriety as a student at Columbia University when she led a campaign against pro-Palestinian professors and later railed against "cancel culture," arrived at CBS last fall with promises to promote "journalism that reports on the world as it actually is" and that is "fair, fearless, and factual."
But in his interview with the Times, Pelley expanded on his earlier accusation, made in a statement released last week after he was fired, that Weiss had demanded that he "inject falsehoods and bias into a politically sensitive story"—revealing that the coverage in question dealt with the killings of Renee Good and Alex Pretti by federal agents in Minneapolis in January.
Good was shot in her car by an Immigration and Customs Enforcement agent after several officers gave her conflicting instructions, and footage of the shooting showed an agent approaching the front of her vehicle as she turned the wheel to the right. Pretti was shot by Customs and Border Protection agents in another incident, after he approached a woman one officer had thrown to the ground. Top administration officials accused both victims of being violent and called Good a "domestic terrorist" while barring state officials from investigating the killings.
Pelley said that before Weiss intervened in the coverage of the fatal shootings, he had pushed to use images "in which we see the protesters acting aggressively."
"I felt it was very important to identify that the protesters themselves were being very aggressive and that they were half of these confrontations," he told Garcia-Navarro. "We also included a picture of Alex Pretti before he was killed kicking out a taillight on a police car and made a point of saying, this is Alex Pretti and this is what he did."
But Pelley's push to get ahead of any criticism that '60 Minutes' was being biased against the agents or the Trump administration didn't stop Weiss from emailing the show's executive producer hours before the story was set to air, asking that producers "make the protesters look more violent" and even promote a false claim about Good that was pushed by the White House.
Pelley said the message from Weiss was, "You need to describe her as driving toward the officer."
This is a devastating interview.
Scott Pelley tells the NYT that Bari Weiss directly put a “thumb on the scale” for Trump over the killing of Renee Good.
Here’s his explanation of exactly what happened. pic.twitter.com/Kh56P1q7rM
— Niall Stanage (@NiallStanage) June 7, 2026
"This is not what you see on the video," Pelley told Garcia-Navarro. "On the video, you see the officer standing slightly off the front of the car. And you clearly see Ms. Good’s wheels turned completely as far as they will go, away from the officer. But he shoots her in the head, kills her."
Pelley said he refused to make the changes, and did not hear from Weiss about the piece after it aired. A CBS spokesperson told the Times that the suggestions Weiss had made "had no political motivation and were proposed solely to make the piece as strong, fair, and accurate as possible."
Pelley told Garcia-Navarro: "My impression at the time was that she was putting a thumb on the scale on behalf of the administration. Constantly looking out for the views of the president. We’re reporting those views. There’s nothing wrong with reporting those views, but it was never enough."
The story on Pretti and Good came weeks after Weiss pushed the show's producers and correspondents to change a segment on Trump's deal with El Salvador under which hundreds of immigrants have been deported to the country's notorious Terrorism Confinement Center after being falsely accused of being gang members.
Pelley's revelation about the exchange with Weiss was called "devastating" by The Hill reporter Niall Stanage, while the grassroots progressive group Our Revolution said Pelley had described "a CBS News editor demanding reporters change facts to match Trump’s version of events to help justify the murder of a US citizen.
"That isn’t news. It’s state propaganda," said the group. "Bari Weiss is not a journalist. She is an asset of the Trump administration. She should be sued and removed and Paramount should answer for installing her."
Scottish historian William Dalrymple added that Pelley's interview revealed Weiss as "a major threat to truthful journalism."
The chaos at CBS has intensified as Paramount Skydance has pushed for a merger with Warner Bros. Discovery, which owns CNN—raising alarm that the cable network could soon see a significant shift toward reporting that blatantly centers the White House's viewpoints.