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Winning Blind Cruel Inept Nationalism, Also Cultism
Hoo boy. The stupid and evil, somehow accelerating, burn. America's so-called leader, the "Worst That Has Ever Drawn Breath," manifests ever more cognitive dissonance on steroids. Absurd, addled, vindictive, looming above "a circus of death and chaos," he commits war crimes, guts voting rights, plots devastation, abases decency, murders mercy, yet whines about mean jokes. But as America reels, Banksy, Bruce, Platner and others increasingly declare, "We are not fucking doing this anymore."
Amidst what the head of Amnesty International calls "the year of the predators," humanity itself is under attack, most notably by our ludicrous narcissist and his "casual, bewildering cruelty." Despite his foolishness, Nesrine Malik writes, "This is what evil looks like": See history's portrayals of Hitler - "the startling insignificance of this man who has set the world agog" - and Mussolini, "that funny man, that consummate buffoon." Trump's "farcical puniness," Malik notes, is "a projection onto the world, not of large intent, but of smallness and fear...The consequences of his violence are secondary to the validation that comes from inflicting it (to) erase his terror of humiliation (and) feed his sociopathic appetite for escalation." Thus can deeply silly still equal dangerous.
Daily, the large and small atrocities are both, albeit without the resonance of the label "fascist" only because he lacks the wit, intent and coherence it requires. The war in Iran veers on: "Another day, another pivot. Trump flails." It's won, not, won but not by enough, it's not a war, we made a deal, we don't want a deal, talks are going well, we don't wanna talk, Iran struck a school full of young girls, or if we did it's Obama's fault. Give me ballroom or give me death: The solution to gun violence that kills 12 children a day, wounds 32 more and has affected over 390,000 kids since Columbine - is to build one rich white guy who's never expressed any grief over any of them a gilded bunker of his own. The way to keep more people safe is to kill as many as possible, including by firing squad.
Also, Bill Maher, Hakeem Jeffries, Stephen Colbert and Jimmy Kimmel are low IQ losers, James Comey tried to kill and "inflict bodily harm on" him with "aggravated beachy seashell pictures," he's so "young, vital, vibrant" he could've joined the Artemis II astronauts easy like he aced his three screening tests for dementia - "A lion, a giraffe, a bear, and a shark. Which one is the bear?" - which the Villages audience def couldn't do, ditto sketchy Harvard Law graduate Hussein Obama. America's response to his musing what we'd do if a con man moron turned up - "How do you get to be president and you're stupid?": "That would suck - we'd probably have unprovoked wars, high gas prices and all our allies would hate us," "He's so close to getting it," "The Irony Meter is dead after spontaneously combusting," and "You're a fucking moron." Also, so grotesquely weird.
Latest bonkers Jesus/doctor post with an umbilical-cord-eating eagle. Nothing to see here.Image from Truth Social
Meanwhile, the Orwellian rules for what you can/can’t see/say keep spooling out, lies sold as half-truths to justify a brazen, racist, whitewashing of both present and past under the shameless moniker of content “inappropriately disparaging Americans past or living,” but always white. Among dozens of changes at our National Parks, gone are signs about the contributions of Native Americans and women, warnings about climate change "not grounded in real science," evidence of Founding Fathers owning slaves and explorers' atrocities against Native tribes. But you do get Trump's loathsome mug plastered on park passes, like on our money, buildings, passports ad nauseum. Happily, fighting back for years have been patriots like the Resistance Rangers, the Alt National Park Service and whatever genius slapped these "Sex Offender" flyers across D.C.'s parks.
Hence incrementally, far too slowly but feeding vital hope and our frayed spirits, the flip side of our grim absurdist timeline begins to emerge as Trump and his monstrous clowns flail, fail, dig their own dank holes. So many horrors should have sparked it -Gaza, ICE, USAID, the boundless greed, cruelty, stupidity. Instead, prices did it, a non-stop, staggering incompetence that saw people being screwed once too often and lied to about one too many senseless wars. Last week, Banksy registered his own anti-imperialist protest in a middle-of-the-night dropping into the heart of ceremonial London a large statue mocking such Blind Patriotism. Mirroring the classical style of surrounding monuments celebrating the British Empire's inglorious colonial past, he presents a suited man, his flag flying into his face, one foot poised to step off into his own demise. Much like, you know.
Banksy's new Blind Nationalism art work amidst London's colonial monumentsImage from Banksy Instagram page
Kicking off his Land of Hope and Dreams American tour several weeks ago, Bruce Springsteen offered his own fiery rebuttal to "a corrupt, incompetent, racist, reckless and treasonous administration," which drew roars from a huge first night crowd in Minneapolis. Equal parts celebration and call to action, The Boss insisted, "This is still America, and - shades of the Big Lebowski, "this will not stand." Summoning "the righteous power of art, music and rock and roll in dangerous times," he asked the crowd to "join with us in choosing hope over fear, democracy over authoritarianism, the rule of law over lawlessness, ethics over unbridled corruption, resistance over complacency, unity over division, and peace over....(lights come up to segue into) "WAR! What is it good for? Absolutely nothin'!" complete with Rage Against the Machine's Tom Morello shredding a solo. A righteous, dynamic pair.
- YouTube www.youtube.com
In contrast, standing grotesque and slumped-shouldered in a dingy, empty corner, is the small, mad man-child who spent Monday bellowing to a weary world that Iran will be "blown off the face of the Earth" if it targets U.S. ships in the Strait of Hormuz, which his inane recklessness closed in the first place. Online, in "the most desperate shit" to ever make its demonic way from the White House, a juvenile lackey posted him saying, "Winning it" on a loop for over 60 minutes, which still didn't make it so. The text read, "Can't stop, won't stop." Please fucking do. A horrified America: "This is a real tweet from a real account about a real man who leads a real country." Kyle Kulinski, on "the war criminal of all war criminals" who makes genocidal threats and bleats about insults: “We are not fucking doing this anymore. You don't get to say shit."
Still, one Tom Wellborn says it best in, “A Eulogy for the Worst That Has Ever Drawn Breath,” subtitled “Being a Complete and Unflinching Account of the Most Loathsome Specimen Ever to Consume Resources, Occupy Space, and Insult the Patience of a Universe That Deserved So Much Better." "There are villains, and then there are monsters, and then there are creatures so cosmically, transcendently... terrible that language itself recoils," he begins. "Grammar buckles. Syntax weeps...He is this thing. He is the thing past the thing past the thing. He is the sub-basement of the human condition, the moldy crawlspace beneath that sub-basement, and the writhing centipede beneath that."
"He has no morals. Not a single one. Not even the bad morals that at least imply a moral framework: the corrupt cop who loves his dog, the mob boss who goes to church. No. He exists in a morality vacuum so total that ethicists have proposed naming it after him...A being entirely without moral content. Not evil, because evil requires intention. Simply absent of the entire apparatus...A moral negative space shaped vaguely like a man...He has no empathy....like a raisin...He is incapable of the most basic social theater that even sociopaths manage....He takes without asking. He takes everything without asking. He takes things that aren’t takeable...The principle being: I can....He is stupid in a way that is almost majestic...His stupidity (is) total. Unified....He has been wrong about everything, always, without exception..."
"He is callous the way concrete is callous: not through malice, not through choice, but through an utter material inability to register (another) person’s pain...You could show him the face of grief, and he would wonder aloud if there was parking nearby...He is vicious the way a blunt instrument is vicious: through sheer, undirected force, through the momentum of his own awfulness...He is smelted fury with no purpose, unforged, unbent, uselessly molten....(He is) a statistical outlier so extreme that evolution seems to be embarrassed by him, a glitch in the long project of civilization...And the most horrifying part...He will never know any of this. He will never know what he is." Name it, damn it, take it down. Maine's Graham Platner hopes to help do that. We wish him well.
- YouTube www.youtube.com
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'The Creep State Is Watching': Guerilla Art Project Takes on Big Tech's Power Grab
On their way to attend the Met Gala on Monday night, guests might have spotted a different image of Amazon founder Jeff Bezos than the one he tried to project by chairing the annual fundraiser: a poster featuring his bulbous head, looming over them out of the darkness, attached to a muscular spider-shaped body. Above it, a mysterious message: “The Creep State is watching.”
What does it mean?
The Creep State is an anonymous guerilla art and protest project that debuted in Austin, Texas during South by Southwest earlier this year. It is designed to draw people’s attention to the threat posed by Big Tech billionaires and their increasing influence over both the US government and the daily lives of everyone who interacts with their products.
“These individuals are a danger to all of us,” a DC-based organizer said.
What Is the Creep State?
The Creep State image of Jeff Bezos is shown. (Photo via Creep State)
The idea for the Creep State came from the desire to raise awareness about certain Silicon Valley oligarchs and their anti-democratic actions and aspirations. Participants in the project who spoke to Common Dreams asked to remain anonymous in keeping with the guerilla-style tactics of their effort.
“There's what is really a very small group of men who control these algorithms, who control the software, the hardware, and.. they are trying to initially infiltrate our government and eventually replace our government,” a Seattle-based organizer explained. “They've all been pretty clear about, you know, some version of, you know, a company town run by a CEO king.”
The project’s designers wanted to convey that “these specific individuals have very nefarious and creepy goals, and they are personally creeps,"—hence, the “creep state” framing.
“Whatever you do, see, hear, touch, say, feel, believe, dream, the Creep State is watching."
Currently, the project consists of a physical and digital element.
Volunteers wheatpaste posters of seven Silicon Valley kingpins—Jeff Bezos, Elon Musk, Mark Zuckerberg, Sam Altman, Peter Thiel, Bill Gates, and Marc Andreessen, drawn in cartoon style as B-movie monsters—in major US cities. To date, the images have been displayed in Austin, Seattle, DC, Palo Alto, the area around the Met Gala in New York, and Los Angeles, with more to come.
The posters include a QR code that leads to a website, including a video highlighting how these moguls' companies and products are already monitoring people’s daily activities, from surveillance pricing to sleep tracking.
“Whatever you do, see, hear, touch, say, feel, believe, dream, the Creep State is watching," the video declares, before concluding: “We’re fighting back.”
“These people and these companies need to continue to be exposed for all of the harm that they're causing and the real power that they have over our government and those governed,” the DC-based organizer said.
‘People Versus the Machines’
The Creep State image of Sam Altman is shown. (Photo via Creep State)
While there have been many different campaigns and critiques calling out Big Tech and the rise of AI in recent years, the creators of the Creep State took an artistic approach partly to grab people’s attention, to make something that “quite literally visually shocked people out of the normal way that they think about and talk about these guys,” as the Seattle-based organizer put it.
They added that they wanted a viewer’s first response upon seeing the art to be, “Woah!”
So far, it seems to be working.
When the art went up in Seattle ahead of the No Kings protest on March 28, “people walking by stopped and took pictures and were like, ‘Whoa, what is this about? Oh my God, is that Jeff Bezos? Whoa, is that Bill Gates?’” the Seattle organizer said.
A member of the team who put the posters up in DC on April 18 similarly recalled: “We had a young woman come up to us and ask us about the Creep State and said she was glad we were exposing these guys. She said she was from [Prince George's] County in Maryland and was part of the movement to stop data centers there.”
"Fundamentally the question that we face is will we allow one or a few of these corporations to literally remake our society?"
The project’s designers see themselves as operating within a tradition of guerilla art against the powerful from Banksy, Favianna Rodriguez, and Shepard Fairey's OBEY posters to student protests against Slobodan Milošević in Serbia in the 1990s and the FeesMustFall campaign in South Africa in the 2010s. However, the project—which made a point of working with actual human creators, including a screenwriter, comic book artist, and graphic designer—takes on extra resonance in an age in which AI slop clogs up social media feeds and threatens to put creative workers out of a job.
“This is very much a people versus the machines kind of thing,” the Seattle-based organizer said. “Are we going to be a society where human creativity and human inspiration and human thinking are valued, or are we going to be a world where.. we're all plugged into a screen?”
Bipartisan Appeal
The Creep State image of Peter Thiel is shown. (Photo via Creep State)
As the project uses an artistic approach to hook people who might otherwise ignore its messaging, it also crafts that messaging in an attempt to appeal to people who might not always agree politically.
The name “Creep State” was chosen in part for its similarity to “deep state,” which is often used on the political right to describe hidden actors undemocratically controlling the federal government. Some of the headlines highlighted in the introductory video were also selected to appeal to right-leaning viewers. (“Prayer apps: is AI playing God?” one reads.)
“Our assessment here is that we may have, and we very much do have, some very deep disagreements in a variety of ways with the right wing. But there is a very real grassroots right-wing opposition to the Silicon Valley takeover of our economy and our democracy. And we want to make sure that this is a campaign that different types of folks can see themselves reflected in,” the Seattle-based organizer said.
"Once they're burrowed in, it's going to be very difficult to root them out.”
Indeed, the rise of AI and the hyperscale data centers it relies on seems to have, at least so far, bypassed the usual culture war divides. As communities across the country have mobilized against the data center buildout, “you've got DSA people linking arms with, you know, like ultra-MAGA folks,” the Seattle organizer added.
The numbers reflect this, with around 50% of both Republicans and Democrats now saying they are more concerned than excited about AI and 55% of the politicians opposing data centers, which are often located in red states, being Republicans.
The embrace of AI and its Silicon Valley pushers may be one wedge between President Donald Trump and some of his supporters, as 75% of 2024 Trump voters think that AI should be regulated while the president himself has thrown his weight behind a plan to prohibit states from regulating AI at all.
Indeed, even as the Creep State’s developers reach out to Trump voters, they are clear that the Trump administration itself has escalated the Big Tech takeover of the US government, upping the urgency of their project.
Even before Trump was elected a second time around, Silicon Valley enabled his rise. Bezos sunk The Washington Post’s endorsement of his rival Kamala Harris, while Musk donated more than a quarter billion to back Trump's campaign. His Vice President JD Vance is a protege of Thiel, who has backed Trump since 2016.
Trump has repaid these Big Tech executives handsomely with access, money, and his deregulatory push. The DC-based organizer said they were partly inspired to get involved with the Creep State project after witnessing the havoc wreaked by Musk’s Department of Government Efficiency, which cut funding for essential grants and may lead to the deaths of over 14 million through the shuttering of the US Agency for International Development. At the same time, tech billionaires have increased their profits by contracting with the government, enabling deportations via Immigration and Customs Enforcement and both surveillance and targeting via the Pentagon.
Yet the Seattle-based organizer said that some Trump supporters “are beginning to realize… that these guys don't care about Trump. Trump is a vehicle for them. And, you know, once they're burrowed in, it's going to be very difficult to root them out.”
‘We’re Fighting Back’
The Creep State image of Mark Zuckerberg is shown. (Photo via Creep State)
Ultimately the goal of the Creep State project is to plug everyone who sees and responds to the art—whatever their politics—into the growing movement to push back against the Big Tech power grab.
“The more we can expose these actors, it can inspire people to… organize against them, demand… oversight and regulations over AI and the influence that these individuals have on their politics,” the DC-based organizer said.
People who scan the QR code can be funneled into future wheatpasting sessions (which are all volunteer efforts) or local fights related to tech policy. One hope the organizers have is that communities across the country who are fighting data center construction or Flock camera expansion could order posters from the site that would have their QR codes adjusted to direct viewers to the local struggle.
“If we can plug people into some of those fights with organizations and for them to get more deeply involved, we'd love to do that,” the DC organizer said.
The Seattle organizer concluded, "Fundamentally the question that we face is will we allow one or a few of these corporations to literally remake our society?"
They continued: "We're all living through this polycrisis. The climate is collapsing, the economy is in tatters, we're at war abroad. There's something new and crazy every day, and it's hard to break through to people. So the hope is that this art specifically, in this way of highlighting both the like political creepiness and the personal creepiness of these guys, can maybe shock some people who otherwise are just trying to get through their day into, 'I need to do something.'"
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Expert Puts True Cost of Trump's Iran War at $72 Billion—Nearly 3 Times Higher Than Pentagon Said
The Pentagon's official estimate of the direct financial cost of the US war on Iran is a nearly threefold undercount of the actual price tag of the war, according to an expert analysis published Wednesday.
Stephen Semler, a senior fellow at the Center for International Policy, produced the new cost estimate for the Popular Information newsletter. Accounting for armament use, troop deployments, and other factors, Semler estimated that the US government spent $71.8 billion on the Iran war over the course of 60 days—an average of $1.2 billion per day.
"Like the estimates from Pentagon leadership and unnamed officials, this figure refers only to direct war costs—near-term expenses for military operations, munitions, and the like—and not indirect costs, which include broader economic impacts, interest on the national debt, and longer-term expenses like veterans’ care," explained Semler, who argued that the Pentagon's $25 billion cost estimate suffers from "incomplete accounting of damaged or destroyed military assets, the exclusion of costs outside the department (including billions of dollars in State Department-funded military aid to Israel), and a flawed method for tracking munition expenditures."
Semler, who detailed his methodology in a separate post, accused top Pentagon officials of attempting to deliberately mislead lawmakers and the American public about the true cost of the war, which is historically unpopular.
"The $25 billion war cost given by Pentagon Secretary [Pete] Hegseth and acting Comptroller [Jules] Hurst before Congress was a lie," Semler wrote Wednesday. "It was a denial of the Iran war’s spiraling costs, one of several foreseen consequences of the Trump administration’s decision to go to war. The closing of the Strait of Hormuz is another predictable consequence."
Semler's analysis was released days after unnamed Trump administration officials told CBS News that they believe the actual US cost of the Iran war is roughly double the estimate offered under oath by Pentagon leaders.
"US officials familiar with internal assessments suggested the war's price tag is closer to $50 billion so far," CBS News reported. "Much of the gap is accounted for by munitions that have been used and need to be replaced. For instance, the Pentagon has lost 24 MQ-9 Reaper drones—sophisticated unmanned aircraft that can cost $30 million or more apiece—underscoring how quickly the financial toll has mounted. Taken together, the higher estimate reflects not only the tempo of operations but also the often unseen costs of attrition, as material lost in the field reshapes the ledger."
Ongoing efforts to calculate the costs of US-Israeli war—which has killed thousands, displaced millions, sent global energy markets into chaos, and sparked fears of a worldwide food crisis—come as Trump continues to threaten Iran with an even more aggressive bombing campaign, which would send the conflict's price tag soaring further.
In a Truth Social post early Wednesday, Trump said that if Iran doesn't agree to US terms to end the war, "the bombing starts, and it will be, sadly, at a much higher level and intensity than it was before."
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