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bari weiss
Scott Pelley Details Weiss' Push to Air 'State Propaganda' on CBS News
"She was putting a thumb on the scale on behalf of the administration. Constantly looking out for the views of the president."
Jun 08, 2026
Days after being fired from the CBS News program '60 Minutes' for speaking out against the dismissal of several top correspondents and declaring that editor-in-chief Bari Weiss was "brought in to kill" the show, veteran journalist Scott Pelley described in detail the right-wing former opinion columnist's efforts to push for political coverage that centered the White House's point of view—regardless of the facts.
"There was a thumb on the scale for the president’s version of events that I felt was a level of political influence that I had never seen in 37 years at CBS News," Pelley told The New York Times' Lulu Garcia-Navarro Sunday.
Pelley was interviewed after he and his former colleagues spoke out against what fired correspondent Cecilia Vega called "censorship" at the 58-year-old program since Weiss took the helm of CBS News last year. Weiss was installed following a White House-approved merger of parent company Paramount and Skydance Media, owned by the son of President Donald Trump backer Larry Ellison.
The new editor-in-chief, who first gained notoriety as a student at Columbia University when she led a campaign against pro-Palestinian professors and later railed against "cancel culture," arrived at CBS last fall with promises to promote "journalism that reports on the world as it actually is" and that is "fair, fearless, and factual."
But in his interview with the Times, Pelley expanded on his earlier accusation, made in a statement released last week after he was fired, that Weiss had demanded that he "inject falsehoods and bias into a politically sensitive story"—revealing that the coverage in question dealt with the killings of Renee Good and Alex Pretti by federal agents in Minneapolis in January.
Good was shot in her car by an Immigration and Customs Enforcement agent after several officers gave her conflicting instructions, and footage of the shooting showed an agent approaching the front of her vehicle as she turned the wheel to the right. Pretti was shot by Customs and Border Protection agents in another incident, after he approached a woman one officer had thrown to the ground. Top administration officials accused both victims of being violent and called Good a "domestic terrorist" while barring state officials from investigating the killings.
Pelley said that before Weiss intervened in the coverage of the fatal shootings, he had pushed to use images "in which we see the protesters acting aggressively."
"I felt it was very important to identify that the protesters themselves were being very aggressive and that they were half of these confrontations," he told Garcia-Navarro. "We also included a picture of Alex Pretti before he was killed kicking out a taillight on a police car and made a point of saying, this is Alex Pretti and this is what he did."
But Pelley's push to get ahead of any criticism that '60 Minutes' was being biased against the agents or the Trump administration didn't stop Weiss from emailing the show's executive producer hours before the story was set to air, asking that producers "make the protesters look more violent" and even promote a false claim about Good that was pushed by the White House.
Pelley said the message from Weiss was, "You need to describe her as driving toward the officer."
This is a devastating interview.
Scott Pelley tells the NYT that Bari Weiss directly put a “thumb on the scale” for Trump over the killing of Renee Good.
Here’s his explanation of exactly what happened. pic.twitter.com/Kh56P1q7rM
— Niall Stanage (@NiallStanage) June 7, 2026
"This is not what you see on the video," Pelley told Garcia-Navarro. "On the video, you see the officer standing slightly off the front of the car. And you clearly see Ms. Good’s wheels turned completely as far as they will go, away from the officer. But he shoots her in the head, kills her."
Pelley said he refused to make the changes, and did not hear from Weiss about the piece after it aired. A CBS spokesperson told the Times that the suggestions Weiss had made "had no political motivation and were proposed solely to make the piece as strong, fair, and accurate as possible."
Pelley told Garcia-Navarro: "My impression at the time was that she was putting a thumb on the scale on behalf of the administration. Constantly looking out for the views of the president. We’re reporting those views. There’s nothing wrong with reporting those views, but it was never enough."
The story on Pretti and Good came weeks after Weiss pushed the show's producers and correspondents to change a segment on Trump's deal with El Salvador under which hundreds of immigrants have been deported to the country's notorious Terrorism Confinement Center after being falsely accused of being gang members.
Pelley's revelation about the exchange with Weiss was called "devastating" by The Hill reporter Niall Stanage, while the grassroots progressive group Our Revolution said Pelley had described "a CBS News editor demanding reporters change facts to match Trump’s version of events to help justify the murder of a US citizen.
"That isn’t news. It’s state propaganda," said the group. "Bari Weiss is not a journalist. She is an asset of the Trump administration. She should be sued and removed and Paramount should answer for installing her."
Scottish historian William Dalrymple added that Pelley's interview revealed Weiss as "a major threat to truthful journalism."
The chaos at CBS has intensified as Paramount Skydance has pushed for a merger with Warner Bros. Discovery, which owns CNN—raising alarm that the cable network could soon see a significant shift toward reporting that blatantly centers the White House's viewpoints.
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Fight the Trump Media Takeover With Tax Credits for Independent Reporting
If 150 million people took advantage of a $100 credit, that would make $15 billion available to support independent media.
Jun 05, 2026
It is terrible to see Bari Weiss, under orders from Trumper owner David Ellison, dismantle "60 Minutes" and the rest of CBS News. CBS was never close to being a paragon of unbiased reporting; the rich always had a disproportionate voice, but the network, and especially "60 Minutes," did much excellent investigative reporting.
The Weiss-Ellison team is explicitly saying that this will no longer be the case under their leadership. Any investigative reporting this crew does will most likely be on President Donald Trump’s political opponents. And the material they present will likely be as distorted as the lies that Trump spouts on a daily basis.
The problem goes well beyond CBS. The Ellison family is also planning to take over CNN through its acquisition of Warner Bros., the parent company. The Trumper trio of Larry Ellison, Mark Zuckerberg, and Elon Musk own TikTok, Facebook and Instagram, and X, respectively. They do not hide their efforts to use their control of these social media platforms to push their political agenda.
And it goes beyond just outright control. Trump and Brendan Carr, his chair of the Federal Communications Commission, have said that they would use the federal government’s regulatory powers to punish outlets that broadcast material they don’t like. Trump used this threat to extract tribute from both ABC News and CBS News (pre-Weiss) over absurd lawsuits.
The media matter hugely for democracy, much more than campaign financing.
All in all, this is a really bad story. But there are things that can be done other than whine. First, the Ellison’s takeover of Warner is not a done deal. People can protest this monopolization of both movie production and news. Even Trumper politicians can be forced to respond to public pressure. Note the seeming retreat from Trump’s $1.8 billion slush fund for his criminal friends. Giving tax dollars to Trump’s chosen criminals was too much for people to stomach, and the Republicans in Congress were forced to nix it.
There are also a large number of independent outlets that continue to do solid reporting. I would put ProPublica at the top of that list, but there are many others. I would also include The New York Times and NPR, despite my many criticisms of both outlets over the years. And there are dozens of smaller publications, way too many for me to list, that people should look to support. Instead of buying something you see advertised on CBS or any other corrupt media outlet, send the money you would have spent to The Nation, In These Times, Payday Report, or any of a number of other independent outlets.
But we really need to go beyond what people cough up out of goodwill. The billionaires have endless money to push their Trumpian nonsense. The nickels and dimes that ordinary people can afford is not a match. We really need to have government support for independent media, and I’m not talking about going back to the old days with the federal government coughing up $500 million a year (0.007% of the budget) for the Corporation for Public Broadcasting.
We need an individual tax credit or voucher, modeled on the charitable contribution tax deduction. The difference is that this money would be designated for news outlets, and that it would be a credit (say $100), available to everyone, not a deduction from taxes. This way the money would go to the outlets that people find valuable, not the ones the government has chosen. (There is a question of eligibility, but this has generally not been a major problem in qualifying for tax-exempt status with the Internal Revenue Service.)
This route can make a huge amount of money available to support independent reporting. If it was set up nationally and 150 million people took advantage of a $100 credit, that would make $15 billion available to support independent media. That is roughly 300 times ProPublica’s annual budget.
Needless to say, not everyone will use their credit to support media progressives will like. Some may support tabloid-type reporting on Hollywood figures. Some of it will go to support right-wing Fox News- type propaganda. But if even 20% went to support real news, it would be an enormous boon for independent reporting.
And the great thing about this credit is that it can be done at the state and local level, so we don’t have to wait for the forces of good to retake Washington. There have already been some efforts in this direction around the country. In this respect, it’s worth noting that Katie Wilson, Seattle’s new progressive mayor, is a big proponent. If Seattle or some other progressive city or state led the way, it could set an example for others to follow.
To many, this sort of media tax credit will be a new idea. We all know the old line about intellectuals having a hard time with new ideas. But it is really important that people overcome their difficulties. The media matter hugely for democracy, much more than campaign financing. (Sorry, but it’s a bit nuts to think that campaign ads affect voting, but not what people see between the ads.)
I’ve pushed this scheme for a long time, and maybe it’s not the best plan. But if people have better ideas, put them on the table. Whining over the right’s takeover of the media is not a political strategy.
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Fired Scott Pelley Says '60 Minutes' Under Bari Weiss Wanted 'Falsehoods and Bias' Injected
"Incompetence and unprofessionalism in the new management have wreaked havoc," said the veteran journalist as his 37-career with CBS News came to an end.
Jun 03, 2026
Fired by the network where he had worked for nearly four decades on Tuesday night, veteran "60 Minutes" correspondent Scott Pelley said in a statement that he had been directed by the new management team at CBS News, led by editor-in-chief Bari Weiss, "to inject falsehoods and bias into a politically sensitive story" and also "told to include assertions that are unverified" in his reporting.
What looks like the collapse of "60 Minutes" has played out both behind closed doors at the network in recent months and publicly, with a series of high-profile firings of other longtime journalists and producers at the show. Details of internal meetings have been leaked, revealing serious tension between veteran members of the nation's most-watched television news magazine and Weiss' new management team.
“The leadership of 60 Minutes is no longer recognizable,” Pelley said in his statement, released just hours after Nick Bilton, the show's new executive producer appointed by Weiss last month, announced the firing. “The principles I hold dear are gone, and so I must leave as well."
Bilton said in his statement that Pelley had been “terminated for cause effective immediately," following a contentious staff meeting on Monday in which Pelley accused Weiss, who was not at the meeting, of being "brought in to kill" the program, not save it.
Despite "repeated attempts to have direct conversations with him over the weekend" and earlier on Tuesday, Bilton said, his efforts "to find common ground" with Pelley were not successful. "That was not the path Scott chose," he said.
Pelley's narrative of events was starkly different.
"Last month, 60 Minutes lost its DNA when our entire senior leadership and two of our best on-air correspondents were cruelly fired without cause," Pelley said in a statement sent to several news outlets. "Good people were silenced because they stood up for our audience. They stood for fairness against the forces of political bias; they stood for professionalism against chaos."
“For my part," he continued, "new management has instructed me to inject falsehoods and bias into a politically sensitive story. I’ve been told to include assertions that are unverified. To date, in every case, I have managed to ignore these instructions or refuse them. Recently, politicians have been invited to choose correspondents for interviews on the broadcast. Giving politicians control over 60 Minutes interviews is not how this is done. Finally, incompetence and unprofessionalism in the new management have wreaked havoc. In a case involving one of my stories, the entire program came within 19 minutes of not getting on the air at all.”
Pelley concluded: “I depart after 37 years at CBS with one emotion—a heart brimming with gratitude for the men and women of CBS News who encouraged and enriched my work, very often at the risk of their own lives. I pray for a day when those people and their ideals are honored again—a day when sanity, competence, and courage return.”
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CBS Firings Called 'Straight From an Authoritarian Handbook' and Preview of Paramount-Warner Bros. Merger
The pending Paramount-Warner Bros. Discovery merger "represents an existential threat to the free press, independent media, and free speech in this country and beyond," warned several press freedom groups.
Jun 02, 2026
A coalition of nine press freedom groups on Tuesday warned that last week's firings of top journalists at CBS News' "60 Minutes" were a "grotesque effort taken straight from an authoritarian handbook"—but emphasized that the dismissal of reporters who had pushed back against the Trump administration signaled danger for journalists across the media, particularly as a pending merger would hand control of CNN to the same billionaire family that how runs CBS.
The Coalition for Women in Journalism, Common Cause, Freedom of the Press Foundation, and Reporters Without Borders were among the groups that released a statement saying the firing of "60 Minutes" correspondents Sharyn Alfonsi and Cecilia Vega—as well as two top executives—were meant to "appease a sitting president and dismantle one of the loudest voices in investigative journalism."
But the groups emphasized that "this is only the beginning," considering the fact that Warner Bros. Discovery recently voted in support of a $110 billion proposed merger with Paramount Skydance, owned by David Ellison, the son of President Donald Trump megadonor Larry Ellison. The deal could be finalized as soon as July.
Warner Bros. Discovery owns CNN, and media critics have warned the network could be headed for the same loss of editorial independence that CBS has faced since right-wing former opinion columnist took the helm of the latter network last year following the Paramount Skydance merger.
Since then, newly appointed editor-in-chief Bari Weiss has pulled from the air a "60 Minutes" segment that questioned the Trump administration's explanation for the deportation of hundreds of immigrants to an El Salvador prison, personally booked guests for news programs, and called for programming that appeals to "centrist" viewers.
"Bari Weiss’ shameless actions fulfill the Ellisons’ commitment to President Trump to remake CBS to his liking," said the groups on Tuesday. "Larry Ellison has reportedly promised to do the same at CNN if allowed to take control through the pending Paramount-Warner Bros. Discovery merger. Not because it makes any business sense, but because they seek to control the public discourse."
"We have to make the story heard. It’s what '60 Minutes' would have done; it’s what the Fourth Estate is tasked with doing; it’s what Trump and the Ellisons want to prevent. Don’t let them.”
The groups noted that the firings of Alfonsi, Vega, executive producer Tanya Simon, and executive editor Draggan Mihailovich came as more than 200 journalists and documentarians signed an open letter opposing the Paramount-Warner Bros. merger, citing concerns that the deal "would open the door to improper political meddling in journalists’ editorial decisions," and noting that according to The Wall Street Journal, David Ellison has "promised President Donald Trump 'sweeping changes' at Warner-owned CNN—a frequent target of Trump’s ire."
"Ellison will likely alter CNN’s editorial direction (not to mention meddle with HBO’s documentaries) to be more friendly to the administration, threatening press freedom," said the signatories, including Wajahat Ali, Mehdi Hasan, and Alfonsi.
A separate letter organized by Democracy Defenders Fund has garnered signatures from over 1,000 actors, producers, directors, screenwriters, and other entertainment professionals.
"This transaction would further consolidate an already concentrated media landscape, reducing competition at a moment when our industries—and the audiences we serve—can least afford it," reads the letter, which calls for state attorneys general to block the merger. "The result will be fewer opportunities for creators, fewer jobs across the production ecosystem, higher costs, and less choice for audiences in the United States and around the world. Alarmingly, this merger would reduce the number of major US film studios to just four."
On Tuesday, the press freedom groups warned that the merger "represents an existential threat to the free press, independent media, and free speech in this country and beyond, and should not be allowed to move forward."
"We cannot let this blow to the bedrock of our democracy be lost in the constant barrage of scandal, corruption, and abuse of power," said the organizations. "We have to make the story heard. It’s what '60 Minutes' would have done; it’s what the Fourth Estate is tasked with doing; it’s what Trump and the Ellisons want to prevent. Don’t let them.”
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'She Was Brought in to Kill' 60 Minutes: Scott Pelley Unleashes on Bari Weiss at CBS Meeting
The journalist confronted newly installed executive editor Nick Bilton over the recent firings of two reporters and two top executives.
Jun 01, 2026
Veteran "60 Minutes" correspondent Scott Pelley took aim at the qualifications and intentions of CBS News' right-wing editor-in-chief, Bari Weiss, on Monday at an explosive staff meeting that was meant to introduce employees of the 57-year-old news show to its newly appointed executive producer days after several journalists were fired in what Pelley referred to as "Black Thursday."
Weiss, a former New York Times opinion columnist who first gained notoriety for campaigning against pro-Palestinian professors at Columbia University and went on to rail against "woke" progressives and "cancel culture," appointed tech journalist Nick Bilton to lead the program last week after firing two executives and two top correspondents.
Bilton opened the meeting by reading some prepared remarks, but Pelley quickly cut in to tell the new producer that he had "many questions" about the dismissals of reporters Cecilia Vega and Sharyn Alfonsi, executive producer Tanya Simon, and executive editor Draggan Mihailovich.
"I guess you wandered in expecting to read a statement off?" Pelley asked Bilton, his voice reportedly "shaking in anger" at times. "What was wrong with Sharyn Alfonsi?"
Alfonsi and Vega won a prestigious journalism award for a story on President Donald Trump's deal with El Salvador to send immigrants to the country's notorious Terrorism Confinement Center (CECOT), the abuse detainees have suffered there, and the fact that many of those deported to the prison have not been convicted of crimes and have been falsely accused of being members of violent gangs.
The story was pulled from the air last December after Weiss complained that it hadn't covered the Trump administration's perspective, garnering accusations of censorship, and eventually aired with some editing.
Pelley suggested on Monday that such decisions revealed Weiss' intentions for the broadcast as a whole.
“She’s murdering ’60 Minutes.’ She does not love this place. She was brought in to kill it—and she’s doing exactly that,” Pelley told Bilton. “She has no qualifications for her job; you have slender qualifications for this job."
"The changes that she’s made at the ‘Evening News’ have been catastrophic," he added, "so why should we expect that any of this is going to be any better?”
'CBS Evening News' has had declining viewership, "often below 4 million viewers a night," according to NPR, with the broadcast "flagging" since Weiss installed Tony Dokoupil as anchor.
Media critics have warned that Weiss appears to be "running the Trump playbook" at CBS, as Sophia Tesfaye wrote at Salon last week: "Take an institution that still commands public trust, install loyalists with no relevant experience in positions of authority, fire the people who push back, dress the whole operation in the language of reform—fairness, innovation, a new direction—and you dare anyone to prove that what you’re really doing is building a protection racket."
Weiss took the helm of CBS after parent company Paramount's merger with Skydance, owned by the son of tech billionaire and Trump backer Larry Ellison.
Charles Forelle, the managing editor of CBS News and a close associate of Weiss, repeatedly attempted to steer Monday's meeting away from Pelley's criticism of Bilton and the new direction "60 Minutes" appears to be taking, saying at one point that Pelley's line of questioning was "not actually productive."
"It's working for me," replied Pelley.
After Pelley said the network's leadership had been "cruel" in firing veteran journalists from the show, Forelle accused him of being "rude."
"I'm not being rude," he shot back. "You know what was rude? Black Thursday. That was the absolute definition of rudeness. Telling Tanya Simon she had to be out of here at 5:00. Sending Draggon Mihailovich to HR to get fired, because no one could look him in the eye. Not talking about Sharyn Alfonsi's contract. Not talking about Cecilia Vega's contract. Just calling them up and telling them they were fired. That's rude."
"This is a conversation," Pelley added. "That is rude, and you were part of that."
Alfonsi's contract with "60 Minutes" was not renewed; Vega was dismissed despite her contract not being up until 2027. The two journalists spoke out about their firings, with Alfonsi saying, "Journalists willing to challenge authority are being pushed aside in favor of those who will not."
Vega said that "in recent months, my producing teams and I have experienced efforts to insert political bias into our stories."
"60 Minutes" employees applauded Pelley on Monday after Bilton left the meeting, and observers praised the veteran journalist for defending the show and the work of its staffers.
"Scott Pelley told the truth today," said Marc Elias, founder of Democracy Docket. "We need independent media the right wing can't buy."
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'Let's Call This What It Is: Censorship': Fired '60 Minutes' Journalists Speak Out
Cecilia Vega, one of several journalists ousted from the show, said many of her colleagues "have had to fight to maintain editorial independence" under CBS News' new Trump-aligned corporate owners.
May 29, 2026
A group of veteran “60 Minutes” journalists was fired on Thursday as CBS News’ recently installed right-wing editor-in-chief, Bari Weiss, moves to reshape the network in her image. Some of the ousted employees are describing their mass firing as a clear act of political “censorship.”
News had already broken earlier this week that correspondent Sharyn Alfonsi was on the way out after more than ten years on the flagship news program, after she'd publicly criticized Weiss' decision to delay her story on the Trump administration's deportation of immigrants to a notorious Salvadoran torture prison, the Terrorism Confinement Center (CECOT), late last year.
But Alfonsi's departure was rumored to be part of a larger shakeup by Weiss, who has been accused of molding the network into a mouthpiece for the Trump administration following the government-approved acquisition of CBS's parent company, Paramount, by billionaire David Ellison, owner of Skydance.
On Thursday, the hammer finally fell. In addition to the formal firing of Alfonsi, The Washington Post reported that Weiss had also fired Tanya Simon, who’d worked on the show for a quarter-century and had recently taken on the role of executive producer. Correspondent Cecilia Vega—who had also covered CECOT for the network before Weiss' arrival—was canned as well, even though her contract was not set to expire until March 2027. So was executive editor Draggan Mihailovich.
In a memo to staff on Thursday, Weiss and CBS News President Tom Cibrowski said the firings were the result of them “building a show that thrives in the 21st century.”
“That requires a new approach,” they said, outlining their goals of “expanding ‘60 Minutes’ beyond a one-hour television broadcast, deepening its role across CBS News, and holding everything we produce to the ambition, fairness, and fearlessness that have defined ‘60 Minutes’ at its best.”
To fill the role of executive producer, Weiss brought in a network outsider, Nick Bilton, a former technology columnist at The New York Times and producer of documentaries for HBO and Netflix. Weiss called him “one of the most entrepreneurial journalists of our time and the perfect leader for one of the most entrepreneurial news brands of all time.”
Though Weiss reportedly viewed Simon as a “bad leader” who “couldn’t control the staff,” according to one source who spoke anonymously with The New York Post, Simon announced her departure with warm words for those who’d continue working on “60 Minutes.”
“While leadership has decided it is time for a new chapter—I want to be unequivocally clear about one thing: It has been an immense privilege to lead this broadcast, and I could not be prouder of what we have built, fought for, and delivered together over the last year," Simon said in a statement published Thursday. "'60 Minutes' has always been more than just a broadcast: It is an institution built on independence, grit, and rigorous search for the truth.“
But Vega gave a more candid explanation for her and her colleagues' firings.
"In recent months, my producing teams and I have experienced efforts to insert political bias into our stories," she said in a statement Thursday. "Reporting teams have held back on submitting story pitches about important news topics out of fear of the internal repercussions."
"Let's call this what it is: censorship, both imposed and self-driven," she continued. "It is dangerous for the show and dangerous for democracy."
Vega's criticisms mirror those made earlier this week by Alfonsi, who said her firing was "a deliberate choice to penalize a journalist for refusing to sanitize factually accurate reporting."
In December, Weiss abruptly pulled Alfonsi's story featuring the testimony of some of the men who were tortured in the CECOT prison shortly before it was set to air, citing a lack of commentary in the segment from Trump administration officials, who had repeatedly ignored the journalists’ requests for an interview. At the time, Alfonsi said Weiss had effectively given the government a “kill switch” on critical reporting. The segment eventually went to air the next month with some editing.
Following her ouster on Thursday, Vega described her own efforts to oppose what she viewed as politically-motivated meddling by network higher-ups.
"I held the line and refused to incorporate suggestions that offend the conscience," she said. "I know from many conversations with colleagues that many producing teams and correspondents working on the show today have had to fight to maintain editorial independence with regularity."
“I am far from the only ‘60 Minutes’ correspondent who has asked herself, ‘What is my personal red line? How much can I push back before I pay the price?'" Vega added.
She said she was proud of her work at '60 Minutes' and cited her reporting on CECOT for the program, which won a DuPont Columbia journalism award, as one of her finest achievements.
Weiss' overhaul of '60 Minutes' comes as Ellison eyes the merger of Paramount with another major media conglomerate, Warner Bros. Discovery, which owns CNN.
President Donald Trump has said it's “imperative” that any acquisition of Warner Bros. includes CNN and has publicly denounced a rival bid for the company by Netflix.
Earlier this week, Reuters reported that antitrust regulators at the Department of Justice appeared ready to approve a $110 billion takeover by Paramount following meetings with Ellison and other company executives.
A group of journalists—including tech reporter Kara Swisher, former CNN White House correspondent Jim Acosta, and NBC News legal analyst Katie Phang—warned at an event hosted earlier this week by a coalition of press freedom groups that, especially in the wake of Alfonsi's firing, the government-approved consolidation of media posed a dangerous threat to the future of journalistic freedom.
“I think what’s happening right now is pretty dangerous,” Acosta said. “To essentially announce the departure of Sharyn Alfonsi from 60 Minutes is a very in-your-face move by some people who don’t care very much about the First Amendment.”
“Folks need to use a little bit of their imagination here to recognize what may be coming down the pike,” he said, warning that the Trump administration was building a “strange oligarchical empire… attempting to do state media.”
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Veteran 60 Minutes Journalist Says 'Wall Has Come Down Between Editorial Independence and Corporate Interests'
"Journalists willing to challenge authority are being pushed aside in favor of those who will not," said Sharyn Alfonsi, who spoke out last year against Bari Weiss’ censorship of a segment on the Trump administration’s use of a Salvadoran torture prison.
May 27, 2026
A veteran "60 Minutes" journalist says CBS News' new right-wing corporate ownership is pushing her out of the network for "refusing to sanitize accurate reporting" that offends the Trump administration.
The contract at the network for Sharyn Alfonsi—a correspondent who has contributed to CBS's flagship news show since 2015—expired on Saturday, according to the New York Times, six months after the network's editor-in-chief, Bari Weiss, abruptly pulled a segment Alfonsi had reported about the Trump administration's use of the notorious Salvadoran torture prison CECOT to detain immigrants deported without due process.
At the time, Alfonsi said Weiss—the former head of the right-wing Free Press who'd been installed just months earlier by CBS's new owner, the Trump-aligned billionaire David Ellison—had spiked her segment for "political" reasons, identifying it as an act of "corporate censorship."
On Wednesday, she confirmed in a statement that her more than 20 years working on the show would be "drawing to a close." She said her efforts to communicate with the network about renewing her contract following the dispute "were met with absolute silence from network executives."
"The message could not be clearer," she said. "My time at '60 Minutes' is apparently over."
"In the coming days, network leadership may attempt to hide behind corporate euphemisms like 'modernization' and 'restructuring' to explain away my departure," she said. "Don't be misled. This was not a routine corporate transition; it was a deliberate choice to penalize a journalist for refusing to sanitize factually accurate reporting, and it sends a chilling message to the entire newsroom."
The "60 Minutes" piece included interviews with some of the more than 200 Venezuelan and Salvadoran men sent to the prison camp by the Trump administration last year, the vast majority of whom had no criminal records, according to CBS.
n those interviews, the men described being subjected to degrading torture on a daily basis, being deprived of basic food, water, and medical care, and being completely cut off from their families and legal representatives.
Weiss claimed she halted the story because it did not include interviews with White House, State Department, and Department of Homeland Security officials behind the policy, which the journalists had repeatedly requested without response. Alfonsi said that by letting their silence act as a veto, Weiss was effectively giving the government a "kill-switch" for inconvenient reporting.
Following widespread criticism both within the network and from the public, the CECOT segment aired in full a month later, though it included more caveats emphasizing the administration's allegations that the detainees had gang affiliations and downplayed the lack of violent convictions.
The apparent ouster of Alfonsi this week comes as Weiss is reportedly pushing for a “shakeup” of “60 Minutes” similar to those she’s made to “CBS Evening News” and other programming.
Critics have noted the markedly more hawkish tone the network has taken under Weiss in favor of President Donald Trump's regime change wars in Venezuela and Iran, while giving Israeli leaders like Prime Minister Benjamin Netanyahu ample uninterrupted airtime to justify the bombardments of Gaza and Lebanon with little note of the resulting humanitarian catastrophes.
According to reporting in Puck earlier this month, some sources at CBS believe that Alfonsi's departure could spawn a wave of resignations from the network.
"Fearless, independent reporting has always been the defining standard at 60 Minutes," Alfonsi said on Wednesday. "Today, CBS management is abandoning that mission, choosing access journalism over accountability and protecting power rather than scrutinizing it."
"The wall between editorial independence and corporate interest at CBS is being methodically torn down," she added. "Journalists willing to challenge authority are being pushed aside in favor of those who will not."
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CBS News Streaming Workers Walk Out After Collapse of Contract Talks Under Bari Weiss
"Management refuses to agree to a new contract with essential work protections and fair wages," said the workers' negotiating team.
Mar 17, 2026
Unionized workers with CBS News' streaming channel began a bicoastal one-day walkout Tuesday morning after unsuccessful negotiations for a "fair and just" contract under Bari Weiss, who has faced intense criticism on a range of topics since taking over as editor-in-chief.
CBS News is part of the media behemoth Paramount Skydance, which was formed in a controversial merger last August. Two months later, the company acquired Weiss' The Free Press, and CEO David Ellison appointed her to also lead all of CBS News, despite her lack of television experience.
The latest contract for the streaming channel, CBS News 24/7, expired last week, after which the workers delivered a strike pledge. Tuesday's 24-hour walkout—with rallies at CBS News Broadcast Center in New York City and at KPIX-TV CBS News Bay Area in San Francisco, California—kicked off at 6:00 am Eastern time.
"CBS News 24/7 journalists are walking off the job on both coasts today because management refuses to agree to a new contract with essential work protections and fair wages," the bargaining committee and contract action team said in a statement from Writers Guild of America East (WGAE).
"Despite multiple days of good-faith negotiations and a strike pledge signed by 95% of our members to emphasize the seriousness of our demands, management continues to offer us worse terms than in our last contracts," the team said. "We chose this field to cover the news, but we believe this work stoppage is necessary to achieve a fair contract. We eagerly await an acceptable contract offer from Paramount—which just shelled out tens of billions of dollars to acquire Warner Bros. Discovery."
Deadline explained that "the newsroom has undergone rounds of layoffs and buyouts, and more are expected. There also are fears of further downsizing when Paramount completes its deal to buy Warner Bros. Discovery, given that will leave the company with two global news outlets, CBS News and CNN."
Beth Godvik, WGAE vice president of broadcast/cable/streaming news, called out Paramount for striking a $110 billion deal with Warner Bros. Discovery while it "still hasn't guaranteed fair wages and basic job protections for the workers who make their streaming news operation run."
"Our members are walking out today to show management they stand united in their demand for a fair contract—and the WGAE is with them every step of the way," said Godvik.
As The Wrap noted:
The battle puts Weiss, an opinion journalist who had no TV news experience before she became CBS News' editor-in-chief last October, in the position of negotiating with a union under her purview for the first time. The union dispute comes as the network has already been rocked by star departures and scrutiny over its coverage.
The Free Press, the anti-woke outlet Weiss cofounded and still leads, is not unionized, while CBS News has four main bargaining units, including the Writers Guild of America-backed CBS News 24/7, which launched in 2014 and rebroadcasts CBS News shows like "60 Minutes" and "CBS Mornings" along with original shows like "The Takeout with Major Garrett."
A CBS News spokesperson told The Guardian that "we continue to negotiate in good faith and hope to reach a fair resolution quickly."
Meanwhile, multiple members of Congress expressed support for the work stoppage on social media.
"If Paramount can shell out billions of dollars to acquire Warner Bros. Discovery, then they can pay their unionized CBS staff a fair wage," said Rep. Alexandria Ocasio-Cortez (D-NY). "I stand with the CBS staff who walked out today as they fight these corporate giants for essential protections and fair contracts."
Rep. Jerry Nadler (D-NY) declared that "American workers deserve fair pay and basic protections—full stop. I stand with the 60 CBS News 24/7 journalists walking off the job today in New York and San Francisco. Paramount is finalizing a $110 BILLION deal but can't give its own workers a fair contract?"
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Mega Media, MAGA Lies
Corporate media consolidation amplifies Trump regime propaganda.
Mar 17, 2026
“The sooner David Ellison takes over that network, the better!”
So said war-addicted Secretary of Defense Pete Hegseth at a Pentagon press briefing last week as he complained about news outlets—specifically CNN—not covering the death and destruction of the war on Iran with the elated positivity Hegseth feels it so clearly deserves.
It was the latest example of the Trump regime demanding not merely a pliant news media, but an entirely servile industry that functions as its propaganda arm. While this fascist worldview has been most dramatically displayed in President Donald Trump’s brazen attempts to censor and cancel late-night comedians like Jimmy Kimmel and Stephen Colbert for their anti-Trump commentaries, ruling elites in Trump’s orbit have long pursued a dangerous realignment and consolidation of media power to serve their right-wing agenda.
Hegseth’s outburst directed at CNN reflects the Trump regime’s ploy to concentrate more corporate news networks under the command of David Ellison, the CEO of Paramount Skydance and son of right-wing billionaire Larry Ellison.
The growth of the Ellison father-son empire is based on refashioning the American press—or what’s left of it—into the palm of Trump’s hand.
Last year, Trump cleared the way for Paramount’s merger with Ellison’s Skydance Media after Paramount paid a $16 million lawsuit filed by Trump against Paramount’s CBS News. Now Paramount Skydance is on the verge of acquiring an even larger legacy media giant, Warner Bros. Discovery, which owns CNN.
“One family, the right-wing Trump-aligned Ellisons, will soon control: TikTok, CBS, CNN, HBO, Discovery Channel, BET, Cartoon Network, Comedy Central, DC Studios, Fandango, Miramax, MTV, Nickelodeon, Paramount, PlutoTV, Showtime, TBS, The CW, TNT, Warner Bros., and more,” US Sen. Bernie Sanders (I-Vt.) warned. “This is oligarchy.”
David’s father, Larry, is a staunch Zionist and the sixth richest person in the world, with an estimated net worth of more than $198 billion. He is also one of Trump’s closest allies. The growth of the Ellison father-son empire is based on refashioning the American press—or what’s left of it—into the palm of Trump’s hand.
But it isn’t merely one family’s broadcast news juggernaut that rules this age of media monopoly power.
Censorship and MAGA’s Mouthpiece
Over the weekend, Federal Communications Commission (FCC) Chairman Brendan Carr issued new Orwellian threats against unnamed networks running “fake news” (i.e., reporting that lacks the government’s deliriously upbeat spin) on the Iran war. Carr suggested he would revoke or refuse to renew the broadcasting licenses of networks that don’t “correct course.” While the reactions against Carr’s threats were swift, Trump wholly endorsed the FCC edict on Sunday while deriding media organizations as “Corrupt and Highly Unpatriotic.”
But outside of media mergers and acquisitions, a wider net of news outlets has been pulled closer into the Trump regime’s hold. This includes the Jeff Bezos-owned Washington Post, with its newly stated commitment to “personal liberties and free markets” along with editorials that reveal its increasing fealty to Trump.
The New York Times, while seemingly less beholden to the Trump regime, continues to churn out a steady stream of poorly disguised Zionist propaganda and breathless coverage of Trump’s imperialist military interventions. The so-called newspaper of record is so steeped in the machinery of empire that screaming prejudice drips from its discriminate use of language, as demonstrated by its passive headlines on Israeli atrocities against Palestinians that obscure Israel’s role versus its matter-of-fact reporting on recent Iranian strikes targeting Israel.
CBS News, however, proves that the Ellison media empire buys more consistent right-wing editorial leadership and allegiance to Trump.
Bari Weiss, spawned from the journalistic cesspool of the Times to later found the hilariously named website The Free Press, has been catapulted to unearned heights of the Ellison empire. While she possesses no experience as a reporter, her hard-line Zionism and anti-woke politics made her a perfect editor in chief to lead CBS News aggressively to the right.
“The mega rich have always been willing to hire, promote, and fund people willing to unquestioningly run interference for their interests while making them feel like their near-pathological selfishness, hoarding of money and power, and total disregard for the public interest is somehow morally justifiable. CBS News editor in chief Bari Weiss is simply another in a long line of feckless water carriers for the one percent,” Elizabeth Spiers wrote in The Nation last December.
“[Weiss] has shown she’s not merely stupendously unqualified—she’s ideologically opposed to the practice of good journalism,” Spiers added.
Since Trump led the US empire into its unprovoked war on Iran last month, Weiss’ CBS has featured an infinite lineup of pro-war commentators, leading CBS’s own staffers to describe the network’s war coverage as a “propaganda-palooza.” Of course, such propagandizing isn’t exclusive to Trump’s newfound love of foreign wars. This was made clear in December when Weiss—who doesn’t hide her cringeworthy fawning over Trump—abruptly pulled a "60 Minutes" story on the notorious El Salvadoran prison camp where the Trump regime has sent many deportees in its ruthless war on immigrants. Since Weiss’ takeover, there’s also been a decline in CBS coverage on climate change.
Breaking the Fascist Echo Chamber
Against this grim backdrop of the decaying “Fourth Estate” of American “democracy,” there remains the ever-exploding and unwieldy landscape of independent media and social platforms. Oligarchs and authoritarians like Trump have struggled to exert control over the endlessly diverse and expanding universe of information and narratives exponentially building itself on these platforms.
Not that they haven’t tried.
Right-wing elites have successfully pushed the Meta platforms of Facebook and Instagram as well as Google’s YouTube to censor pro-Palestinian content. Trump launched his own social platform, Truth Social, in reaction to perceived anti-conservative biases in Twitter’s algorithm—which is now run by Trump’s favorite Big Tech billionaire sociopath, Elon Musk, who renamed it “X” and has proudly moved the platform’s algorithmic biases decidedly to the right. And, of course, we cannot forget TikTok, whose new US owned operation is now controlled by an investor group led by none other than Larry Ellison.
Now, as Trump oversees the final stages of a decades-long merger of corporate power and the state, his regime expects media organizations to serve not just Wall Street but the White House as well.
As is true of most pernicious policies from the Trump regime, right-wing designs on big media did not begin with Trump. Corporate media has long been an industry rife with monopolization and abuse of anti-trust laws to amass market dominance, from the Disney-ABC merger in the mid-90s to the right-wing Sinclair Broadcast Group’s ongoing vast control over local news outlets reaching more than 40% of US households.
But alongside the Trump regime’s growing media machine, which is designed to shield it from public scrutiny, is also the inverse agenda of strengthening the regime’s ability to scrutinize the public through domestic surveillance technology. Led by Hegseth and Trump’s resident villainous creep Stephen Miller, the regime is pushing AI companies to hand over unrestricted use of their technology to spy on Americans and urging Congress to expand government surveillance powers.
If it seems that warnings about Trump’s right-wing media takeover are sensationalist or overstated, Trump himself is quite clear about it. The despot shared an infographic over the weekend illustrating how “President Trump Is Reshaping the Media,” celebrating the defunding of NPR, the departure of prominent news anchors from major networks, and mass layoffs at the Washington Post.
Corporate media consolidation has always been about serving the interests of the elite and their capitalist system of endless personal profit. Now, as Trump oversees the final stages of a decades-long merger of corporate power and the state, his regime expects media organizations to serve not just Wall Street but the White House as well.
The good news is that the public is not powerless against this slide toward state-controlled media. If viewers can pressure a corporation as powerful as Disney with the threat of canceling their subscriptions until it spurns government bullying, as in the case of Kimmel’s show, such collective action can be replicated and broadened to other forms of economic pressure by the masses. In the same way, news worker unions like The NewsGuild CWA, WGAE, and others can work to mobilize newsrooms against the fascist media coup.
The Trump regime’s right-wing media echo chamber can and must be broken through collective people power, both in the form of boycotts and by supporting independent media that answer to no politicians, no government masters, and no corporate overlords.
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Will Bari Weiss Condemn Israel's Killing of CBS Contributor in Gaza?
Abdul Raouf Shaat is among the more than 200 media workers killed by Israeli forces in Gaza since October 2023.
Jan 22, 2026
A cameraman and CBS News contributor was among three journalists killed Wednesday by Israeli forces while working in Gaza, prompting some observers to ask when—or if—Bari Weiss, the network's pro-Israel editor-in-chief, would condemn the attack.
Anas Ghneim, Mohammed Salah Qashta, and Abdul Raouf Shaat were using a drone to record aid distribution by the Egyptian Relief Committee in al-Zahra in central Gaza when, according to eyewitness accounts, an airstrike targeted one of the group's vehicles accompanying the journalists.
"The Israeli army criminally targeted this vehicle," Egyptian Relief Committee spokesperson Mohammed Mansour told AFP.
The Israel Defense Forces (IDF) claimed its troops "identified several suspects who operated a drone affiliated with Hamas in the central Gaza Strip, in a manner that posed a threat to their safety," and then "struck the suspects who activated the drone."
Israeli officials often claim—almost always without conclusive evidence—that journalists, aid workers, and other civilians it kills are Hamas "terrorists."
CBS News said that Shaat, a 30-year-old newlywed, "worked for years as a cameraman for CBS News and other outlets."
Among those outlets were Agence France-Presse, which issued a statement condemning the attack and remembering Shaat as a "kind-hearted colleague, with a gentle sense of humor, and as a deeply committed journalist."
"AFP demands a full and transparent investigation into his death," the agency said. "Far too many local journalists have been killed in Gaza over the past two years while foreign journalists remain unable to enter the territory freely."
Shaat's CBS News colleagues in London remembered him as a "brave journalist" who was "deeply loved by everyone who knew or worked with him."
However, one prominent CBS figure has so far been conspicuously silent on Shaat's killing. As of Thursday afternoon, CBS News editor-in-chief Bari Weiss has said nothing publicly about the incident. Weiss is a self-described Zionist whose outlet Free Press—now a division of CBS following its acquisition by Paramount Skydance—is staunchly pro-Israel and has shown indifference toward Palestinian suffering.
For example, FP called the officially declared Gaza famine, which claimed at least hundreds of lives, a "myth" and published other reporting on Gaza that critics said fueled genocide denial.
Paramount Skydance chairman and CEO David Ellison and his father, Oracle co-founder Larry Ellison, are also both reportedly close to Israeli Prime Minister Benjamin Netanyahu, who is wanted by the International Criminal Court in The Hague for alleged war crimes and crimes against humanity in Gaza.
Standing in stark contrast with Weiss and CBS News, media advocacy groups were quick to denounce the journalists' killings. The Palestinian Journalists Syndicate blasted what it called a "deliberate assassination" and "a war crime and a crime against humanity under international humanitarian law."
Condemnation also came from groups including Reporters Without Borders (RSF) and the Committee to Protect Journalists (CPJ).
“CPJ condemns Israel’s strike on a clearly marked civilian vehicle in central Gaza that killed freelance photojournalists... amid an ongoing ceasefire,” CPJ regional director Sara Qudah said in a statement. “Israel, which possesses advanced technology capable of identifying its targets, has an obligation under international law to protect journalists.”
CPJ calls for a transparent investigation after an Israeli drone strike on a vehicle killed three journalists in central Gaza during the ongoing ceasefire:⚪️Abed Shaat⚪️Mohammad Qeshta⚪️Anas GhnaimRead more ⤵️cpj.org/2026/01/isra...
[image or embed]
— Committee to Protect Journalists (@pressfreedom.bsky.social) January 21, 2026 at 10:45 AM
While it is difficult to know precisely how many journalists have been killed in Gaza—where Israel bans foreign reporters from entering—CPJ says at least 208 Palestinian media workers have been killed there. RSF says the number is at least 220. The United Nations puts the figure at over 260.
The deadliest Israeli massacre of media professionals in Gaza occurred last August 10, when six journalists were killed in a tent bombing outside al-Shifa Hospital in Gaza City. Later that month, an Israeli "double-tap" strike on Nasser Hospital in Khan Younis killed at least 21 people, including five journalists.
According to Gaza officials, Israeli forces have committed more than 1,200 violations of the ceasefire with Hamas since it took effect last October, killing over 460 Palestinians including upward of 100 children. Officials said at least 11 Palestinians were killed by Israeli attacks on Gaza late Wednesday and into Thursday, including the three journalists, three children, and a woman.
Since the October 7, 2023 Hamas-led attack on Israel, Israel's US-backed genocidal war on Gaza has left more than 250,000 Palestinians dead, maimed, or missing, and around 2 million others forcibly displaced, starved, or sickened.
Israel also continues to restrict the flow of humanitarian aid into Gaza, causing preventable deaths. For example, at least 10 children and infants have died of cold-related causes this winter, according to local officials.
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