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Art Program Gives Boulder's Homeless a New Perspective
Ask a dozen artists what their creations mean to them and you'd probably get a dozen different answers.
Terri Sternberg, classical violinist by profession and former Longmont homeowner who now lives on the streets, shares a laugh with other homeless women during an art class at the Boulder Carriage House. The Carriage House, a daytime shelter in Boulder, is working with local homeless women to create art that will be sold at a special exhibition opening in March. ( CLIFF GRASSMICK ) But to a group of Boulder women who paint and draw together for a few hours each week, their creations are motivated by one common bond: their art is an escape from homelessness.
On any given Wednesday, the Carriage House Community Table, which provides daytime shelter and food for the city's homeless community, provides two hours of artistic instruction to women.
The work is part emotional outlet and part self-esteem building.
"Sometimes, it's difficult for people to express themselves verbally," said Joy Eckstine, executive director of the Carriage House. "This is an outlet for people. When people are feeling so down about themselves, I think it can help them start rebuilding some of their self confidence."
About three years ago, Eckstine noticed the propensity for art that so many of the people using the shelter had.
Some of her clients left art as thanks for a hand up, while others simply displayed a natural knack for creativity. So Eckstine partnered with Susan Stephens, a Boulder artist who has since volunteered her time at the shelter.
"Sometimes," Stephens said, "you find an extraordinary talent" in someone.
Stephens provides cost-effective materials, like water colors, charcoal and pencils. While she's a professional artist, she doesn't ask the women who participate to take on any one style or technique.
"I get them comfortable with the medium," she said.
She provides artistic direction only when asked, or sketches out designs for those who are "reluctant to attack a plain paper."
The work is also about self expression, releasing emotions and creating a sense of accomplishment and escape for the women -- any of whom don't know where they'll sleep later that night.
One picture hanging on the walls of the shelter, a self portrait of the artist, features a woman's face with a single red tear creeping down her cheek.
"She's expressing her past abuse in art," Stephens said of the artist. "It's a way to bring (feelings) out without having to do therapy."
The group attracts women with an array of backgrounds. Some are what the city would classify as being temporarily homeless, while others have been on the streets for years and are considered chronically homeless.
At age 57, Terri Sternberg has been without a place to live for just more than a year. A classical violinist by trade, she lost her job and then her home in Longmont. She's since become an activist for the homeless and taken to the art classes like a fish to water.
"My father was an artist," she said. "I remember being 3 years old and sitting next to him looking through art books."
Now, she said she finds comfort and release retracing those roots. She's especially taken to electronic art, creating dozens of computer-assisted paintings using programs at the Carriage House and the Boulder Public Library.
Thumbing through a stack of her pictures, Sternberg stopped on one image that showed a house.
"Not having a house, I guess this is a good way of pretending this could be my room," she said.
She said that when she was losing her home, she'd often end her days grappling with strong emotions of sadness or anger. Art, she said, has helped temper the pain.
"It's a big outlet," she said. "If they had more stuff like this in jails or prisons, it would be healing for people."
Brooke Blinebry, 28, of Nederland, was homeless last summer for a brief time. She came to the Carriage House looking for help. She got it and is now back on her feet and living in a Nederland cabin.
She found a talent making jewelry at the Carriage House art sessions.
"I think it's hugely important for people to express themselves and find hope and joy, no matter what's around them," she said.
Blinebry said the homeless are some of the most creative people around.
"I see people who do art with cardboard boxes," she said.
Officials at the shelter say Blinebry is a success story., and they've asked her to help lead the art sessions some weeks.
"I'm going to ask people to be as creative as they can," she said.
In March, the shelter will take the art a step further, displaying and selling dozens of pieces at the Boulder Arts & Crafts Gallery, a cooperative owned and operated by local artists since 1971.
The gallery will feature work by Carriage House artists from March 10 until April 4, with a fundraiser and an artist meet-and-greet on March 12.
The pieces will be available for $20 to $50 each throughout the gallery showing. Proceeds from the sale will be split between the Carriage House, to help fund ongoing operations, and the artists as a source of income.
Lisa McDonough, a spokeswoman for the co-op, said this will be the second year the gallery has partnered with the Carriage House. Last year's exhibition drew more than 250 people, she said. It's anticipated that the show will grow in popularity this year.
"I've seen how art helps us through time of trouble," McDonough said.
She said art that's created by the homeless, perhaps more than any other community of artists, "you can tell it's from the heart."
Kris, a 47-year-old Boulder woman who asked not to use her last name, said her work at the Carriage House truly is a reflection of what's in her heart.
A brain injury left her unable to work, and she's living in transitional housing in Boulder. The artwork, she said, is the best escape from her woes.
"You forget about your troubles," she said. "It's healthy self-expression of your feelings."
Smearing her fingers across a pastel drawing of a mountain landscape, Kris chuckled. "Obviously, I'm feeling good."
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10 Comments so far
Show AllNow here are people involved in taking concrete action. Hooray for them and their ideas.
I read this morning of a teacher instructing his student in manners in the classroom, by example at first, then by having the guys treat the girls as ladies (the Ghost of "To Sir With Love"
Its these things that keep showing up day by day, not the "Grand Government Plans" being pushed that makes me confident Americans will in the end help Americans.
That ought to be clear as mud!, but its what I think and feel.
Grass root activisim is vital in so many areas other than political. Art is a great medium for self expression and this program in Bolder should serve as inspiration for other cities. Great Job!
It's all fine and dandy to have Arts programs for the homeless, but what about giving them adequate, secure permanent housing instead of just sticking them in human warehouses and giving them programs that'll supposedly keep them happy, contented and feeling good? Obama is a Doctor Feel-good, like Reagan was.
Draw an eye with a design around it. Would you be drawing your self?
Government funding and support of the arts of all sorts is vital to their survival within a corporate fascist-leaning culture like the current United States of America. The truth is that we are all artists at heart.
Sadly, most of us have been cowed into blocked inactivity as our own music, images, and words are systematicly replaced by those in charge of silencing such impulses in the name of uniformity and towards the end of greater controll of both mind and spirit of "the masses" by their self-appointed "massas".
During the Great Depression of the 1930's artists, photographers, muscians, writers, actors, and playwrites were hired to create artistic works whose impact was to take a valuable cultural snapshot of those times that would have been completely ignored in favor of an elitist version of that important part of US history.
Folklorist Alan Lomax did similar work with the Library of Congress and brought wide-spread recognition to such artists as blues singers "Leadbelly" and "Muddy Waters" and to folk singers like Woody Guthrie by recording and filming them performing and talking about their music.
This project is not sone frivilous waste of tax-payers dollars as some of the more utilitarian contributors to this blog assert, rather, it is a valuable therapy for empowering victims to some measure of mastery over their circumstances.
Poet
Poet,
I totally agree with you. When the University where I was teaching ended the Arts and Music programs in 1985, and began to promote business and other “practical” programs, I was convinced that the students would turn out to be “automatons” – acting, thinking, talking, and looking alike. And, to a large extent, this happened.
While I was teaching, I found that even the students of mine who were majoring in business and other, non-arts-related courses, loved to be “creative.” For example, for a number of years, various students formed with me jazz improvisation groups. We met once a week just to “jam,” and at the end of the term, the group held a “jam session” for the entire class They received no extra credit for this, but had lots of fun just “being creative.” The arts can add a dimension to life, no matter what the circumstances. The fact that they are providing a useful outlet for people in dire need is an added bonus.
This was also true of middle school youth in Jacksonville FL who saw their bands, choruses, home ec, phys ed, and shop classes discontinued in favor of more academic drill (to prepare them for NCLB mandated high stakes tests administered every year) the morale of both students and parents suffered terribly. Personal standards of dress and conduct went into the toilet and school vandalism and dropping out increased.
Besides creative expression, humans were made to need physical activity (whether it was intramural sports or Tai Chi) and the denial of such has emotional and mental consequences as well as physical ones.
Poet
A litle here a little there;the helped and the helper and how many more over the country or the world for that matter and yet,yes yet the 1% must be ensured,enabled to keep the 90% of whatever?Tony
Homelessness is a problem that shouldn't be in America. This September, we will have spent $1 Trillion on the Wars in Iraq and Afghanistan. The US has 2 million homeless.
Surely that trillion could have been spent more wisely.
When I volunteered for two homeless feeding missions, we could feed a person on a dollar a day and provide needed clothing, using innovative donations of food, materials and money, and kitchens that were not being used.
But since the problem of homelessness is so diverse with people needing medical, emotional and psychiatric care, the solution lies in a national healthcare program coupled with training programs, government subsidized housing and simple generosity.
But first, we need to stop our senseless wars.
It's cute that we have art programs for the homeless. But no amount of art can substitute for a place to rest your head at night.
What we need to do is take back our media, which keeps us in the grip of antiquated political ideologies like republicanism, conservatism and lobbyism, and replace it with broadcasting companies that will tell the truth, giving us a chance to pass jobs bills and healthcare bills that will save our country, and a chance to stop the unjustified Muslim-killing... those crimes against humanity that rob us of our own humanity and turn us into killing machines while our children face a bleak future.