

SUBSCRIBE TO OUR FREE NEWSLETTER
Daily news & progressive opinion—funded by the people, not the corporations—delivered straight to your inbox.
5
#000000
#FFFFFF
To donate by check, phone, or other method, see our More Ways to Give page.


Daily news & progressive opinion—funded by the people, not the corporations—delivered straight to your inbox.

Thick plumes of smoke rise over the residential areas of the Iranian capital following airstrikes amid ongoing US-Israel attacks as multiple explosions are heard across the city in Tehran, Iran on March 01, 2026.
Trump has consistently tried to change the subject whenever the issue of the Epstein scandal crops up, but nothing as dramatic as starting a war... until now.
On Christmas Day in 1997, Wag the Dog, a dark political satire directed by Barry Levinson and co-written by David Mamet, opened in theaters across the country. Hardly typical Christmas fare, the movie centered on crisis-management expert Conrad Brean, played by Robert De Niro, and Hollywood producer Stanley Motss, played by Dustin Hoffman, who fabricate a war to distract public attention from a presidential sex scandal.
Sound familiar?
In the film’s opening scene, presidential adviser Winifred Ames (Anne Heche) and other administration staff summon Brean to the White House to help clean up a mess. The president had just met with a group of teenage Firefly Girls from Santa Fe, they explain, and one of them expressed an interest in seeing a Frederick Remington sculpture in the Oval Office. The president escorted her there and sexually assaulted her.
The story leaked, and not only was The Washington Post about to run with it, but the president’s opponent also was about to air a TV commercial referencing it. With less than two weeks to go until election day, the story could derail the president’s reelection bid.
His attack on Iran will always be remembered as Trump’s war, a war started, in his own words, by a president who apparently “has absolutely no ability to negotiate.”
“We have to distract them” with a fake crisis, Brean tells the staffers, and after brainstorming a bit, hits upon a solution: “We have to go to war with somebody.” He concocts a story that Albania, a “shifty” country that “wants to destroy our way of life,” has smuggled a nuclear suitcase bomb into Canada and plans to sneak it across the border. He then enlists the help of Motss, and together they bamboozle the news media, the CIA, and the general public into believing the country is at war. The Oval Office sex scandal story gets lost in the shuffle and the president’s approval ratings rebound in time to win the election.
President Donald Trump also has a sex scandal that he wants to go away.
After simmering for months, the Jeffrey Epstein sex-trafficking story reached a full boil in February following the Justice Department’s January 30 release of 3.5 million additional file pages. On February 9, the department granted members of Congress access to unredacted files for the first time, and the next day, Rep. Jamie Raskin (D-Md.) told Axios that he found more than a million references to Trump. On February 11, Raskin and other members of the House Judiciary Committee grilled Attorney General Pam Bondi about the files, attracting quite a bit of attention even though she avoided answering their questions.Then, on February 24, came the potential coup de grâce. NPR reported that the Justice Department removed documents that mention Trump from the public Epstein database, including files related to allegations that Trump had sexually abused a minor.
NPR’s investigation found that a specific allegation only appeared in copies of the FBI list of claims and a Justice Department slideshow. Its details are explosive. As spelled out by NPR: “The woman who directly named Trump in her abuse allegation [to the FBI] claimed that around 1983, when she was around 13 years old, Epstein introduced her to Trump, ‘who subsequently forced her head down to his exposed penis which she subsequently bit. In response, Trump punched her in the head and kicked her out.’”
Four days after the NPR story ran, the United States and Israel attacked Iran and poof, the Epstein sex scandal story disappeared from the headlines. Unlike Wag the Dog, however, Trump started a real war, and as of this writing Al Jazeera was reporting that more than 1,000 Iranians are dead and more than 6,000 are wounded, according to Iranian state media.
Of course, the launch of Trump’s war at a time of heightened public interest in the Epstein files could be merely coincidental. The administration has offered various rationales for the attack, from regime change to eliminating Iran’s nuclear program and ballistic missiles, neither of which posed an imminent threat. Others have speculated that Trump is retaliating for alleged Iranian attempts on his life or squeezing China’s oil supplies to force it to rely more heavily on Saudi Arabia. Even so, there are at least two other notable examples of presidential attempts to divert attention from a politically damaging event by attacking another country.
One example was cited in Wag the Dog. In a scene in which Brean reassures Ames that a fake crisis would distract the public, he says, “That was the Reagan administration’s M.O.: Change the story.” Twenty-four hours after 240 Marines were killed in Beirut, he explains, Reagan invaded the tiny Caribbean nation of Grenada.
It is doubtful that many people are going to forget about Trump’s role in the Epstein saga. His victims are certainly not going to forget.
Brean was referring to an incident that happened on October 23, 1983, when a truck bomb destroyed the US Marine barracks in Beirut, Lebanon, killing 241 American servicemen. That same day, President Ronald Reagan approved final plans to invade Grenada during an attempted coup, ostensibly to protect 600 American medical students who, as it turned out, were not in any danger. On October 25, just two days after the Beirut bombing, US forces invaded Grenada. Story changed.
The second example falls into the category of life imitating art. According to Michael De Luca, production head at New Line Cinema when the studio released Wag the Dog, screenwriter David Mamet “was trying to think of something that would never happen in real life, like a president diddling a Girl Scout.” Just a few weeks after the film opened in US theaters, however, news of an eerily similar incident broke.
On January 17, 1998, the Drudge Report reported that Newsweek editors had killed a story exposing President Bill Clinton’s relationship with a 22-year-old White House intern, Monica Lewinsky. Four days later, the story of their tryst appeared in, ironically, The Washington Post.
On August 17, 1998, Clinton appeared on television following his testimony before a grand jury and finally acknowledged that he had “inappropriate intimate contact” with Lewinsky. Three days after that—the same day Lewinsky testified for a second time to the grand jury—Clinton launched 75 to 100 Tomahawk missiles at al-Qaeda targets in Afghanistan and Sudan in retaliation for the terrorist group’s August 7 bombings of US embassies in East Africa. Many said the timetable was more than a mere coincidence.
Trump has consistently tried to change the subject whenever the issue of the Epstein scandal crops up, but nothing as dramatic as starting a war. Even abducting Venezuela’s president doesn’t compare. But the stakes are now much higher than when Reagan invaded Grenada or Clinton hit back at al-Qaeda. The Iran conflict has quickly spiraled out of control. In less than a week, it involves at least 11 countries besides the main combatants Iran, Israel, and the United States.
It is more than ironic that Trump, who fancies himself a virtuoso dealmaker, started this unnecessary war. After all:
From the looks of it, Trump lied that Iran posed an imminent threat and—like Bush—has just destabilized the Middle East. It’s reminiscent of that line about the “Pottery Barn rule” attributed to Bush’s secretary of state, Colin Powell: “You break it, you own it.” His attack on Iran will always be remembered as Trump’s war, a war started, in his own words, by a president who apparently “has absolutely no ability to negotiate.”
Finally, keep in mind that despite Clinton’s attack on al-Qaeda, no one forgot that he perjured himself about his affair with Monica Lewinsky, which ultimately led to his impeachment. Likewise, it is doubtful that many people are going to forget about Trump’s role in the Epstein saga. His victims are certainly not going to forget. It only remains to be seen if it—along with his other transgressions—brings down his presidency.
This article first appeared at the Money Trail blog and is reposted here at Common Dreams with permission.
Dear Common Dreams reader, The U.S. is on a fast track to authoritarianism like nothing I've ever seen. Meanwhile, corporate news outlets are utterly capitulating to Trump, twisting their coverage to avoid drawing his ire while lining up to stuff cash in his pockets. That's why I believe that Common Dreams is doing the best and most consequential reporting that we've ever done. Our small but mighty team is a progressive reporting powerhouse, covering the news every day that the corporate media never will. Our mission has always been simple: To inform. To inspire. And to ignite change for the common good. Now here's the key piece that I want all our readers to understand: None of this would be possible without your financial support. That's not just some fundraising cliche. It's the absolute and literal truth. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. Will you donate now to help power the nonprofit, independent reporting of Common Dreams? Thank you for being a vital member of our community. Together, we can keep independent journalism alive when it’s needed most. - Craig Brown, Co-founder |
On Christmas Day in 1997, Wag the Dog, a dark political satire directed by Barry Levinson and co-written by David Mamet, opened in theaters across the country. Hardly typical Christmas fare, the movie centered on crisis-management expert Conrad Brean, played by Robert De Niro, and Hollywood producer Stanley Motss, played by Dustin Hoffman, who fabricate a war to distract public attention from a presidential sex scandal.
Sound familiar?
In the film’s opening scene, presidential adviser Winifred Ames (Anne Heche) and other administration staff summon Brean to the White House to help clean up a mess. The president had just met with a group of teenage Firefly Girls from Santa Fe, they explain, and one of them expressed an interest in seeing a Frederick Remington sculpture in the Oval Office. The president escorted her there and sexually assaulted her.
The story leaked, and not only was The Washington Post about to run with it, but the president’s opponent also was about to air a TV commercial referencing it. With less than two weeks to go until election day, the story could derail the president’s reelection bid.
His attack on Iran will always be remembered as Trump’s war, a war started, in his own words, by a president who apparently “has absolutely no ability to negotiate.”
“We have to distract them” with a fake crisis, Brean tells the staffers, and after brainstorming a bit, hits upon a solution: “We have to go to war with somebody.” He concocts a story that Albania, a “shifty” country that “wants to destroy our way of life,” has smuggled a nuclear suitcase bomb into Canada and plans to sneak it across the border. He then enlists the help of Motss, and together they bamboozle the news media, the CIA, and the general public into believing the country is at war. The Oval Office sex scandal story gets lost in the shuffle and the president’s approval ratings rebound in time to win the election.
President Donald Trump also has a sex scandal that he wants to go away.
After simmering for months, the Jeffrey Epstein sex-trafficking story reached a full boil in February following the Justice Department’s January 30 release of 3.5 million additional file pages. On February 9, the department granted members of Congress access to unredacted files for the first time, and the next day, Rep. Jamie Raskin (D-Md.) told Axios that he found more than a million references to Trump. On February 11, Raskin and other members of the House Judiciary Committee grilled Attorney General Pam Bondi about the files, attracting quite a bit of attention even though she avoided answering their questions.Then, on February 24, came the potential coup de grâce. NPR reported that the Justice Department removed documents that mention Trump from the public Epstein database, including files related to allegations that Trump had sexually abused a minor.
NPR’s investigation found that a specific allegation only appeared in copies of the FBI list of claims and a Justice Department slideshow. Its details are explosive. As spelled out by NPR: “The woman who directly named Trump in her abuse allegation [to the FBI] claimed that around 1983, when she was around 13 years old, Epstein introduced her to Trump, ‘who subsequently forced her head down to his exposed penis which she subsequently bit. In response, Trump punched her in the head and kicked her out.’”
Four days after the NPR story ran, the United States and Israel attacked Iran and poof, the Epstein sex scandal story disappeared from the headlines. Unlike Wag the Dog, however, Trump started a real war, and as of this writing Al Jazeera was reporting that more than 1,000 Iranians are dead and more than 6,000 are wounded, according to Iranian state media.
Of course, the launch of Trump’s war at a time of heightened public interest in the Epstein files could be merely coincidental. The administration has offered various rationales for the attack, from regime change to eliminating Iran’s nuclear program and ballistic missiles, neither of which posed an imminent threat. Others have speculated that Trump is retaliating for alleged Iranian attempts on his life or squeezing China’s oil supplies to force it to rely more heavily on Saudi Arabia. Even so, there are at least two other notable examples of presidential attempts to divert attention from a politically damaging event by attacking another country.
One example was cited in Wag the Dog. In a scene in which Brean reassures Ames that a fake crisis would distract the public, he says, “That was the Reagan administration’s M.O.: Change the story.” Twenty-four hours after 240 Marines were killed in Beirut, he explains, Reagan invaded the tiny Caribbean nation of Grenada.
It is doubtful that many people are going to forget about Trump’s role in the Epstein saga. His victims are certainly not going to forget.
Brean was referring to an incident that happened on October 23, 1983, when a truck bomb destroyed the US Marine barracks in Beirut, Lebanon, killing 241 American servicemen. That same day, President Ronald Reagan approved final plans to invade Grenada during an attempted coup, ostensibly to protect 600 American medical students who, as it turned out, were not in any danger. On October 25, just two days after the Beirut bombing, US forces invaded Grenada. Story changed.
The second example falls into the category of life imitating art. According to Michael De Luca, production head at New Line Cinema when the studio released Wag the Dog, screenwriter David Mamet “was trying to think of something that would never happen in real life, like a president diddling a Girl Scout.” Just a few weeks after the film opened in US theaters, however, news of an eerily similar incident broke.
On January 17, 1998, the Drudge Report reported that Newsweek editors had killed a story exposing President Bill Clinton’s relationship with a 22-year-old White House intern, Monica Lewinsky. Four days later, the story of their tryst appeared in, ironically, The Washington Post.
On August 17, 1998, Clinton appeared on television following his testimony before a grand jury and finally acknowledged that he had “inappropriate intimate contact” with Lewinsky. Three days after that—the same day Lewinsky testified for a second time to the grand jury—Clinton launched 75 to 100 Tomahawk missiles at al-Qaeda targets in Afghanistan and Sudan in retaliation for the terrorist group’s August 7 bombings of US embassies in East Africa. Many said the timetable was more than a mere coincidence.
Trump has consistently tried to change the subject whenever the issue of the Epstein scandal crops up, but nothing as dramatic as starting a war. Even abducting Venezuela’s president doesn’t compare. But the stakes are now much higher than when Reagan invaded Grenada or Clinton hit back at al-Qaeda. The Iran conflict has quickly spiraled out of control. In less than a week, it involves at least 11 countries besides the main combatants Iran, Israel, and the United States.
It is more than ironic that Trump, who fancies himself a virtuoso dealmaker, started this unnecessary war. After all:
From the looks of it, Trump lied that Iran posed an imminent threat and—like Bush—has just destabilized the Middle East. It’s reminiscent of that line about the “Pottery Barn rule” attributed to Bush’s secretary of state, Colin Powell: “You break it, you own it.” His attack on Iran will always be remembered as Trump’s war, a war started, in his own words, by a president who apparently “has absolutely no ability to negotiate.”
Finally, keep in mind that despite Clinton’s attack on al-Qaeda, no one forgot that he perjured himself about his affair with Monica Lewinsky, which ultimately led to his impeachment. Likewise, it is doubtful that many people are going to forget about Trump’s role in the Epstein saga. His victims are certainly not going to forget. It only remains to be seen if it—along with his other transgressions—brings down his presidency.
This article first appeared at the Money Trail blog and is reposted here at Common Dreams with permission.
On Christmas Day in 1997, Wag the Dog, a dark political satire directed by Barry Levinson and co-written by David Mamet, opened in theaters across the country. Hardly typical Christmas fare, the movie centered on crisis-management expert Conrad Brean, played by Robert De Niro, and Hollywood producer Stanley Motss, played by Dustin Hoffman, who fabricate a war to distract public attention from a presidential sex scandal.
Sound familiar?
In the film’s opening scene, presidential adviser Winifred Ames (Anne Heche) and other administration staff summon Brean to the White House to help clean up a mess. The president had just met with a group of teenage Firefly Girls from Santa Fe, they explain, and one of them expressed an interest in seeing a Frederick Remington sculpture in the Oval Office. The president escorted her there and sexually assaulted her.
The story leaked, and not only was The Washington Post about to run with it, but the president’s opponent also was about to air a TV commercial referencing it. With less than two weeks to go until election day, the story could derail the president’s reelection bid.
His attack on Iran will always be remembered as Trump’s war, a war started, in his own words, by a president who apparently “has absolutely no ability to negotiate.”
“We have to distract them” with a fake crisis, Brean tells the staffers, and after brainstorming a bit, hits upon a solution: “We have to go to war with somebody.” He concocts a story that Albania, a “shifty” country that “wants to destroy our way of life,” has smuggled a nuclear suitcase bomb into Canada and plans to sneak it across the border. He then enlists the help of Motss, and together they bamboozle the news media, the CIA, and the general public into believing the country is at war. The Oval Office sex scandal story gets lost in the shuffle and the president’s approval ratings rebound in time to win the election.
President Donald Trump also has a sex scandal that he wants to go away.
After simmering for months, the Jeffrey Epstein sex-trafficking story reached a full boil in February following the Justice Department’s January 30 release of 3.5 million additional file pages. On February 9, the department granted members of Congress access to unredacted files for the first time, and the next day, Rep. Jamie Raskin (D-Md.) told Axios that he found more than a million references to Trump. On February 11, Raskin and other members of the House Judiciary Committee grilled Attorney General Pam Bondi about the files, attracting quite a bit of attention even though she avoided answering their questions.Then, on February 24, came the potential coup de grâce. NPR reported that the Justice Department removed documents that mention Trump from the public Epstein database, including files related to allegations that Trump had sexually abused a minor.
NPR’s investigation found that a specific allegation only appeared in copies of the FBI list of claims and a Justice Department slideshow. Its details are explosive. As spelled out by NPR: “The woman who directly named Trump in her abuse allegation [to the FBI] claimed that around 1983, when she was around 13 years old, Epstein introduced her to Trump, ‘who subsequently forced her head down to his exposed penis which she subsequently bit. In response, Trump punched her in the head and kicked her out.’”
Four days after the NPR story ran, the United States and Israel attacked Iran and poof, the Epstein sex scandal story disappeared from the headlines. Unlike Wag the Dog, however, Trump started a real war, and as of this writing Al Jazeera was reporting that more than 1,000 Iranians are dead and more than 6,000 are wounded, according to Iranian state media.
Of course, the launch of Trump’s war at a time of heightened public interest in the Epstein files could be merely coincidental. The administration has offered various rationales for the attack, from regime change to eliminating Iran’s nuclear program and ballistic missiles, neither of which posed an imminent threat. Others have speculated that Trump is retaliating for alleged Iranian attempts on his life or squeezing China’s oil supplies to force it to rely more heavily on Saudi Arabia. Even so, there are at least two other notable examples of presidential attempts to divert attention from a politically damaging event by attacking another country.
One example was cited in Wag the Dog. In a scene in which Brean reassures Ames that a fake crisis would distract the public, he says, “That was the Reagan administration’s M.O.: Change the story.” Twenty-four hours after 240 Marines were killed in Beirut, he explains, Reagan invaded the tiny Caribbean nation of Grenada.
It is doubtful that many people are going to forget about Trump’s role in the Epstein saga. His victims are certainly not going to forget.
Brean was referring to an incident that happened on October 23, 1983, when a truck bomb destroyed the US Marine barracks in Beirut, Lebanon, killing 241 American servicemen. That same day, President Ronald Reagan approved final plans to invade Grenada during an attempted coup, ostensibly to protect 600 American medical students who, as it turned out, were not in any danger. On October 25, just two days after the Beirut bombing, US forces invaded Grenada. Story changed.
The second example falls into the category of life imitating art. According to Michael De Luca, production head at New Line Cinema when the studio released Wag the Dog, screenwriter David Mamet “was trying to think of something that would never happen in real life, like a president diddling a Girl Scout.” Just a few weeks after the film opened in US theaters, however, news of an eerily similar incident broke.
On January 17, 1998, the Drudge Report reported that Newsweek editors had killed a story exposing President Bill Clinton’s relationship with a 22-year-old White House intern, Monica Lewinsky. Four days later, the story of their tryst appeared in, ironically, The Washington Post.
On August 17, 1998, Clinton appeared on television following his testimony before a grand jury and finally acknowledged that he had “inappropriate intimate contact” with Lewinsky. Three days after that—the same day Lewinsky testified for a second time to the grand jury—Clinton launched 75 to 100 Tomahawk missiles at al-Qaeda targets in Afghanistan and Sudan in retaliation for the terrorist group’s August 7 bombings of US embassies in East Africa. Many said the timetable was more than a mere coincidence.
Trump has consistently tried to change the subject whenever the issue of the Epstein scandal crops up, but nothing as dramatic as starting a war. Even abducting Venezuela’s president doesn’t compare. But the stakes are now much higher than when Reagan invaded Grenada or Clinton hit back at al-Qaeda. The Iran conflict has quickly spiraled out of control. In less than a week, it involves at least 11 countries besides the main combatants Iran, Israel, and the United States.
It is more than ironic that Trump, who fancies himself a virtuoso dealmaker, started this unnecessary war. After all:
From the looks of it, Trump lied that Iran posed an imminent threat and—like Bush—has just destabilized the Middle East. It’s reminiscent of that line about the “Pottery Barn rule” attributed to Bush’s secretary of state, Colin Powell: “You break it, you own it.” His attack on Iran will always be remembered as Trump’s war, a war started, in his own words, by a president who apparently “has absolutely no ability to negotiate.”
Finally, keep in mind that despite Clinton’s attack on al-Qaeda, no one forgot that he perjured himself about his affair with Monica Lewinsky, which ultimately led to his impeachment. Likewise, it is doubtful that many people are going to forget about Trump’s role in the Epstein saga. His victims are certainly not going to forget. It only remains to be seen if it—along with his other transgressions—brings down his presidency.
This article first appeared at the Money Trail blog and is reposted here at Common Dreams with permission.