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A gantry that spans Pennsylvania Avenue shows the signage for the IndyCar series Freedom 250 Grand Prix on the National Mall in Washington, DC, on August 17, 2026.
Trump is perfectly willing to risk the destruction of the nation's most priceless cultural assets to create a public spectacle that honors him, and almost assuredly puts carloads more of our money in his pocket.
This weekend, President Donald Trump is turning the heart of our democracy into a taxpayer-funded racetrack. Through an executive order, the administration mandated the "Freedom 250 Grand Prix"—an IndyCar street circuit winding directly through the National Mall. We are being told this is a celebration of America. But earlier this year, IndyCar quietly launched and then hastily deleted a new piece of official merchandise: a gauche, blatantly racist T-shirt. This is exactly what the current administration is substituting for our national heritage.
Trump is perfectly willing to risk the destruction of the nation's most priceless cultural assets to create a public spectacle that honors him, and almost assuredly puts carloads more of our money in his pocket.
Let me be clear: Live athletic competition can be a great cultural unifier, and celebrating America should be a joyous occasion. But this race is a fabricated, exhaust-choked spectacle designed entirely to feed Trump's obsession with personal grandeur. And it’s the public who is paying for everything and likewise the liability falls right into the lap of the public. We are being forced to subsidize a 200-mile-per-hour vanity project with an estimated cultural liability of up to $183 billion.
When you map the racecourse, the sheer negligence becomes terrifying. The circuit wraps directly around the National Gallery of Art, the National Archives, the Hirshhorn Museum and Sculpture Garden, the National Air and Space Museum, and the National Museum of the American Indian. If a catastrophic, high-speed crash were to occur—scattering carbon-fiber shrapnel and burning ethanol fuel, or triggering a massive structural fire—the cultural devastation would be irreversible. The vibration of the race alone has already forced the National Gallery of Art to remove paintings from the wall. But not everything can be protected like that.
Replacing the pinnacle of global art, foundational Indigenous artifacts, and the physical documents of our democracy with the cheap, offensive aesthetics of a racist IndyCar T-shirt is the ultimate manifestation of Trump’s corrupt worldview.
By forcing this race onto the Mall, the administration is playing Russian roulette with irreplaceable artifacts of American art and history. They are risking the original Declaration of Independence and the Constitution at the National Archives. They are endangering Leonardo da Vinci’s "Ginevra de' Benci"—the only da Vinci painting on public view in the Americas. They are threatening the 1903 Wright Flyer and the Apollo 11 Command Module.
And there is incredible risk of damage to the over 2,500 square feet of priceless, New Deal-era buon fresco murals physically bound into the walls of the Wilbur J. Cohen building, which could be obliterated by structural shockwaves or water damage from emergency fire suppression.

Mary Okin, assistant director of the Living New Deal, told WTOP: “Given how important these artworks are, there should be all kinds of protections taken, and also a case made that this race should not happen here. I don’t think a race like this would ever happen under other administrations, because it’s just foolish and reckless.”
Replacing the pinnacle of global art, foundational Indigenous artifacts, and the physical documents of our democracy with the cheap, offensive aesthetics of a racist IndyCar T-shirt is the ultimate manifestation of Trump’s corrupt worldview. Public goods hold no value to this administration unless they can be leveraged for a fleeting television broadcast.
We cannot allow an administration that knows the price of everything and the value of nothing to destroy the American legacy for a weekend of noise.
Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission has always been simple: To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It's never been this bad out there. And it's never been this hard to keep us going. At the very moment Common Dreams is most needed, the threats we face are intensifying. We need your support now more than ever. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Will you donate now to make sure Common Dreams not only survives but thrives? —Craig Brown, Co-founder |
This weekend, President Donald Trump is turning the heart of our democracy into a taxpayer-funded racetrack. Through an executive order, the administration mandated the "Freedom 250 Grand Prix"—an IndyCar street circuit winding directly through the National Mall. We are being told this is a celebration of America. But earlier this year, IndyCar quietly launched and then hastily deleted a new piece of official merchandise: a gauche, blatantly racist T-shirt. This is exactly what the current administration is substituting for our national heritage.
Trump is perfectly willing to risk the destruction of the nation's most priceless cultural assets to create a public spectacle that honors him, and almost assuredly puts carloads more of our money in his pocket.
Let me be clear: Live athletic competition can be a great cultural unifier, and celebrating America should be a joyous occasion. But this race is a fabricated, exhaust-choked spectacle designed entirely to feed Trump's obsession with personal grandeur. And it’s the public who is paying for everything and likewise the liability falls right into the lap of the public. We are being forced to subsidize a 200-mile-per-hour vanity project with an estimated cultural liability of up to $183 billion.
When you map the racecourse, the sheer negligence becomes terrifying. The circuit wraps directly around the National Gallery of Art, the National Archives, the Hirshhorn Museum and Sculpture Garden, the National Air and Space Museum, and the National Museum of the American Indian. If a catastrophic, high-speed crash were to occur—scattering carbon-fiber shrapnel and burning ethanol fuel, or triggering a massive structural fire—the cultural devastation would be irreversible. The vibration of the race alone has already forced the National Gallery of Art to remove paintings from the wall. But not everything can be protected like that.
Replacing the pinnacle of global art, foundational Indigenous artifacts, and the physical documents of our democracy with the cheap, offensive aesthetics of a racist IndyCar T-shirt is the ultimate manifestation of Trump’s corrupt worldview.
By forcing this race onto the Mall, the administration is playing Russian roulette with irreplaceable artifacts of American art and history. They are risking the original Declaration of Independence and the Constitution at the National Archives. They are endangering Leonardo da Vinci’s "Ginevra de' Benci"—the only da Vinci painting on public view in the Americas. They are threatening the 1903 Wright Flyer and the Apollo 11 Command Module.
And there is incredible risk of damage to the over 2,500 square feet of priceless, New Deal-era buon fresco murals physically bound into the walls of the Wilbur J. Cohen building, which could be obliterated by structural shockwaves or water damage from emergency fire suppression.

Mary Okin, assistant director of the Living New Deal, told WTOP: “Given how important these artworks are, there should be all kinds of protections taken, and also a case made that this race should not happen here. I don’t think a race like this would ever happen under other administrations, because it’s just foolish and reckless.”
Replacing the pinnacle of global art, foundational Indigenous artifacts, and the physical documents of our democracy with the cheap, offensive aesthetics of a racist IndyCar T-shirt is the ultimate manifestation of Trump’s corrupt worldview. Public goods hold no value to this administration unless they can be leveraged for a fleeting television broadcast.
We cannot allow an administration that knows the price of everything and the value of nothing to destroy the American legacy for a weekend of noise.
This weekend, President Donald Trump is turning the heart of our democracy into a taxpayer-funded racetrack. Through an executive order, the administration mandated the "Freedom 250 Grand Prix"—an IndyCar street circuit winding directly through the National Mall. We are being told this is a celebration of America. But earlier this year, IndyCar quietly launched and then hastily deleted a new piece of official merchandise: a gauche, blatantly racist T-shirt. This is exactly what the current administration is substituting for our national heritage.
Trump is perfectly willing to risk the destruction of the nation's most priceless cultural assets to create a public spectacle that honors him, and almost assuredly puts carloads more of our money in his pocket.
Let me be clear: Live athletic competition can be a great cultural unifier, and celebrating America should be a joyous occasion. But this race is a fabricated, exhaust-choked spectacle designed entirely to feed Trump's obsession with personal grandeur. And it’s the public who is paying for everything and likewise the liability falls right into the lap of the public. We are being forced to subsidize a 200-mile-per-hour vanity project with an estimated cultural liability of up to $183 billion.
When you map the racecourse, the sheer negligence becomes terrifying. The circuit wraps directly around the National Gallery of Art, the National Archives, the Hirshhorn Museum and Sculpture Garden, the National Air and Space Museum, and the National Museum of the American Indian. If a catastrophic, high-speed crash were to occur—scattering carbon-fiber shrapnel and burning ethanol fuel, or triggering a massive structural fire—the cultural devastation would be irreversible. The vibration of the race alone has already forced the National Gallery of Art to remove paintings from the wall. But not everything can be protected like that.
Replacing the pinnacle of global art, foundational Indigenous artifacts, and the physical documents of our democracy with the cheap, offensive aesthetics of a racist IndyCar T-shirt is the ultimate manifestation of Trump’s corrupt worldview.
By forcing this race onto the Mall, the administration is playing Russian roulette with irreplaceable artifacts of American art and history. They are risking the original Declaration of Independence and the Constitution at the National Archives. They are endangering Leonardo da Vinci’s "Ginevra de' Benci"—the only da Vinci painting on public view in the Americas. They are threatening the 1903 Wright Flyer and the Apollo 11 Command Module.
And there is incredible risk of damage to the over 2,500 square feet of priceless, New Deal-era buon fresco murals physically bound into the walls of the Wilbur J. Cohen building, which could be obliterated by structural shockwaves or water damage from emergency fire suppression.

Mary Okin, assistant director of the Living New Deal, told WTOP: “Given how important these artworks are, there should be all kinds of protections taken, and also a case made that this race should not happen here. I don’t think a race like this would ever happen under other administrations, because it’s just foolish and reckless.”
Replacing the pinnacle of global art, foundational Indigenous artifacts, and the physical documents of our democracy with the cheap, offensive aesthetics of a racist IndyCar T-shirt is the ultimate manifestation of Trump’s corrupt worldview. Public goods hold no value to this administration unless they can be leveraged for a fleeting television broadcast.
We cannot allow an administration that knows the price of everything and the value of nothing to destroy the American legacy for a weekend of noise.