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“These people and these companies need to continue to be exposed for all of the harm that they're causing and the real power that they have over our government and those governed,” one organizer said.
On their way to attend the Met Gala on Monday night, guests might have spotted a different image of Amazon founder Jeff Bezos than the one he tried to project by chairing the annual fundraiser: a poster featuring his bulbous head, looming over them out of the darkness, attached to a muscular spider-shaped body. Above it, a mysterious message: “The Creep State is watching.”
What does it mean?
The Creep State is an anonymous guerilla art and protest project that debuted in Austin, Texas during South by Southwest earlier this year. It is designed to draw people’s attention to the threat posed by Big Tech billionaires and their increasing influence over both the US government and the daily lives of everyone who interacts with their products.
“These individuals are a danger to all of us,” a DC-based organizer said.

The idea for the Creep State came from the desire to raise awareness about certain Silicon Valley oligarchs and their anti-democratic actions and aspirations. Participants in the project who spoke to Common Dreams asked to rename anonymous in keeping with the guerilla-style tactics of their effort.
“There's what is really a very small group of men who control these algorithms, who control the software, the hardware, and.. they are trying to initially infiltrate our government and eventually replace our government,” a Seattle-based organizer explained. “They've all been pretty clear about, you know, some version of, you know, a company town run by a CEO king.”
The project’s designers wanted to convey that “these specific individuals have very nefarious and creepy goals, and they are personally creeps,"—hence, the “creep state” framing.
“Whatever you do, see, hear, touch, say, feel, believe, dream, the Creep State is watching."
Currently, the project consists of a physical and digital element.
Volunteers wheatpaste posters of seven Silicon Valley kingpins—Jeff Bezos, Elon Musk, Mark Zuckerberg, Sam Altman, Peter Thiel, Bill Gates, and Marc Andreessen, drawn in cartoon style as B-movie monsters—in major US cities. To date, the images have been displayed in Austin, Seattle, DC, Palo Alto, the area around the Met Gala in New York, and Los Angeles, with more to come.
The posters include a QR code that leads to a website, including a video highlighting how these moguls' companies and products are already monitoring people’s daily activities, from surveillance pricing to sleep tracking.
“Whatever you do, see, hear, touch, say, feel, believe, dream, the Creep State is watching," the video declares, before concluding: “We’re fighting back.”
“These people and these companies need to continue to be exposed for all of the harm that they're causing and the real power that they have over our government and those governed,” the DC-based organizer said.

While there have been many different campaigns and critiques calling out Big Tech and the rise of AI in recent years, the creators of the Creep State took an artistic approach partly to grab people’s attention, to make something that “quite literally visually shocked people out of the normal way that they think about and talk about these guys,” as the Seattle-based organizer put it.
They added that they wanted a viewer’s first response upon seeing the art to be, “Woah!”
So far, it seems to be working.
When the art went up in Seattle ahead of the No Kings protest on March 28, “people walking by stopped and took pictures and were like, ‘Whoa, what is this about? Oh my God, is that Jeff Bezos? Whoa, is that Bill Gates?’” the Seattle organizer said.
A member of the team who put the posters up in DC on April 18 similarly recalled: “We had a young woman come up to us and ask us about the Creep State and said she was glad we were exposing these guys. She said she was from [Prince George's] County in Maryland and was part of the movement to stop data centers there.”
"Fundamentally the question that we face is will we allow one or a few of these corporations to literally remake our society?"
The project’s designers see themselves as operating within a tradition of guerilla art against the powerful from Banksy, Favianna Rodriguez, and Shepard Fairey's OBEY posters to student protests against Slobodan Milošević in Serbia in the 1990s and the FeesMustFall campaign in South Africa in the 2010s. However, the project—which made a point of working with actual human creators, including a screenwriter, comic book artist, and graphic designer—takes on extra resonance in an age in which AI slop clogs up social media feeds and threatens to put creative workers out of a job.
“This is very much a people versus the machines kind of thing,” the Seattle-based organizer said. “Are we going to be a society where human creativity and human inspiration and human thinking are valued, or are we going to be a world where.. we're all plugged into a screen?”

As the project uses an artistic approach to hook people who might otherwise ignore its messaging, it also crafts that messaging in an attempt to appeal to people who might not always agree politically.
The name “Creep State” was chosen in part for its similarity to “deep state,” which is often used on the political right to describe hidden actors undemocratically controlling the federal government. Some of the headlines highlighted in the introductory video were also selected to appeal to right-leaning viewers. (“Prayer apps: is AI playing God?” one reads.)
“Our assessment here is that we may have, and we very much do have, some very deep disagreements in a variety of ways with the right wing. But there is a very real grassroots right-wing opposition to the Silicon Valley takeover of our economy and our democracy. And we want to make sure that this is a campaign that different types of folks can see themselves reflected in,” the Seattle-based organizer said.
"Once they're burrowed in, it's going to be very difficult to root them out.”
Indeed, the rise of AI and the hyperscale data centers it relies on seems to have, at least so far, bypassed the usual culture war divides. As communities across the country have mobilized against the data center buildout, “you've got DSA people linking arms with, you know, like ultra-MAGA folks,” the Seattle organizer added.
The numbers reflect this, with around 50% of both Republicans and Democrats now saying they are more concerned than excited about AI and 55% of the politicians opposing data centers, which are often located in red states, being Republicans.
The embrace of AI and its Silicon Valley pushers may be one wedge between President Donald Trump and some of his supporters, as 75% of 2024 Trump voters think that AI should be regulated while the president himself has thrown his weight behind a plan to prohibit states from regulating AI at all.
Indeed, even as the Creep State’s developers reach out to Trump voters, they are clear that the Trump administration itself has escalated the Big Tech takeover of the US government, upping the urgency of their project.
Even before Trump was elected a second time around, Silicon Valley enabled his rise. Bezos sunk The Washington Post’s endorsement of his rival Kamala Harris, while Musk donated more than a quarter billion to back Trump's campaign. His Vice President JD Vance is a protege of Thiel, who has backed Trump since 2016.
Trump has repaid these Big Tech executives handsomely with access, money, and his deregulatory push. The DC-based organizer said they were partly inspired to get involved with the Creep State project after witnessing the havoc wreaked by Musk’s Department of Government Efficiency, which cut funding for essential grants and may lead to the deaths of over 14 million through the shuttering of the US Agency for International Development. At the same time, tech billionaires have increased their profits by contracting with the government, enabling deportations via Immigration and Customs Enforcement and both surveillance and targeting via the Pentagon.
Yet the Seattle-based organizer said that some Trump supporters “are beginning to realize… that these guys don't care about Trump. Trump is a vehicle for them. And, you know, once they're burrowed in, it's going to be very difficult to root them out.”

Ultimately the goal of the Creep State project is to plug everyone who sees and responds to the art—whatever their politics—into the growing movement to push back against the Big Tech power grab.
“The more we can expose these actors, it can inspire people to… organize against them, demand… oversight and regulations over AI and the influence that these individuals have on their politics,” the DC-based organizer said.
People who scan the QR code can be funneled into future wheatpasting sessions (which are all volunteer efforts) or local fights related to tech policy. One hope the organizers have is that communities across the country who are fighting data center construction or Flock camera expansion could order posters from the site that would have their QR codes adjusted to direct viewers to the local struggle.
“If we can plug people into some of those fights with organizations and for them to get more deeply involved, we'd love to do that,” the DC organizer said.
The Seattle organizer concluded, "Fundamentally the question that we face is will we allow one or a few of these corporations to literally remake our society?"
They continued: "We're all living through this polycrisis. The climate is collapsing, the economy is in tatters, we're at war abroad. There's something new and crazy every day, and it's hard to break through to people. So the hope is that this art specifically, in this way of highlighting both the like political creepiness and the personal creepiness of these guys, can maybe shock some people who otherwise are just trying to get through their day into, 'I need to do something.'"
Sen. Bernie Sanders noted that the billionaire spent $10 million on the Met Gala, $120 million on a penthouse, and $500 million on a yacht while "planning to throw 600,000 Amazon workers out on the streets and replace them with robots."
Amazon founder Jeff Bezos in recent weeks has come under fire for a wide variety of reasons, including his involvement with the 2026 Met Gala and his plans to build a robot workforce.
A Monday report from The Hollywood Reporter noted that Bezos, despite being a lead sponsor of this year's Met Gala, did not make an appearance at the event's red carpet as he had in past years.
Bezos' sponsorship of the Gala has been hit with heavy criticism in recent weeks, as many activists slammed the New York Metropolitan Museum of Art for taking the tech mogul's money despite his company's labor practices and reported involvement in helping US Immigration and Customs Enforcement (ICE) operations.
According to The Hollywood Reporter, other critics "accused the billionaire of buying influence with the major event and speculation swirled that some stars may boycott the event due to his involvement."
In addition to not appearing at the Met Gala red carpet, Bezos is reportedly trying to lower his profile by selling his $500 million luxury yacht.
The New York Post reported on Monday that Bezos has decided that the 417-foot vessel has become "too recognizable," and is also a headache to maintain, costing an estimated $30 million per year to operate.
Sen. Bernie Sanders (I-Vt.) on Tuesday argued that Bezos' lavish spending and his plan to build an army of robots to replace human workers was symbolic of American capitalism in 2026.
"The reality of American life today," Sanders wrote in a social media post. "Jeff Bezos, worth $290 billion, spent: $10 million on the Met Gala, $120 million on a penthouse, $500 million on a yacht. Meanwhile, he‘s planning to throw 600,000 Amazon workers out on the streets and replace them with robots. Unacceptable."
Warren Gunnels, Sanders' staff director, similarly made the case that Bezos' spending spree was yet another argument for raising taxes on the wealthiest Americans.
"Jeff Bezos, who paid $10 million for the Met Gala," Gunnels wrote, "got $62 billion richer since [President Donald] Trump was elected and spent $500 million on a yacht to sail to his $55 million wedding in Venice to give his wife a $5 million ring because his tax rate is less than 1%. Four words: Tax the damn rich."
Labor unions, which have long clashed with Bezos over Amazon's aggressive union-busting tactics, held their own rival "Ball Without Billionaires" on Monday evening to protest the Bezos-funded Met Gala.
As reported by Democracy Now!, the gala featured "Amazon, Whole Foods, Washington Post, Starbucks, and Uber workers" who "walked the runway in looks by immigrant designers."
April Verrett, president of the Service Employees International Union, said the Ball Without Billionaires was "not just about fashion" but "about power" and "telling the truth that people who sew and care and drive and cook and clean and secure and those that create are the ones who make everything possible."
Workers at the New York Metropolitan Museum of Art, who earlier this year voted to unionize, registered their own disapproval of this year's Met Gala, posting a message on Instagram informing followers that "91% of hourly Met staff in our unit earn less than a living wage."
The project, which residents were informed of just last week, is expected to more than double Utah’s electricity usage, hike its carbon footprint by 50%, and potentially drain more water from the depleted Great Salt Lake.
County commissioners in Box Elder County, Utah, were deluged with chants of "Shame! Shame! Shame!" from a crowd of hundreds on Monday night as they voted unanimously to move forward with a sprawling "hyperscale" artificial intelligence data center project that many residents fear will cause energy prices to soar and imperil water access.
The project, known by state officials as "Stratos," was proposed by the celebrity venture capitalist Kevin O'Leary and has been rushed along by Utah's Military Installation Development Authority, which recently approved a gigantic energy tax break for the program to help "lure" the billionaire "Shark Tank" investor.
The development, dubbed "Wonder Valley" after O'Leary's "Mr. Wonderful" TV persona, would span more than 40,000 acres of northern Utah—more than two and a half times the size of Manhattan—and would consume more than twice the electricity currently used by the entire state if approved, according to Axios.
CBS 2 KUTV called it "the biggest thing in the region since the completion of the first transcontinental railroad." And yet Utahns say they've been given little information about the plan and few opportunities to voice their concerns.
Residents were given short notice before Box Elder commissioners gathered at the county fairgrounds on Monday for a "special" meeting to vote on the project, but an estimated 500 still showed up to voice their displeasure.
They raised fears that they'd have to endure the same dramatic energy price spikes as other states with high concentrations of data centers. Residential utility costs have jumped 13-20% year over year in Virginia, Illinois, Ohio, and New Jersey, a trend attributed to the rollout of data centers in these states.
The developers of the Utah project have emphasized that it will be powered by an on-site natural gas plant, which they claim would limit the impact on utility bills.
However, that still leaves the massive environmental concern, especially since natural gas is almost entirely made of methane, one of the worst planet-heating pollutants.
Kevin Perry, a professor of atmospheric sciences at the University of Utah, has said that the estimated nine gigawatts of power the center would require, "would increase the carbon dioxide emissions for the state of Utah by more than 50%," meaning "there’s a huge climate footprint associated with that proposal.”
Environmental advocates also warn that the facility will further drain water from the Great Salt Lake amid an already severe drought.
The Salt Lake Tribune has found that Utah's dozens of other data centers consume wildly different amounts of water depending on the technology they use.
The developers of the Box Elder facility have claimed the project will use "zero water turbine" technology that allows it to recycle water, resulting in "net zero" consumption.
But Samantha Hawkins, the communications director for Grow the Flow Utah, a group dedicated to protecting the Great Salt Lake, said it's impossible to know if the developers are telling the truth when they say their facility is designed to limit water usage.
"So far, there’s no publicly available hydrologic analysis or independent review to support those claims," she said, "and there haven’t been any manufacturers, technologies, or contracts cited in relation to the 'zero water turbine' technology."
Even if the centers limit water use, they still need to remain cool, which the Tribune said often requires more energy.
Many of the Utahns who showed up to protest Monday's vote felt they were being kept in the dark about the facility's potential harms and that the plans for the facility, which were not made public until last week, were being kept from them.
“I’m outraged," said Colleen Flanagan, a resident of Sandy who spoke with Fox 13 Salt Lake. "I am absolutely angry that there was no studies done—it just came up out of the community. Nobody knew about it."
Mitchell Tousley, who drove more than an hour from Draper to protest the decision, said, "A project of this scale just absolutely requires public input, and there really hasn’t been."
Deals to build these facilities have often been made in secret, with contract details hidden from the public by nondisclosure agreements that stifle dissent until the project has already been approved. Despite this, these projects have often drawn fearsome backlash from the communities where they are planned. In some cases—like in Virginia late last month, where a 2,100-acre center was set to be built—it has led developers to pull out.
But the commissioners in Box Elder County, who said they'd reviewed more than 2,500 public comments on the proposal, appeared unmoved by the outpouring of public concern on Monday night. They said water and air quality issues were not factors in their vote and that the water rights were held by the private landowners.
As the crowd jeered, with chants of "cowards" and "people over profits," Commissioner Boyd Bingham, a Republican, shouted them down.
“For hell’s sakes, grow up,” he yelled. “This is beyond a joke.” The commissioners then left the room and addressed the crowd via a virtual meeting.
In a video response to Monday night's protest, O'Leary said: "I’m the only developer of data centers on Earth that graduated from environmental studies. I'm pretty aware of what these concerns are. They are around air, water use, heat, noise pollution. So sustainability is at the heart of what we do in terms of all these proposals."
He claimed without evidence that 90% of the opponents of the data center project were "being bused in" from out of state. He also claimed that the facility would be powered in part by "solar, wind, and batteries," when it is actually powered entirely by natural gas.
Opponents continue to characterize Stratos as a billionaire vanity project to loot Utah's vast natural resources with little consideration for how it will affect residents.
Utah State University physics professor Robert Davies told Fox 13 that the Great Salt Lake "is occupied by amazing living systems" and that "projects like this go into environments like this and scrape the living systems right off the face of the Earth.”
He said, “This is a private enterprise that is coming in to extract from our natural wealth and pipe it out of the state… and leave us with a few crumbs.”