

SUBSCRIBE TO OUR FREE NEWSLETTER
Daily news & progressive opinion—funded by the people, not the corporations—delivered straight to your inbox.
5
#000000
#FFFFFF
To donate by check, phone, or other method, see our More Ways to Give page.


Daily news & progressive opinion—funded by the people, not the corporations—delivered straight to your inbox.
The fingers type, but I don't feel them moving. The ears sense a commotion, but I cannot hear. The eyes fight back tears, but it's futile to resist.
How can you feel, how can you react, how can you respond, when the news of a friend's death hits you, right between the eyes?
But Sabeen was far more than a friend, she was a beacon; an island of calm in a sea of madness.
The fingers type, but I don't feel them moving. The ears sense a commotion, but I cannot hear. The eyes fight back tears, but it's futile to resist.
How can you feel, how can you react, how can you respond, when the news of a friend's death hits you, right between the eyes?
But Sabeen was far more than a friend, she was a beacon; an island of calm in a sea of madness.
The Second Floor, conceived and modelled in her own image, was the physical embodiment of her intangible love for all things; food, the arts, knowledge and ideas, and, of course, people.
As bleeding heart liberals go, Sabeen's was the bloodiest heart I have ever come across. Sabeen did a lot more than just help people. She championed causes, thought outside the box and wanted, with every breath, to make a difference.
A leading light of the #PakistanForAll and #ReclaimYourMosque campaigns, she was usually the first to hit the streets and the last to go home.
When they came for the Shias of Alamdar Road, she was at Numaish from the very beginning to the bitter end.
When they came for the Christians of Peshawar, she was right there at the heart of the human chains that protected churches on Sunday mass.
Always one to challenge convention, always one to take the unpopular stand, always one to side with the underdog; Sabeen Mahmud never backed down from a fight.
When the bearded brigade came after her for daring to say "Faasla na rakhein, pyaar honay dein," she didn't get cowed.
When Maulana Abdul Aziz was shouting obscenities into the loudspeaker, she was right there with Jibran Nasir and Shaan Taseer. I remember, because I met her, hugged her and asked her for some words of wisdom.
That was the last time I met Sabeen. On a cold Islamabad evening, outside the Aabpara police station.
She paced the crowd as Jibran held forth. She saw from a distance the incivility of a civil society, but turned and walked away, quietly smiling to herself.
I remember her as the flower-child in a sage's body. I remember her youthful exuberance in the face of all adversity. I remember her because she introduced me to half of Twitter when she single-handedly conceptualised and hosted the Social Media Mela. I remember her because of our shared love for bad 80s pop.
I remember her because I can't forget.
Over the days to come, a lot will be written and a lot more will be said on the woman I'm talking about. Some of it will be good, some bad. But none will manage to capture the essence of the woman herself.
No one can ever take her place and nothing can ever make up for the loss we're all mourning. It comes in spurts.
As I fight back the tears and force my fingers to type words, all I remember is her slight smile, the fire in her eyes and the conviction in her voice.
We once bonded over our mutual love for the Wax song, 'Right between the eyes'. As I write these words now, I'm listening to the same song again. It's a love song, as much as this feeble blog is a love letter. But then, why does it feel like a bullet?
Why does it feel like I've taken one, right between the eyes? It's because we all have.
Rest in peace Sabeen. You were truly the best of us.
All I'm afraid of now is, who will stand up when they come for us?
Who will stand up when they come for me?
Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission has always been simple: To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It's never been this bad out there. And it's never been this hard to keep us going. At the very moment Common Dreams is most needed, the threats we face are intensifying. We need your support now more than ever. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Will you donate now to make sure Common Dreams not only survives but thrives? —Craig Brown, Co-founder |
The fingers type, but I don't feel them moving. The ears sense a commotion, but I cannot hear. The eyes fight back tears, but it's futile to resist.
How can you feel, how can you react, how can you respond, when the news of a friend's death hits you, right between the eyes?
But Sabeen was far more than a friend, she was a beacon; an island of calm in a sea of madness.
The Second Floor, conceived and modelled in her own image, was the physical embodiment of her intangible love for all things; food, the arts, knowledge and ideas, and, of course, people.
As bleeding heart liberals go, Sabeen's was the bloodiest heart I have ever come across. Sabeen did a lot more than just help people. She championed causes, thought outside the box and wanted, with every breath, to make a difference.
A leading light of the #PakistanForAll and #ReclaimYourMosque campaigns, she was usually the first to hit the streets and the last to go home.
When they came for the Shias of Alamdar Road, she was at Numaish from the very beginning to the bitter end.
When they came for the Christians of Peshawar, she was right there at the heart of the human chains that protected churches on Sunday mass.
Always one to challenge convention, always one to take the unpopular stand, always one to side with the underdog; Sabeen Mahmud never backed down from a fight.
When the bearded brigade came after her for daring to say "Faasla na rakhein, pyaar honay dein," she didn't get cowed.
When Maulana Abdul Aziz was shouting obscenities into the loudspeaker, she was right there with Jibran Nasir and Shaan Taseer. I remember, because I met her, hugged her and asked her for some words of wisdom.
That was the last time I met Sabeen. On a cold Islamabad evening, outside the Aabpara police station.
She paced the crowd as Jibran held forth. She saw from a distance the incivility of a civil society, but turned and walked away, quietly smiling to herself.
I remember her as the flower-child in a sage's body. I remember her youthful exuberance in the face of all adversity. I remember her because she introduced me to half of Twitter when she single-handedly conceptualised and hosted the Social Media Mela. I remember her because of our shared love for bad 80s pop.
I remember her because I can't forget.
Over the days to come, a lot will be written and a lot more will be said on the woman I'm talking about. Some of it will be good, some bad. But none will manage to capture the essence of the woman herself.
No one can ever take her place and nothing can ever make up for the loss we're all mourning. It comes in spurts.
As I fight back the tears and force my fingers to type words, all I remember is her slight smile, the fire in her eyes and the conviction in her voice.
We once bonded over our mutual love for the Wax song, 'Right between the eyes'. As I write these words now, I'm listening to the same song again. It's a love song, as much as this feeble blog is a love letter. But then, why does it feel like a bullet?
Why does it feel like I've taken one, right between the eyes? It's because we all have.
Rest in peace Sabeen. You were truly the best of us.
All I'm afraid of now is, who will stand up when they come for us?
Who will stand up when they come for me?
The fingers type, but I don't feel them moving. The ears sense a commotion, but I cannot hear. The eyes fight back tears, but it's futile to resist.
How can you feel, how can you react, how can you respond, when the news of a friend's death hits you, right between the eyes?
But Sabeen was far more than a friend, she was a beacon; an island of calm in a sea of madness.
The Second Floor, conceived and modelled in her own image, was the physical embodiment of her intangible love for all things; food, the arts, knowledge and ideas, and, of course, people.
As bleeding heart liberals go, Sabeen's was the bloodiest heart I have ever come across. Sabeen did a lot more than just help people. She championed causes, thought outside the box and wanted, with every breath, to make a difference.
A leading light of the #PakistanForAll and #ReclaimYourMosque campaigns, she was usually the first to hit the streets and the last to go home.
When they came for the Shias of Alamdar Road, she was at Numaish from the very beginning to the bitter end.
When they came for the Christians of Peshawar, she was right there at the heart of the human chains that protected churches on Sunday mass.
Always one to challenge convention, always one to take the unpopular stand, always one to side with the underdog; Sabeen Mahmud never backed down from a fight.
When the bearded brigade came after her for daring to say "Faasla na rakhein, pyaar honay dein," she didn't get cowed.
When Maulana Abdul Aziz was shouting obscenities into the loudspeaker, she was right there with Jibran Nasir and Shaan Taseer. I remember, because I met her, hugged her and asked her for some words of wisdom.
That was the last time I met Sabeen. On a cold Islamabad evening, outside the Aabpara police station.
She paced the crowd as Jibran held forth. She saw from a distance the incivility of a civil society, but turned and walked away, quietly smiling to herself.
I remember her as the flower-child in a sage's body. I remember her youthful exuberance in the face of all adversity. I remember her because she introduced me to half of Twitter when she single-handedly conceptualised and hosted the Social Media Mela. I remember her because of our shared love for bad 80s pop.
I remember her because I can't forget.
Over the days to come, a lot will be written and a lot more will be said on the woman I'm talking about. Some of it will be good, some bad. But none will manage to capture the essence of the woman herself.
No one can ever take her place and nothing can ever make up for the loss we're all mourning. It comes in spurts.
As I fight back the tears and force my fingers to type words, all I remember is her slight smile, the fire in her eyes and the conviction in her voice.
We once bonded over our mutual love for the Wax song, 'Right between the eyes'. As I write these words now, I'm listening to the same song again. It's a love song, as much as this feeble blog is a love letter. But then, why does it feel like a bullet?
Why does it feel like I've taken one, right between the eyes? It's because we all have.
Rest in peace Sabeen. You were truly the best of us.
All I'm afraid of now is, who will stand up when they come for us?
Who will stand up when they come for me?