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    Amazon protest

    Is a Mass Revolt Against Technocracy Starting to Happen?

    Will there be a popular uprising against AI and the vast AI-based robotic machinery that’s taking over both the means of production and the means of information?

    Tom Valovic
    Feb 14, 2026

    Ted Gioia has a popular Substack called “The Honest Broker.” Although, as an author, his books tend to focus on music and popular culture, he writes eloquently about a wide range of topics and offers insightful commentary about the global forced march toward technocratic lifestyle and governance that we’re now immersed in. In one posting, “25 Propositions about the New Romanticism,” Gioia posits that there is a new movement afoot mimicking (or, better, reflecting) the Romantic Period of the 18th century. This movement coincided with the first industrial revolution and, as a counterweight to that trend, saw a great shift toward impulses to re-enchant the world via poetry, art, and music, and reconnecting to nature. Gioia writes:

    More than two years ago, I predicted the rise of a New Romanticism—a movement to counter the intense rationalization and expanding technological control of society. Rationalist and algorithmic models were dominating every sphere of life at that midpoint in the Industrial Revolution—and people started resisting the forces of progress. Companies grew more powerful, promising productivity and prosperity. But Blake called them “dark Satanic mills” and Luddites started burning down factories—a drastic and futile step, almost the equivalent of throwing away your smartphone. Even as science and technology produced amazing results, dysfunctional behaviors sprang up everywhere. The pathbreaking literary works from the late 1700s reveal the dark side of the pervasive techno-optimism—Goethe’s novel about Werther’s suicide, the Marquis de Sade’s nasty stories, and all those gloomy Gothic novels. What happened to the Enlightenment? As the new century dawned, the creative class (as we would call it today) increasingly attacked rationalist currents that had somehow morphed into violent, intrusive forces in their lives—an 180° shift in the culture. For Blake and others, the name Newton became a term of abuse. Artists, especially poets and musicians, took the lead in this revolt. They celebrated human feeling and emotional attachments—embracing them as more trustworthy, more flexible, more desirable than technology, profits, and cold calculation.

    He goes on to posit that we’re poised for a return to that modality and points out that the notion of a New Romanticism has spread “like a wildfire,” citing influencers such as Ross Barkan, Santiago Ramos, and Kate Alexandra. Gioia sees what he describes as cultural trends at the leading edge of this transformation citing popular TV series such as Pluribus and Yellowstone. But is this really happening or has Gioia just stumbled on a pocket of cultural resistance and pushback against technocracy that’s primarily a pocket of unified self-expression rather than something representing deep and substantive cultural and societal change?

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    Opinion
    big tech
    Dancers perform "Into Sunlight"

    'Into Sunlight': Commemorating the Vietnam War Through Dance

    Choreographer Robin Becker reimagines this story of the human tragedy of war and the eruption of violence during student protests into a powerful and poignant dance production.

    Camillo Mac Bica
    Jan 02, 2026

    To commemorate the 50th anniversary of the end of the American War in Vietnam, Hofstra University hosted a performance of choreographer Robin Becker’s “Into Sunlight.” Inspired by Pulitzer Prize-winning author David Maraniss’ book, They Marched Into Sunlight,

    Becker reimagines this story of the human tragedy of war and the eruption of violence during student protests into a powerful and poignant dance production. Through expressive movement and visual artistry, the performance explores the psychological, emotional, and moral complexities, as well as the historical significance of this tumultuous period.

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    Opinion
    vietnam war
    Artists Cite Trump's 'Ego' and 'Overt Racism' While Canceling Kennedy Center Performances

    Artists Cite Trump's 'Ego' and 'Overt Racism' While Canceling Kennedy Center Performances

    "When American history starts getting treated like something you can ban, erase, rename, or rebrand for somebody else's ego, I can’t stand on that stage and sleep right at night," said folk singer Kristy Lee.

    Brad Reed
    Dec 30, 2025

    President Donald Trump's decision to slap his name on the side of the John F. Kennedy Center for the Performing Arts is not going over well with many of the artists scheduled to perform there.

    Days after the annual Kennedy Center Christmas Eve jazz concert was canceled over performers' objections to the name change, more artists have decided to withdraw in protest over the president's actions, leading to the cancelation of New Year's Eve festivities at the center.

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    donald trump
    Cartoonist Jules Feiffer

    Fall and Get Up: Lessons From Jules Feiffer

    Get out there, fall on your butt if necessary, but then get up and soldier on.

    Robert Lipsyte
    Oct 25, 2025

    It’s been more than nine months now since my friend, famed cartoonist Jules Feiffer, died, a week before his 96th birthday after continually warning me that the evil spirit that had descended on this country was leaving him frightened and dispirited. He was glad, he told me, that he was old and close to the end in an era he considered more dangerous than the Civil War and more treacherous than the Reconstruction era. He had, he insisted, lost both heart and hope. I found that difficult to take too seriously. After all, hadn’t he survived the Great Depression, World War II, the Cold War, the McCarthy-era Red Scare, the nightmare of Vietnam, and the “Hard Year” of 1968, while being dubbed the greatest political satirist of his time?

    And as it happened, he died only a few days after finishing a graphic memoir, “A License to Fail,” which stunned me with its insight and wit. It reminded me of the shock and awe he had evoked 60-odd years earlier with his spindly cartoons in New York’s Village Voice harpooning the hypocrisies of the government of that era, the developing war in Vietnam of that moment, and the self-delusions of his liberal audience, which still prevail.

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    A House of Dynamite - Los Angeles Special Screening

    House of Dynamite Is a Chilling Reminder of the Nuclear Threat

    The film will spark myriad questions for viewers, which is sorely needed as humanity accepts the unacceptable, the scourge of these weapons that recklessly put at dire risk everything we claim to hold dear.

    Kevin Martin
    Oct 17, 2025

    As a peace and disarmament activist for over four decades, I was conflicted about whether to see A House of Dynamite, director Kathryn Bigelow and screenwriter Noah Oppenheim’s new fictional film about an all too realistic nuclear crisis. In my free time, I usually seek refuge from concerns over war and peace.

    I haven’t read Annie Jacobson’s recent book Nuclear War: A Scenario, which by all accounts is outstanding. I haven’t watched Oppenheimer (I know a lot about the Father of the Bomb, having read books about him and the Manhattan Project, and it’s my job to know more than most people about the history and current status of nuclear weapons, so I don’t need to see it). I was about to stay home, but my son wanted to see A House of Dynamite, so we went together to the theater on Monday, and I am very glad I did. It is currently showing in a limited movie house release, and will be available on Netflix October 24.

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    Opinion
    nuclear weapons
    March from Selma to Montgomery

    The Fourth Branch: How Conscience and Civic Vigilance May Save the Republic

    Ordinary citizens, lower courts, military officers, advocacy groups, and artists together form a novel “fourth branch,” acting as a moral immune system of the body politic, sustaining its health when power itself has become a vector of disease.

    Martina Moneke
    Oct 13, 2025

    With the executive overreaching and the judiciary acquiescent, the Republic’s immune system strains under political and institutional dysfunction. The legislative branch, meanwhile, toggles between paralysis and performative outrage, its constitutional authority weakened by partisan spectacle. When the formal organs falter, the Republic depends on the dispersed actors of the “fourth branch”—a novel, emergent moral network—tasked with upholding civic and constitutional integrity.

    Ordinary citizens, lower courts, military officers, advocacy groups, and artists together make up this fourth branch of government, sustaining the body politic when power itself becomes a vector of disease. Like any living organism, the Republic survives only if parts of its system remain healthy, responsive, and attuned to threat. Two hundred fifty years after the nation’s founding, that resilience appears to reside outside the glare of public office and the ceremonial pomp of political power.

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    Opinion
    democracy
    Migrants cross Rio Grande into Del Rio, Texas

    How Immigrant Fiction Can Reshape American Realities

    As the politicos do their darndest to render the Statue of Liberty little more than a New York City tourist trinket, what can American immigrant literary fiction offer our nation in terms of imagining a more welcoming, inclusive, and promising future?

    Rudy Ruiz
    Aug 20, 2025

    Immigrants have been reshaping America since the pilgrims landed on Plymouth Rock. Or perhaps earlier than that fateful day in 1620, if you count Viking excursions dating back to 1021 and Spaniards landing in Florida in 1513. After the subjugation and genocide of the continent’s Indigenous people, and the establishment of the United States, wave after wave of newcomers from all over the globe, forced and unforced, have helped build what so many call “a nation of immigrants.”

    Despite those facts, immigration has always been a topic of debate and a lightning rod for racism, xenophobia, and nationalism, a tool of political manipulation that appeals to people’s worst instincts and fears. Since the political rise of Donald Trump and his descent down that golden escalator in 2015, the debate on immigration and the US-Mexico border has shifted considerably to the right, after decades of centering on moderate concepts calling for comprehensive immigration reform and enhanced border security.

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    Opinion
    immigration
    Superman premiere in LA.

    I Went to See Superman As an Escape from Reality—Reality Was Still There

    Why what I thought was going to be two hours of mindless fun ended up feeling so familiar and so important.

    Melissa Garriga
    Jul 19, 2025

    I am not going to pretend I know exactly what Director James Gunn’s intentions were with his recent adaptation of Superman, which was released in theaters last week. But I didn’t need the 72-feet wide and 50-feet tall IMAX screen to see clear connections to the hate directed toward immigrants here in the United States, as well as the horrific genocide in Gaza.

    To take a small break from the emotionally draining work I do, and to celebrate my son’s recent graduation from high school, we drove the hour and 40 minutes from our home in Mississippi to an early screening of Superman in New Orleans last week. As an avid fan of superheroes and comics, the release of Superman was the highlight of the summer for my son. For me, it was just a chance to unplug and disconnect from the harrowing news for a bit and spend some time with him doing what he loves the most. So you can imagine my surprise when what I thought was going to be two hours of mindless fun ended up feeling so familiar and so important.

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    Opinion
    authoritarianism
    Superman logo at premiere.

    Superman Isn’t About Gaza—But It Sure Feels Like It

    In Superman, we’re watching something hauntingly familiar: a powerful state waging war on a trapped civilian population, a global superpower choosing complicity over justice, and a narrative war where truth is the first casualty.

    Medea Benjamin
    Jul 17, 2025

    Director James Gunn insists the new Superman film isn’t a political allegory, noting the script was completed before the events of October 7, 2023. But art, especially in times of global crisis, often outgrows the intentions of its creators. Whether consciously crafted or not, the world is receiving this film as a lens through which to process grief, rage, and a collective hunger for justice for the Palestinian people.

    Watching the film, I couldn’t help but cheer not only for Superman—but for the people of Jarhanpur, a battered, besieged territory subjected to ongoing military assault by its high-tech neighbor, Boravia. Jarhanpur’s residents are depicted as marginalized and vilified, living in ruins under constant threat. The imagery of bombed-out buildings, displaced families, and children pulled from rubble evokes the horrors of the Israeli assault on Gaza and the mounting toll on Palestinian civilians. The people of Jarhanpur are also racially coded to align with Arab identity: darker-skinned actors, traditional garments, accents, and names.

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    Opinion
    gaza
    A bronze figure of an archer from Sardinia.

    Restorative Archaeology? Time to Return Looted Treasures to Sardinia

    A range of voices continue to demand the return of the island's looted treasures from private and public venues, including the British Museum in London.

    Jeff Biggers
    Jun 28, 2025

    When the small statues of a 3,000-year-old Bronze Age priestess and her archer protector take the stage at a Christie's auction next week in London, the Nurnet nonprofit organization in Sardinia plans to make their own bid to bring the sacred bronze pieces back home.

    Despite decades of protests against the sale of the island's patrimony, where thousands of UNESCO-recognized Nuragic tower complexes attest to Sardinia's central role in the Mediterranean Sea during the Bronze Age, 2,000 years before the rise of the Roman Empire, a range of voices continue to demand the return of the island's looted treasures from private and public venues, including the British Museum in London.

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