Donald Trump’s Tower Envy

In her 1984 book Missile Envy , Helen Caldicott identified the Freudian motivations behind the impetus of Cold Warriors to build bigger bombs and more powerful rockets. President Donald Trump has tower envy, a neurosis over the feeling that other world leaders have larger buildings. Why does Trump insist on putting his name on variously sized structures, commissioning statues of himself, and undertaking misguided and illegal renovations of existing facilities? The reason comes down to a narcissistic fascination with monuments to power such as those erected by Soviet leader Joseph Stalin and Romanian dictator Nikolai Ceausescu, but dating to Napoleon Bonaparte and his Arc de Triomphe.

Trump has long aimed for the sky with his towers, his Mar-o-Lago castle, and his unfinished great Mexican wall. He first sought to make his name through a failed project for a 150-story skyscraper on New York’s Upper West Side. But Trump rose to the occasion with the Grand Hyatt Hotel that opened in 1980, and next erected the Trump Tower on Fifth Avenue with its gaudy interiors. Perhaps suffering from Stendhal syndrome, a transient paranoid psychosis brought on by exposure to cultural objects, Trump began supplication to Soviet leaders in the late 1980s to unveil a Trump tower in Moscow. Russian operatives have since forced his unconscious to contemplate Russian President Vladimir Putin’s scandalous virility as manifested in the $30 billion Sochi Olympics and a $1.4 billion golden palace. The result is rampant tower envy.

His Triumphal Arch

Trump believes that being president should remove any barrier to erection of new structures. These range from arches to paint jobs to statues. Trump is insisting on building “a gold-accented giant victory arch” along the Potomac River, at 250 feet taller than the Lincoln Memorial and the US Capitol. Despite overwhelmingly negative feedback from the public, the “Arc de Trump” gained approval of a commission stacked by Trump loyalists who share his lack of taste, sensibility, and history. Trump commission documents reveal a grotesque, grandiose, disruptive, and unnecessarily impotent structure. The arc may help the president overcome clear feelings of inadequacy like those of Napoleon Bonaparte who died well before his Parisian Arc de Triomphe, at 150 feet, was completed.

Napoleon apparently inspired Trump’s feelings of meager crowd size. Napoleon insisted upon a grand cortege to mark his passage from one palace to another, with immense crowds lining the route. Recalled one observer, “Bonaparte deployed the pomp of royalty … he was preceded by 150 musicians, two thousand guardsmen, gold and silver gleamed on the carriage, the horses decorations and on the guardsmen's uniforms.” (Peter the Great assembled a parade of little people in 1710, but out of jest and love, not out of inferiority.) Trump, however, worries about size, especially crowd size. He ordered government photos retouched to show his inaugural crowd was bigger than Barack Obama’s. He said, “I get the biggest crowd size, and they keep getting bigger.”

He must affix his name to monumentalities to project virility and to deflect attention from corrupt deals with foreign governments, felonies, and alleged pedophilia.

Crowd size envy has its roots in psychological turmoil. Napoleon obviously had the first Napoleon complex. In the search for the source of his many complexes, the doctor who conducted Napoleon’s autopsy in 1821 secretly removed his penis. The member made its way through various collectors, becoming “like a piece of leather or a shriveled eel,” but perhaps bigger than Trump’s who, while tall and obese, is “smaller than average… not freakishly small,” but with “a huge mushroom head. Like a toadstool.”

Painting Over His Inadequacies

Napoleon commissioned the neoclassicist painter Jacques-Louis David commemorate his inauguration with a canvas over 20 by 30 feet. In 2014 Trump illegally used a Trump Foundation check to pay for a massive portrait of Trump in his golf finery at a Trump golf course that was well hung at the Trump Doral golf course bar. The Trump Foundation was closed over this and other fraud. Tower envy.

To inflate his diminished presidency, Trump paints over federal properties. Ignoring aesthetics, rejecting the will of the people, and breaking the law with every stroke, he ordered the painting of the reflecting pool between the Washington and Lincoln Memorials in blue. It may be that Trump has pool envy. Joseph Stalin never saw the finished “Moscow Pool,” the world’s largest outdoor swimming pool. It arose on the site of the demolished Cathedral of Christ the Savior, which the militantly atheist Bolsheviks tore down to erect a 430-foot Palace of the Soviets, with a huge Lenin statue on top. That project was abandoned as too costly, and it became a heated outdoor pool. Trump embraced his pool envy by tearing down the West Wing to build a ballroom.

For the reflecting pool paint job, Trump chose the color and contractor without any review, with a company that has worked for Trump at his private golf club given a no-bid contract, with sevenfold cost overruns before the job began. Trump used AI to make the pool great again: On May 1 the mortally obese Trump posted a fake image of himself, shirtless, but with his bulbous belly and breasts airbrushed away, alongside with several other Trump officials and an unidentified woman, but apparently one over 18 years old, as they lounged in the pool. The impotent creature followed by posting a photo of Presidents Obama and Joe Biden, and former House Speaker Nancy Pelosi (D-Calif.) in the pool filled with feces.

Trump Tower Tbilisi, Georgia

The diagnosis of tower envy describes all Trump erections. He must affix his name to monumentalities to project virility and to deflect attention from corrupt deals with foreign governments, felonies, and alleged pedophilia. His masculine maneuvers do not always promise results. After he added his name to the Kennedy Center, performing artists cancelled their appearances in droves. This has required its shuttering for two years for “renovations.” Usually, leaders have the good taste to die before being so presumptuous as to put their name on currency, park passes, centers, institutions, buildings, airports, steaks, and centers for the arts.

Trump has no intention of avoiding newer erections as president, even as these actions violate the Emoluments Clause of the Constitution. Having pocketed money from Middle East leaders, the Trump family is expanding into Tbilisi, Georgia, with a 70-story Trump Tower” becoming the tallest skyscraper in the country; it will dwarf the 70-foot tall aluminum “Kartlis Deda” (Mother of Georgia, 1958) statue located on Sololaki Hill. Then there’s the Trump Tower Down Under, a $1 billion development at 91 floors, to rise with other real estate projects in Oman, Qatar, the United Arab Emirates, Saudi Arabia, and perhaps the “Gaza Riviera,” if the president can get Jared Kushner and the Israelis to remove all Palestinians.

Tower envy, brute monumentalism, and cheap cover-up are Trump’s go-to aesthetic design.

Another tacky celebration of the Trumpian legacy is his Garden of American Heroes. The garden involves the creation of 250 statues depicting a list of Trumpian “founding fathers,” activists, political figures, businesspeople, athletes, celebrities, and pop culture icons. Trump ordered the garden to be finished before July 4, 2026, on the 250th anniversary of the adoption of the Declaration of Independence which, like the Bible, he has never read. Some of the funding will come from the National Endowment for the Humanities (NEH), which has a new grant competition to create “up to three statues” at $200,000 per statue, and which “must be life-size and made of marble, granite, bronze, copper, or brass,” but no Botox or orange dyes. Sadly, Elon Musk’s “DOGE” illegally cancelled 1,400 NEH grants, and it remains unclear what impact Trump’s “garden” grants will have on more valuable NEH humanities research programs. In the meantime Trump covered the White House rose garden with concrete pavers because he actually hates gardens.

If You Paint it, They Will Come

Trump loves gloss paints and gold accoutrements to distract attention from his infirm, swollen, and discolored appendages; for them he uses concealer and support socks. He ordered covering the blemishes of the 130-year-old Eisenhower Executive Office Building across the street from the White House with white paint. White paint white may help make the building appear larger, but still not as large as Ceausescu’s Palace of Parliament, the second-largest administrative building in the world after the Pentagon, with more than 1,100 rooms and a nuclear bunker underneath. (Three thousand workers died during its construction.) Perhaps in response to Ceausescu’s grandiosity, Trump insists on erecting an ever-growing ballroom, now at $1 billion and with a nuclear bunker of its own.

But an authoritarian paint job will destroy the Eisenhower Building’s exterior of granite (quarried in Vinalhaven, Maine, in America, not like most Trump products that are manufactured abroad). Paint adheres poorly to granite, reveals its imperfections, leads immediately to peeling, chipping, staining, and requires forever high maintenance—which is why no one paints granite kitchen counters. But tower envy, brute monumentalism, and cheap cover-up are Trump’s go-to aesthetic design.

Everything He Touches Turns to Gold

If not his own Lenin-like mausoleum, which was constructed with polished, but not painted granite, there will be a Miami-based excrescence, the Trump Presidential Library, perhaps with a mock-up bathroom to display the secret documents he stole from the White House—modeled on the bathroom he used at Mar-o-Lago to hold them. Also to be interred are the 747 jet that the Qataris gave him in return for favors. An auditorium featuring an already completed 22-foot gold statue of Trump will crown the spectacle. As one of his potent progeny, Eric, wrote, “Over the past six months, I have poured my heart and soul into this project with my incredible team… This landmark… will stand as a lasting testament to an amazing man, an amazing developer, and the greatest President our Nation has ever known.” Sculptor Alan Cottrel manufactured the recently-unveiled statue, but was misled about its purposes and meanings, and he gently called it a “cluster f--k.” Contrell was instructed by the statue’s crypo investors “to alter Trump’s appearance… making him thinner and removing his ‘turkey neck,’” which may be a euphemism for some other appendage.

Whatever the size of the gold president, Trump’s Christian nationalist handlers have forgotten the fact that the 22-foot gold erection recalls the biblical story of the golden calf in the Book of Exodus and the punishment to those who embraced idolatry. Even more, the golden Trump will not rise above the largest bronze statues in the world, the 65-feet tall effigies of Kim Il-sung and Kim Jong-il on Mansu Hill in central Pyongyang. One hopes that Trump does not set his eyes upon the 555-feet tall Washington Monument, the world’s tallest stone (marble) obelisk. We have heard that Trump wants to paint it orange.

If you have any doubt, remember after 9/11 Trump instinctively ejaculated on that day that one of his buildings had become the tallest in downtown Manhattan.