SUBSCRIBE TO OUR FREE NEWSLETTER
Daily news & progressive opinion—funded by the people, not the corporations—delivered straight to your inbox.
5
#000000
#FFFFFF
To donate by check, phone, or other method, see our More Ways to Give page.
Daily news & progressive opinion—funded by the people, not the corporations—delivered straight to your inbox.
The five “Art to End Fossil Fuels” posters are pasted to a wall.
Artists living in extreme weather disaster zones are using creativity to protect their communities and our planet.
In the midst of climate-charged extreme weather, several artists have created designs for Art to End Fossil Fuels, a project designed to print, distribute, and display 50,000 color posters across North America connecting the dots between heat, smoke, fires, and floods and the culprit behind them: fossil fuels. Groups and individuals can order a free set of posters to paste up in public spaces, use them as signs to mobilize for actions, or use them in pop-up art displays (an Art Kit offers tips and downloads). The project uses visual art and poetry to make the climate crisis and its impacts visible, in support of this September’s global call to “End Fossil Fuels.”
Fossil fuels are the primary cause of the climate crisis, resulting in this summer’s extreme heat, mega-fires, toxic smoke, and flooding disasters. As the climate crisis escalates, so too does the movement for climate justice.
The United Nations is calling on world leaders to take real steps to lead us off fossil fuels in order to protect people and the planet. On September 20 at the U.N. Climate Ambition Summit, government leaders from around the world will meet with the goal of committing to phasing out fossil fuels.
At the same time, people across the world will be in the streets pushing these leaders to end fossil fuels. Thousands will march in the streets of New York City at the March to End Fossil Fuels, students across the world will be engaging in a Climate Strike, and Global Fight to End Fossil Fuels will have actions everywhere. Simultaneously, Art to End Fossil Fuels posters and signs will be in the streets and on walls across North America.
In the U.S., climate activists are demanding that the Biden administration:
Artist-organizer Favianna Rodriguez lays out the importance of art and artists in the movement to protect our climate:
The power of art and culture is that it speaks to our heart. It speaks to our emotions, and it also opens up our imagination to show us what’s possible. It takes us to another world. What we urgently need in our climate movement is to be able to imagine solutions and see ourselves in a different kind of relationship to nature.
Here are the five artists and their poster art designs.
“I really wanted this poster to give some context about how this heat actually feels,” said Phoenix-based artist Luz Pacheco about the design they made for Art to End Fossil Fuels. Luz designed the poster during the hottest month ever recorded in a U.S. city, with every day in Phoenix above 110°F for a month, and never cooling below 90°F at night.
“My work and my identity are informed by the desert, its colors, its energy, and the living beings that call it home. I grew up in Sonora with my grandparents who took me on long road trips through nearby states. As they sourced merch for their tianguis and bodega, I spent a lot of time looking out the car window at the moving landscapes. I learned to measure distance in saguaros and mountains, and time by where the sun hits the car. I have experienced the desert in a lot of its seasons and phases, but never like this summer.”
The Rutland, Vermont, muralist and printmaker known as LMNOPI wrote in her statement about the design, “I took breaks from scrambling around my basement, sweeping water towards the pump, to work on the poster design for this campaign. Staring at the defiant red-headed girl up to her neck in water while I could hear water pouring into my basement felt surreal; as if I was staring into a kind of art mirror.”
The National Weather Service called it The Great Vermont Flood of July 2023, writing “Catastrophic flash flooding and river flooding occurred across much of Vermont. Extensive flooding to communities, washouts of numerous roads and bridges, and even the occurrence of land and mudslides resulted in significant property losses. Two fatalities tragically occurred in connection with the flooding.”
Erica Alexia Ledesma made her design amid summer wildfires and smoke.
“The last week there have been multiple fires in our Rogue Valley, Oregon,” she said. “AQI (Air Quality Index) has been over 500, which is completely unhealthy for our bodies, our lungs. In 2020 the Almeda Fire swept through our communities and destroyed my neighborhood. I’ve been involved in the just recovery work here at home. In my art piece the fire stands out. Fire has created a lot of trauma for my community. We also know that fire is medicine—sacred—but because we have not been tending to the lands and we have been disconnected from the land, we are experiencing more and more wildfires. Arts and culture are key tools in our fight to end fossil fuels and preserve a livable planet for future generations.”
Favianna Rodriguez writes, “In order for us to halt the climate crisis, we not only have to shut down the fossil fuel industry, but we have to reimagine our relationship to energy and to the natural world. Our current relationship to the Earth is based on destructive myths that have shaped our cultural imaginations since colonization. We need artists to help us imagine a future where together we thrive with nature.”
“The power of art is that it can help us heal our relationship to nature and help us as human beings understand that we can move away from an extractive relationship toward a regenerative one. Our collective home is literally on fire, and we need all the tools of creativity to awaken our communities so that we may rise up and topple the dirty energy industry.”
Jan Martijn Burger says, “I’ve been working to stop the Mountain Valley Pipeline—the Southgate Extension comes down the Haw River past our home in North Carolina. When a child sees their parents actively working for something they believe in—even something overwhelming like defending our climate against the fossil fuels industry, then the child will feel like it’s worth fighting for too. And that they have power and are not helpless. I made this image of a family pushing over an oil drill with that in mind.”
The Peace Poets recently wrote the song “The End of Fossil Fuels” for the NYC March, Climate Strike, and Global Days of Action. Specific lyrics were written for each of the three posters on Floods, Fires and Smoke, and Extreme Heat.
They write about the song, “This song comes from people’s pain transforming into people power! We are naming the disasters, we are declaring our commitment to rise up singing, and prophesying our victory by declaring what all life on Earth desperately needs: an end to the extraction of fossil fuels. When we sing these first lines together, we name the pain to make sure none of us feel alone in these crises. When we promise to rise up and sing, we’re inviting the activation of our collective voice to usher in the new era we need. Let us not be shy about predicting a future without fossil fuel extraction, let us sing this transformation into the streets and parliaments, the hearts and minds, of people everywhere until it becomes our reality. These are times for singing spells, times for composing commitments, time to fight back beautifully.”
Song: The End of Fossil Fuels
When we Organize
To Fight and Win
A whole new era is about to begin
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS!
When the fire gets high,
When the smoke rolls in,
When the people rise and you hear us sing,
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS
When the water gets high,
When the floods roll in,
When the people rise and you hear us sing,
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS
When the heat gets high,
When the sidewalks singe,
When the people rise and you hear us sing,
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS
Resources
ORDER POSTER ART: bit.ly/OrderArtToEndFossilFuels
ART TO END FOSSIL FUELS ART KIT: Artists’ full statements, art downloads, tips, recipes, and guide to use the poster art and make art to end fossil fuels: bit.ly/arttoendfossilfuels
Donald Trump’s attacks on democracy, justice, and a free press are escalating — putting everything we stand for at risk. We believe a better world is possible, but we can’t get there without your support. Common Dreams stands apart. We answer only to you — our readers, activists, and changemakers — not to billionaires or corporations. Our independence allows us to cover the vital stories that others won’t, spotlighting movements for peace, equality, and human rights. Right now, our work faces unprecedented challenges. Misinformation is spreading, journalists are under attack, and financial pressures are mounting. As a reader-supported, nonprofit newsroom, your support is crucial to keep this journalism alive. Whatever you can give — $10, $25, or $100 — helps us stay strong and responsive when the world needs us most. Together, we’ll continue to build the independent, courageous journalism our movement relies on. Thank you for being part of this community. |
In the midst of climate-charged extreme weather, several artists have created designs for Art to End Fossil Fuels, a project designed to print, distribute, and display 50,000 color posters across North America connecting the dots between heat, smoke, fires, and floods and the culprit behind them: fossil fuels. Groups and individuals can order a free set of posters to paste up in public spaces, use them as signs to mobilize for actions, or use them in pop-up art displays (an Art Kit offers tips and downloads). The project uses visual art and poetry to make the climate crisis and its impacts visible, in support of this September’s global call to “End Fossil Fuels.”
Fossil fuels are the primary cause of the climate crisis, resulting in this summer’s extreme heat, mega-fires, toxic smoke, and flooding disasters. As the climate crisis escalates, so too does the movement for climate justice.
The United Nations is calling on world leaders to take real steps to lead us off fossil fuels in order to protect people and the planet. On September 20 at the U.N. Climate Ambition Summit, government leaders from around the world will meet with the goal of committing to phasing out fossil fuels.
At the same time, people across the world will be in the streets pushing these leaders to end fossil fuels. Thousands will march in the streets of New York City at the March to End Fossil Fuels, students across the world will be engaging in a Climate Strike, and Global Fight to End Fossil Fuels will have actions everywhere. Simultaneously, Art to End Fossil Fuels posters and signs will be in the streets and on walls across North America.
In the U.S., climate activists are demanding that the Biden administration:
Artist-organizer Favianna Rodriguez lays out the importance of art and artists in the movement to protect our climate:
The power of art and culture is that it speaks to our heart. It speaks to our emotions, and it also opens up our imagination to show us what’s possible. It takes us to another world. What we urgently need in our climate movement is to be able to imagine solutions and see ourselves in a different kind of relationship to nature.
Here are the five artists and their poster art designs.
“I really wanted this poster to give some context about how this heat actually feels,” said Phoenix-based artist Luz Pacheco about the design they made for Art to End Fossil Fuels. Luz designed the poster during the hottest month ever recorded in a U.S. city, with every day in Phoenix above 110°F for a month, and never cooling below 90°F at night.
“My work and my identity are informed by the desert, its colors, its energy, and the living beings that call it home. I grew up in Sonora with my grandparents who took me on long road trips through nearby states. As they sourced merch for their tianguis and bodega, I spent a lot of time looking out the car window at the moving landscapes. I learned to measure distance in saguaros and mountains, and time by where the sun hits the car. I have experienced the desert in a lot of its seasons and phases, but never like this summer.”
The Rutland, Vermont, muralist and printmaker known as LMNOPI wrote in her statement about the design, “I took breaks from scrambling around my basement, sweeping water towards the pump, to work on the poster design for this campaign. Staring at the defiant red-headed girl up to her neck in water while I could hear water pouring into my basement felt surreal; as if I was staring into a kind of art mirror.”
The National Weather Service called it The Great Vermont Flood of July 2023, writing “Catastrophic flash flooding and river flooding occurred across much of Vermont. Extensive flooding to communities, washouts of numerous roads and bridges, and even the occurrence of land and mudslides resulted in significant property losses. Two fatalities tragically occurred in connection with the flooding.”
Erica Alexia Ledesma made her design amid summer wildfires and smoke.
“The last week there have been multiple fires in our Rogue Valley, Oregon,” she said. “AQI (Air Quality Index) has been over 500, which is completely unhealthy for our bodies, our lungs. In 2020 the Almeda Fire swept through our communities and destroyed my neighborhood. I’ve been involved in the just recovery work here at home. In my art piece the fire stands out. Fire has created a lot of trauma for my community. We also know that fire is medicine—sacred—but because we have not been tending to the lands and we have been disconnected from the land, we are experiencing more and more wildfires. Arts and culture are key tools in our fight to end fossil fuels and preserve a livable planet for future generations.”
Favianna Rodriguez writes, “In order for us to halt the climate crisis, we not only have to shut down the fossil fuel industry, but we have to reimagine our relationship to energy and to the natural world. Our current relationship to the Earth is based on destructive myths that have shaped our cultural imaginations since colonization. We need artists to help us imagine a future where together we thrive with nature.”
“The power of art is that it can help us heal our relationship to nature and help us as human beings understand that we can move away from an extractive relationship toward a regenerative one. Our collective home is literally on fire, and we need all the tools of creativity to awaken our communities so that we may rise up and topple the dirty energy industry.”
Jan Martijn Burger says, “I’ve been working to stop the Mountain Valley Pipeline—the Southgate Extension comes down the Haw River past our home in North Carolina. When a child sees their parents actively working for something they believe in—even something overwhelming like defending our climate against the fossil fuels industry, then the child will feel like it’s worth fighting for too. And that they have power and are not helpless. I made this image of a family pushing over an oil drill with that in mind.”
The Peace Poets recently wrote the song “The End of Fossil Fuels” for the NYC March, Climate Strike, and Global Days of Action. Specific lyrics were written for each of the three posters on Floods, Fires and Smoke, and Extreme Heat.
They write about the song, “This song comes from people’s pain transforming into people power! We are naming the disasters, we are declaring our commitment to rise up singing, and prophesying our victory by declaring what all life on Earth desperately needs: an end to the extraction of fossil fuels. When we sing these first lines together, we name the pain to make sure none of us feel alone in these crises. When we promise to rise up and sing, we’re inviting the activation of our collective voice to usher in the new era we need. Let us not be shy about predicting a future without fossil fuel extraction, let us sing this transformation into the streets and parliaments, the hearts and minds, of people everywhere until it becomes our reality. These are times for singing spells, times for composing commitments, time to fight back beautifully.”
Song: The End of Fossil Fuels
When we Organize
To Fight and Win
A whole new era is about to begin
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS!
When the fire gets high,
When the smoke rolls in,
When the people rise and you hear us sing,
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS
When the water gets high,
When the floods roll in,
When the people rise and you hear us sing,
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS
When the heat gets high,
When the sidewalks singe,
When the people rise and you hear us sing,
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS
Resources
ORDER POSTER ART: bit.ly/OrderArtToEndFossilFuels
ART TO END FOSSIL FUELS ART KIT: Artists’ full statements, art downloads, tips, recipes, and guide to use the poster art and make art to end fossil fuels: bit.ly/arttoendfossilfuels
In the midst of climate-charged extreme weather, several artists have created designs for Art to End Fossil Fuels, a project designed to print, distribute, and display 50,000 color posters across North America connecting the dots between heat, smoke, fires, and floods and the culprit behind them: fossil fuels. Groups and individuals can order a free set of posters to paste up in public spaces, use them as signs to mobilize for actions, or use them in pop-up art displays (an Art Kit offers tips and downloads). The project uses visual art and poetry to make the climate crisis and its impacts visible, in support of this September’s global call to “End Fossil Fuels.”
Fossil fuels are the primary cause of the climate crisis, resulting in this summer’s extreme heat, mega-fires, toxic smoke, and flooding disasters. As the climate crisis escalates, so too does the movement for climate justice.
The United Nations is calling on world leaders to take real steps to lead us off fossil fuels in order to protect people and the planet. On September 20 at the U.N. Climate Ambition Summit, government leaders from around the world will meet with the goal of committing to phasing out fossil fuels.
At the same time, people across the world will be in the streets pushing these leaders to end fossil fuels. Thousands will march in the streets of New York City at the March to End Fossil Fuels, students across the world will be engaging in a Climate Strike, and Global Fight to End Fossil Fuels will have actions everywhere. Simultaneously, Art to End Fossil Fuels posters and signs will be in the streets and on walls across North America.
In the U.S., climate activists are demanding that the Biden administration:
Artist-organizer Favianna Rodriguez lays out the importance of art and artists in the movement to protect our climate:
The power of art and culture is that it speaks to our heart. It speaks to our emotions, and it also opens up our imagination to show us what’s possible. It takes us to another world. What we urgently need in our climate movement is to be able to imagine solutions and see ourselves in a different kind of relationship to nature.
Here are the five artists and their poster art designs.
“I really wanted this poster to give some context about how this heat actually feels,” said Phoenix-based artist Luz Pacheco about the design they made for Art to End Fossil Fuels. Luz designed the poster during the hottest month ever recorded in a U.S. city, with every day in Phoenix above 110°F for a month, and never cooling below 90°F at night.
“My work and my identity are informed by the desert, its colors, its energy, and the living beings that call it home. I grew up in Sonora with my grandparents who took me on long road trips through nearby states. As they sourced merch for their tianguis and bodega, I spent a lot of time looking out the car window at the moving landscapes. I learned to measure distance in saguaros and mountains, and time by where the sun hits the car. I have experienced the desert in a lot of its seasons and phases, but never like this summer.”
The Rutland, Vermont, muralist and printmaker known as LMNOPI wrote in her statement about the design, “I took breaks from scrambling around my basement, sweeping water towards the pump, to work on the poster design for this campaign. Staring at the defiant red-headed girl up to her neck in water while I could hear water pouring into my basement felt surreal; as if I was staring into a kind of art mirror.”
The National Weather Service called it The Great Vermont Flood of July 2023, writing “Catastrophic flash flooding and river flooding occurred across much of Vermont. Extensive flooding to communities, washouts of numerous roads and bridges, and even the occurrence of land and mudslides resulted in significant property losses. Two fatalities tragically occurred in connection with the flooding.”
Erica Alexia Ledesma made her design amid summer wildfires and smoke.
“The last week there have been multiple fires in our Rogue Valley, Oregon,” she said. “AQI (Air Quality Index) has been over 500, which is completely unhealthy for our bodies, our lungs. In 2020 the Almeda Fire swept through our communities and destroyed my neighborhood. I’ve been involved in the just recovery work here at home. In my art piece the fire stands out. Fire has created a lot of trauma for my community. We also know that fire is medicine—sacred—but because we have not been tending to the lands and we have been disconnected from the land, we are experiencing more and more wildfires. Arts and culture are key tools in our fight to end fossil fuels and preserve a livable planet for future generations.”
Favianna Rodriguez writes, “In order for us to halt the climate crisis, we not only have to shut down the fossil fuel industry, but we have to reimagine our relationship to energy and to the natural world. Our current relationship to the Earth is based on destructive myths that have shaped our cultural imaginations since colonization. We need artists to help us imagine a future where together we thrive with nature.”
“The power of art is that it can help us heal our relationship to nature and help us as human beings understand that we can move away from an extractive relationship toward a regenerative one. Our collective home is literally on fire, and we need all the tools of creativity to awaken our communities so that we may rise up and topple the dirty energy industry.”
Jan Martijn Burger says, “I’ve been working to stop the Mountain Valley Pipeline—the Southgate Extension comes down the Haw River past our home in North Carolina. When a child sees their parents actively working for something they believe in—even something overwhelming like defending our climate against the fossil fuels industry, then the child will feel like it’s worth fighting for too. And that they have power and are not helpless. I made this image of a family pushing over an oil drill with that in mind.”
The Peace Poets recently wrote the song “The End of Fossil Fuels” for the NYC March, Climate Strike, and Global Days of Action. Specific lyrics were written for each of the three posters on Floods, Fires and Smoke, and Extreme Heat.
They write about the song, “This song comes from people’s pain transforming into people power! We are naming the disasters, we are declaring our commitment to rise up singing, and prophesying our victory by declaring what all life on Earth desperately needs: an end to the extraction of fossil fuels. When we sing these first lines together, we name the pain to make sure none of us feel alone in these crises. When we promise to rise up and sing, we’re inviting the activation of our collective voice to usher in the new era we need. Let us not be shy about predicting a future without fossil fuel extraction, let us sing this transformation into the streets and parliaments, the hearts and minds, of people everywhere until it becomes our reality. These are times for singing spells, times for composing commitments, time to fight back beautifully.”
Song: The End of Fossil Fuels
When we Organize
To Fight and Win
A whole new era is about to begin
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS!
When the fire gets high,
When the smoke rolls in,
When the people rise and you hear us sing,
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS
When the water gets high,
When the floods roll in,
When the people rise and you hear us sing,
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS
When the heat gets high,
When the sidewalks singe,
When the people rise and you hear us sing,
It’s the END of FOSSIL FUELS
the END of FOSSIL FUELS
Resources
ORDER POSTER ART: bit.ly/OrderArtToEndFossilFuels
ART TO END FOSSIL FUELS ART KIT: Artists’ full statements, art downloads, tips, recipes, and guide to use the poster art and make art to end fossil fuels: bit.ly/arttoendfossilfuels
"Underneath shiny motherhood medals and promises of baby bonuses is a movement intent on elevating white supremacist ideology and forcing women out of the workplace," said one advocate.
The Trump administration's push for Americans to have more children has been well documented, from Vice President JD Vance's insults aimed at "childless cat ladies" to officials' meetings with "pronatalist" advocates who want to boost U.S. birth rates, which have been declining since 2007.
But a report released by the National Women's Law Center (NWLC) on Wednesday details how the methods the White House have reportedly considered to convince Americans to procreate moremay be described by the far right as "pro-family," but are actually being pushed by a eugenicist, misogynist movement that has little interest in making it any easier to raise a family in the United States.
The proposals include bestowing a "National Medal of Motherhood" on women who have more than six children, giving a $5,000 "baby bonus" to new parents, and prioritizing federal projects in areas with high birth rates.
"Underneath shiny motherhood medals and promises of baby bonuses is a movement intent on elevating white supremacist ideology and forcing women out of the workplace," said Emily Martin, chief program officer of the National Women's Law Center.
The report describes how "Silicon Valley tech elites" and traditional conservatives who oppose abortion rights and even a woman's right to work outside the home have converged to push for "preserving the traditional family structure while encouraging women to have a lot of children."
With pronatalists often referring to "declining genetic quality" in the U.S. and promoting the idea that Americans must produce "good quality children," in the words of evolutionary psychologist Diana Fleischman, the pronatalist movement "is built on racist, sexist, and anti-immigrant ideologies."
If conservatives are concerned about population loss in the U.S., the report points out, they would "make it easier for immigrants to come to the United States to live and work. More immigrants mean more workers, which would address some of the economic concerns raised by declining birth rates."
But pronatalists "only want to see certain populations increase (i.e., white people), and there are many immigrants who don't fit into that narrow qualification."
The report, titled "Baby Bonuses and Motherhood Medals: Why We Shouldn't Trust the Pronatalist Movement," describes how President Donald Trump has enlisted a "pronatalist army" that's been instrumental both in pushing a virulently anti-immigrant, mass deportation agenda and in demanding that more straight couples should marry and have children, as the right-wing policy playbook Project 2025 demands.
Trump's former adviser and benefactor, billionaire tech mogul Elon Musk, has spoken frequently about the need to prevent a collapse of U.S. society and civilization by raising birth rates, and has pushed misinformation fearmongering about birth control.
Transportation Secretary Sean Duffy proposed rewarding areas with high birth rates by prioritizing infrastructure projects, and like Vance has lobbed insults at single women while also deriding the use of contraception.
The report was released days after CNN detailed the close ties the Trump administration has with self-described Christian nationalist pastor Doug Wilson, who heads the Communion of Reformed Evangelical Churches, preaches that women should not vote, and suggested in an interview with correspondent Pamela Brown that women's primary function is birthing children, saying they are "the kind of people that people come out of."
Wilson has ties to Defense Secretary Pete Hegseth, whose children attend schools founded by the pastor and who shared the video online with the tagline of Wilson's church, "All of Christ for All of Life."
But the NWLC noted, no amount of haranguing women over their relationship status, plans for childbearing, or insistence that they are primarily meant to stay at home with "four or five children," as Wilson said, can reverse the impact the Trump administration's policies have had on families.
"While the Trump administration claims to be pursuing a pro-baby agenda, their actions tell a different story," the report notes. "Rather than advancing policies that would actually support families—like lowering costs, expanding access to housing and food, or investing in child care—they've prioritized dismantling basic need supports, rolling back longstanding civil rights protections, and ripping away people's bodily autonomy."
The report was published weeks after Trump signed the One Big Beautiful Bill Act into law—making pregnancy more expensive and more dangerous for millions of low-income women by slashing Medicaid funding and "endangering the 42 million women and children" who rely on the Supplemental Nutrition Assistance Program for their daily meals.
While demanding that women have more children, said the NWLC, Trump has pushed an "anti-women, anti-family agenda."
Martin said that unlike the pronatalist movement, "a real pro-family agenda would include protecting reproductive healthcare, investing in childcare as a public good, promoting workplace policies that enable parents to succeed, and ensuring that all children have the resources that they need to thrive not just at birth, but throughout their lives."
"The administration's deep hostility toward these pro-family policies," said Martin, "tells you all that you need to know about pronatalists' true motives.”
A Center for Constitutional Rights lawyer called on Kathy Jennings to "use her power to stop this dangerous entity that is masquerading as a charitable organization while furthering death and violence in Gaza."
A leading U.S. legal advocacy group on Wednesday urged Delaware Attorney General Kathy Jennings to pursue revoking the corporate charter of the Gaza Humanitarian Foundation, whose aid distribution points in the embattled Palestinian enclave have been the sites of near-daily massacres in which thousands of Palestinians have reportedly been killed or wounded.
Last week, the Center for Constitutional Rights (CCR) urgently requested a meeting with Jennings, a Democrat, whom the group asserted has a legal obligation to file suit in the state's Chancery Court to seek revocation of the Gaza Humanitarian Foundation's (GHF) charter because the purported charity "is complicit in war crimes, crimes against humanity, and genocide."
CCR said Wednesday that Jennings "has neither responded" to the group's request "nor publicly addressed the serious claims raised against the Delaware-registered entity."
"GHF woefully fails to adhere to fundamental humanitarian principles of humanity, neutrality, impartiality, and independence and has proven to be an opportunistic and obsequious entity masquerading as a humanitarian organization," CCR asserted. "Since the start of its operations in late May, at least 1,400 Palestinians have died seeking aid, with at least 859 killed at or near GHF sites, which it operates in close coordination with the Israeli government and U.S. private military contractors."
One of those contractors, former U.S. Army Green Beret Col. Anthony Aguilar, quit his job and blew the whistle on what he said he saw while working at GHF aid sites.
"What I saw on the sites, around the sites, to and from the sites, can be described as nothing but war crimes, crimes against humanity, violations of international law," Aguilar told Democracy Now! host Amy Goodman earlier this month. "This is not hyperbole. This is not platitudes or drama. This is the truth... The sites were designed to lure, bait aid, and kill."
Israel Defense Forces officers and soldiers have admitted to receiving orders to open fire on Palestinian aid-seekers with live bullets and artillery rounds, even when the civilians posed no security threat.
"It is against this backdrop that [President Donald] Trump's State Department approved a $30 million United States Agency for International Development grant for GHF," CCR noted. "In so doing, the State Department exempted it from the audit usually required for new USAID grantees."
"It also waived mandatory counterterrorism and anti-fraud safeguards and overrode vetting mechanisms, including 58 internal objections to GHF's application," the group added. "The Center for Constitutional Rights has submitted a [Freedom of Information Act] request seeking information on the administration's funding of GHF."
CCR continued:
The letter to Jennings opens a new front in the effort to hold GHF accountable. The Center for Constitutional Rights letter provides extensive evidence that, far from alleviating suffering in Gaza, GHF is contributing to the forced displacement, illegal killing, and genocide of Palestinians, while serving as a fig leaf for Israel's continued denial of access to food and water. Given this, Jennings has not only the authority, but the obligation to investigate GHF to determine if it abused its charter by engaging in unlawful activity. She may then file suit with the Court of Chancery, which has the authority to revoke GHF's charter.
CCR's August 5 letter notes that Jennings has previously exercised such authority. In 2019, she filed suit to dissolve shell companies affiliated with former Trump campaign officials Paul Manafort and Richard Gates after they pleaded guilty to money laundering and other crimes.
"Attorney General Jennings has the power to significantly change the course of history and save lives by taking action to dissolve GHF," said CCR attorney Adina Marx-Arpadi. "We call on her to use her power to stop this dangerous entity that is masquerading as a charitable organization while furthering death and violence in Gaza, and to do so without delay."
CCR's request follows a call earlier this month by a group of United Nations experts for the "immediate dismantling" of GHF, as well as "holding it and its executives accountable and allowing experienced and humanitarian actors from the U.N. and civil society alike to take back the reins of managing and distributing lifesaving aid."
"The process has been completely captured by swarms of fossil fuel lobbyists and shamefully weaponized by low-ambition countries," said the CEO of the Environmental Justice Foundation.
Multiple nations, as well as climate and environmental activists, are expressing dismay at the current state of a potential treaty to curb global plastics pollution.
As The Associated Press reported on Wednesday, negotiators of the treaty are discussing a new draft that would contain no restrictions on plastic production or on the chemicals used in plastics. This draft would adopt the approach favored by many big oil-producing nations who have argued against limits on plastic production and have instead pushed for measures such as better design, recycling, and reuse.
This new draft drew the ire of several nations in Europe, Africa, and Latin America, who all said that it was too weak in addressing the real harms being done by plastic pollution.
"Let me be clear—this is not acceptable for future generations," said Erin Silsbe, the representative for Canada.
According to a report from Health Policy Watch, Panama delegate Juan Carlos Monterrey got a round of applause from several other delegates in the room when he angrily denounced the new draft.
"Our red lines, and the red lines of the majority of countries represented in this room, were not only expunged, they were spat on, and they were burned," he fumed.
Several advocacy organizations were even more scathing in their assessments.
Eirik Lindebjerg, the global plastics policy adviser for WWF, bluntly said that "this is not a treaty" but rather "a devastating blow to everyone here and all those around the world suffering day in and day out as a result of plastic pollution."
"It lacks the bare minimum of measures and accountability to actually be effective, with no binding global bans on harmful products and chemicals and no way for it to be strengthened over time," Lindebjerg continued. "What's more it does nothing to reflect the ambition and demands of the majority of people both within and outside the room. This is not what people came to Geneva for. After three years of negotiations, this is deeply concerning."
Steve Trent, the CEO and founder of the Environmental Justice Foundation, declared the new draft "nothing short of a betrayal" and encouraged delegates from around the world to roundly reject it.
"The process has been completely captured by swarms of fossil fuel lobbyists and shamefully weaponized by low-ambition countries," he said. "The failure now risks being total, with the text actively backsliding rather than improving."
According to the Center for International Environmental Law, at least 234 fossil fuel and chemical industry lobbyists registered for the talks in Switzerland, meaning they "outnumber the combined diplomatic delegations of all 27 European Union nations and the E.U."
Nicholas Mallos, vice president of Ocean Conservancy's ocean plastics program, similarly called the new draft "unacceptable" and singled out that the latest text scrubbed references to abandoned or discarded plastic fishing gear, commonly referred to as "ghost gear," which he described as "the deadliest form of plastic pollution to marine life."
"The science is clear: To reduce plastic pollution, we must make and use less plastic to begin with, so a treaty without reduction is a failed treaty," Mallos emphasized.