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I suspect this hawk has never once felt the nag of the question, “What can I do?” Not about the climate crisis. Perhaps not about anything. What to do is something other animals seem to know innately and intimately, or perhaps don't need to know at all.
I live in the very heart of Atlanta, Georgia, affectionately called the "city in a forest." From my desk, where I work most days, I look out onto a stand of trees. Right at canopy height, it is the perfect view for getting distracted, especially by our resident red-tailed hawk, who is strikingly visible in the loose thatching of bare winter limbs.
Sudden squirrel scatter, and she alights on the branch of a maple tree to scan for potential prey. Her fleet perch and keen watch, her grandeur of feather and hunt—it breaks through the primacy of my screen and shakes me from the fathomless digital world. Interruption gladly received.
Each time the hawk stops through these trees, I am struck by the sudden proximity of a taloned huntress to me, encased in my condo-version of captivity. More than once, I have grabbed my phone to quickly frame the hawk and catch ill-focused evidence that I too am alert and alive. Enraptured by a raptor, I have "Slacked" the flattened scene to my colleagues: “Afternoon visitor!” With a feather and a heart emoji afterword. (As if icons in miniature could limn her.)
But I am struck by another proximity, too, between what the hawk does and who the hawk seems to be. Her doingness and her beingness are so close as to become one.
What might open up for us if we shift the question ever so slightly—from What can I do? to Who can I be? Or, Who am I already?
I suspect this hawk has never once felt the nag of the question, “What can I do?” Not about the climate crisis. Perhaps not about anything. What to do is something other animals seem to know innately and intimately, or perhaps don't need to know at all.
Evolution has made things more complicated for us Homo sapiens, who ponder and puzzle. As essayist and author Margaret Renkl writes, "Every living thing—every bird and mammal and reptile and amphibian, every tree and shrub and flower and moss—is pursuing its own vital purpose, a purpose that sets my human concerns in a larger context." As I watch the hawk's wings lift and lower and propel her back into the air, I marvel and muse whether life itself might offer another way in.
What might open up for us if we shift the question ever so slightly—from What can I do? to Who can I be? Or, Who am I already?
The hawk, like all of us existing on this planet, is an inheritor of a 3.8-billion-year history: From single-celled organisms to plants and vertebrates, life has continued to move forward toward more life, overcoming unthinkable odds. Weighty and unwavering and in so many ways impenetrable—this dynamic defines Earth as a living planet. When we think about a hive of honeybees gathering their ingredients from flowers, or black corals siphoning plankton over centuries, or the sudden emergence of mushrooms from a shrouded fungal network, we can see this dynamic in action. Even kudzu offers testimony with its rampant return, however unwelcome, each spring.
Who can we be? One thing we already are: an expression of Earth's life force, right here, right now, made possible by a series of miracles that have blossomed over eons. This is true simply by virtue of breathing.
Life force unfurls through each of us in such beautifully different ways. We explore the unknown and document our discoveries. We design new things and give them form. We expose what's ruptured and source the means to mend it. We reflect, wonder, and imagine. We craft stories and art and shows. We make ritual. We convene people and foster conversation and collaboration. We care for one another. We strategize, organize, and orchestrate. We engineer and implement. We manage the details. We show up, stand up, and speak up. We share wisdom and tell jokes. We cook and sing and clean and plant and build and nap. And all of that is just the briefest inventory of human beings' doings.
There are things we do that are so wholly connected with who we are—that spring up from within us in such an organic way—that the space between our doing and our being shrinks or even vanishes. In those moments, our small expression of the vast life force we've inherited and embody is especially effervescent. We may find ourselves buzzing, flowing, or sensing a particular warmth. We may be especially porous and focused both.
It is a radical act to believe in our ability to thrive, both individually and as a planet, by being who we are.
I imagine this is how the hawk might feel as she swoops into the circle of life. It's how I wish many more of us to feel as we take wing to heal the climate crisis.
In Climate Wayfinding, we think of the ways we each express life force as our unique talents, gifts, or superpowers—all of which are so very needed in this era of change. Two lenses help illuminate them: authentic power and deep joy.
Authentic power is something that rises up from within us—internal and genuine, not gained at others' expense or expended upon them. It's a feeling of ability, capacity, strength, weight, energy, vigor. It aligns what swells within us with how we move in the world.
Deep joy is a feeling of great pleasure, happiness, delight, exhilaration, radiance, bliss. It, too, rises from within and spills out, intermingling with the world around us. It is often the emotional glow of meaning or connection. Joy may also feel out of place in the face of the climate crisis. Who are we to taste joy when so much is hurting? But joy is all the more necessary, and all the more holy, in difficult times.
As Dr. Robin Wall Kimmerer writes in Braiding Sweetgrass: "Even a wounded world is feeding us. Even a wounded world holds us, giving us moments of wonder and joy. I choose joy over despair. Not because I have my head in the sand, but because joy is what the Earth gives me daily and I must return the gift."
In my own experience, moving at the nexus of authentic power and deep joy might be our closest approximation to life force itself. When I have strayed far into zones of not-power and not-joy—most often for employment or another hard-tugging should—I have found myself in struggle, disconnection, and even depression. Stubborn is the soul, intent on a space where it belongs.
It is a radical act to believe in our ability to thrive, both individually and as a planet, by being who we are. I mean radical in the fullest sense: from the root, fundamental, and far-reaching. A person anchored and aglow—that is the kind of revolutionary that's called for in this time.
Looking inward to shape our outward contributions—this, I think, is a form of courage. When we refuse to lose touch with our sources of authentic power and deep joy, and when we dare to center them somehow in our lives, we reach toward calling. Whether loudly or in a whisper, these things summon us, insisting that our lives can be alive—sprouting and blooming, swooping and flying high—and that we can be part of making it so.
Just now, the red-tailed hawk draws my eye. It's a beautiful, bewitching thing to behold a being in the fullness of herself. But I realize, watching her in motion, that I am rapt by more than the solitary bird. At the edges of the self, there is a zone, almost an aura, of arising. We find there, at the periphery, a space populated by all that is emergent with, and only with, the world around us.
For the hawk, that emergent edge exists in the remarkable everyday interplay of hunger and wing and wind. And perhaps it is so for all of us, along our own edges, as we muster skill and strength for a planet in want, in wish.
Perhaps you, too, can feel the vibration at the eager verge of doingness and beingness and the wide, long, insistent breath of life.
This piece was adapted from Climate Wayfinding: Healing Ourselves and the Planet We Call Home by Katharine K. Wilkinson (Andrews McMeel, 2026). Used with permission of the publisher. Do not republish.
The color of the hats might have changed over these years, but what has not changed is the core message: the symbolism of knitting as the slow work required to build a movement, and the need to take the time to plan before acting.
The pattern for a bright red melt the ICE hat popped up in my news feed the other day, and I immediately knew I had to knit one. That the pattern for the freshly renamed hat reproduces the pointed, tasseled hats Norwegians wore in the 1940s as a symbol of protest against Nazi occupation; that it comes from a small woman-owned yarn store in Minnesota at a time when it feels we are not far away from the catastrophe of Fascism and Nazism; that the proceeds from buying the pattern go to organizations that protect immigrant rights. All of this made it even more urgent that I get hold of some red yarn and start casting my stitches without delay.
I learned to knit as a young child from a woman who had herself learned from a woman who had herself learned from a woman. In Italy, where I was born and grew up, this was the norm for girls, though boys were never taught the craft.
As a teen, I enjoyed the meditative quality of the repetitive work of making something grow, one knot at a time. I marveled at the magic of my hands transforming linear yarn into a multidimensional artifact. I learned the patience needed to make and unmake and remake something until I could get it not perfect but good enough. I absorbed the anti-consumerist message of frogging, or unraveling, an old sweater that no longer fits and reusing the yarn to make a new one. I grasped the necessity to create plans before jumping into action.
Then life got in the way, and I let it all fall to the side while I concentrated on becoming a scientist and relocating to the United States to work in biomedical research. My hands turned to handling pipettes and tubes rather than yarn and needles.
But symbols are important. They speak through history, they tell us we are not alone, they let us say things that words often cannot express.
But without my consciously knowing it, it became clear that the same skills were needed in the lab as in putting together a knitting project. There it was, the need to slow down and plan ahead, to repeat the same gesture over and over again, to reuse old concepts for new discoveries, to build step by step until a complex theory emerges from the simplicity of a single experiment. During those years, my brain might have forgotten the practicalities of knitting, but the underlying lessons were all there.
In early 2016, after more than 20 years in the US, I applied for citizenship, hoping to contribute my vote against what would become President Donald Trump’s first term. Bureaucracy was too slow to allow me the privilege to cast my vote that year, but it did not stifle my willingness to protest what I saw as a dangerous development.
The pussyhat, which became a symbol of the protest movement against President Trump, brought me back to knitting. I got hold of some bright pink yarn and needles at my local women-owned yarn store and discovered that my hands still had the muscle memory of what I had learned decades earlier on the other side of the world. I knit a bunch of pussyhats for myself and my friends, which we sported at the Chicago’s women’s march on the gorgeous, hopeful day that was January 21, 2017.
It’s now almost 10 years later, and here we are again, knitting hats against the dangers to our democracy. The hat’s color has changed, from the pink that represented women’s rights to the red now pointing to the defense of immigrants’ rights. As a woman immigrant, I need both and I am sure I will need more in the future.
The color of the hats might have changed over these years, but what has not changed is the core message: the symbolism of knitting as the slow work required to build activism and resistance, and the need to take the time to plan before acting. Knitting as the symbol of the patience it takes to build something meaningful and complex, one knot at a time. As the symbol of the need to constantly make and remake, to reuse what we built in the past to create something that fits the moment. And of knitting, just like quilting, embroidery, and other textile crafts, as reclaiming the role of women in history.
Yes, I know, a handmade hat will not determine the success of our resistance. Just like the pussyhats did not prevent a second Trump term, the melt the ICE hats by themselves will not stop the violence perpetrated against immigrants and those who try to protect them. But symbols are important. They speak through history, they tell us we are not alone, they let us say things that words often cannot express.
When I went to get my skein of yarn the other day, a young man wearing the same bright red hat I was planning to make was at the store, chatting with the owner, who had set aside a basket of skeins of red yarn. The young man told me, matter-of-factly, that he had just finished knitting the hat he was wearing and was there to buy some yarn to make a few more hats for his friends.
And there it was, the symbolism personified. A male knitter, unthinkable when I was a young girl, who let me know, without needing to explain it, that women’s history should not only be reclaimed but also shared with those who can treasure it. A red hat and a basket of red yarn that signaled, “You have nothing to fear here.” That told me that the accent that inflects my English was welcome, not despised. That I did not need the copy of the US passport I have started to take with me wherever I go. That we can do this, together, one knot at a time.
Horton’s work offers a compelling model of how popular education can contribute to progressive change, fostering critical thinking in slow times and accelerating the spread of radical ideas during movement peaks.
Over a career that spanned more than 50 years and touched on some of the major American social movements of the 20th century, Myles Horton established himself as one of our country’s most renowned popular educators.
Horton was a key founder of the Highlander Folk School, later reformed as the Highlander Research and Education Center after it was shut down by Jim Crow officials in Tennessee in 1961. The adult education program maintained deep ties to working people in the South and played an important role in the labor upheavals of the New Deal era in the 1930s. Furthermore, by the 1940s, it had emerged as one of the few integrated institutions in the region, a place where white activists and people of color could learn and strategize together for their common liberation.
Rosa Parks famously attended Highlander before returning home and declining to give up her seat on a segregated bus. Among the other prominent names in the civil rights movement who walked its grounds were Martin Luther King Jr., Ella Baker, Septima Poinsette Clark, Andrew Young, John Lewis, and Dorothy Cotton. But Highlander’s impact is properly measured less by the luminaries it influenced than by the countless unheralded union shop stewards and local community leaders who were enriched by coming together to study and struggle with others who faced similar challenges in their lives, and who left inspired to make greater contributions to creating change.
Sometimes referred to as a “hillbilly radical” or “hillbilly intellectual,” Horton is best known as a pioneer of progressive pedagogy. But as someone who spent his life navigating the ups and downs of social movements, he also developed important insights into the cycles of mass mobilization and patient preparation that often characterize organizing life. Horton at once built a lasting movement institution and grew skeptical of organizations that became overly bureaucratic and outlived their usefulness. Understanding how he balanced these tensions, and how he believed organizers could effectively intervene at different moments in a movement’s life cycle, remains valuable for those continuing the fight for social justice today.
Myles Horton was born in 1905 in Savannah, Tennessee. His grandfather was illiterate but had a keen mind and a healthy disrespect for the habits of the area’s wealthy powerbrokers. Raised by schoolteacher parents, Horton grew up in a religious atmosphere of hard work and devotion. At age 15, he left home and supported himself by working to build crates in a tomato packing plant and taking on other odd jobs.
Always working in and among communities of people in Appalachia, he knew early on that education was a calling, and in 1924 he entered Cumberland University to pursue a degree, while continuing to spend his summers teaching Presbyterian Bible classes in the Tennessee mountains. Around 1929, Horton managed to get a spot at the Union Theological Seminary in New York City, a place that he would later claim greatly enlarged his perspective. Horton jokes that he was accepted not because he was academically prepared but as a kind of “token hillbilly”—one of the few students from the rural South. At Union he studied with renowned socialist and pacifist theologian Reinhold Niebuhr, with whom he began to wrestle with ideas of the social gospel, a Protestant movement that used Christian ideals to argue for a committed progressive assault on poverty and other social problems.
What is distinctive about Myles Horton is how he lived through several major movement cycles during his long career, worked to adapt Highlander’s role amid them, and later reflected thoughtfully on his experience.
Over time, Horton became more secular in his worldview, but these early lessons would remain. He would come to agree with Che Guevara’s famous statement: “Let me say, with the risk of appearing ridiculous, that the true revolutionary is guided by strong feelings of love.” But for Horton, this idea was an outgrowth of his religious roots: “Love people, that’s right out of the Bible,” he explained. “You can’t be a revolutionary, you can’t want to change society if you don’t love people, there’s no point in it.”
Horton continued his education at the University of Chicago, where he studied with sociologist Robert E. Park and developed his earliest notions of forming a school. His greater influence, however, came from visiting Denmark in 1931, where he studied the country’s folk school movement. Launched in the mid-19th century by poet, philosopher, and pastor N. F. S. Grundtvig, the Danish folk schools emphasized communal, experiential learning which integrated music and folk knowledge. On his last night in Denmark, Horton wrote: “I can’t sleep, but there are dreams… You can go to school all your life, you’ll never figure it out because you are trying to get an answer that can only come from the people in the life situation.”
He left Denmark determined to start a similar school in the Southern Highlands of the United States, and he jotted a list of lessons he would bring with him:
Students and teachers living together
Peer learning
Group singing
Freedom from state regulation
Nonvocational education
Freedom from examinations
Social interaction in nonformal setting
A highly motivating purpose
Clarity in what for and what against.
When Highlander was founded in 1932, it would be for the training of “effective labor leadership and action” and for using “education as one of the instruments for bringing about a new social order.” This mission would soon bear fruit with the explosion of the Congress of Industrial Organizations, or CIO, after 1935. Working with these unions, Highlander spearheaded a program for preparing shop stewards and labor educators. “Within two years Highlander became the official CIO educational training center for the entire South,” Horton wrote. In 1937, Horton himself helped to organize one of the first CIO locals of textile industry workers, including white and Black workers alike, in the region.
In the 1950s, after the labor insurgency lost steam, Highlander became a key support system and training ground for the growing civil rights movement. Horton worked with local activists in South Carolina to develop programs that could prepare African Americans to pass literacy tests and vote. They then brought the lessons back to Highlander and, under the leadership of Septima Poinsette Clark and Bernice Robinson, developed them into a program for spreading Citizenship Schools across the South. These initiatives became a major mechanism for recruitment and personal development in the burgeoning movement, creating a base of volunteers for activist campaigns. Highlander also played a pivotal role in the formation of the Student Nonviolent Coordinating Committee, or SNCC, having served as the location of early meetings for student leaders who organized sit-ins at segregated lunch counters. Moreover, singers at Highlander were instrumental in adapting and popularizing “We Shall Overcome,” which became a central movement anthem.
Officially, Horton retired in the early 1970s, handing off the management of Highlander to younger colleagues. Yet he remained an active participant in the center’s programs, and he was an important voice in international discussions about popular education until his death in 1990.
Many social movement theorists and practitioners—Sidney Tarrow and Bill Moyer notable among them—have written on how movements progress through up-and-down cycles. What is distinctive about Myles Horton is how he lived through several major movement cycles during his long career, worked to adapt Highlander’s role amid them, and later reflected thoughtfully on his experience.
“Highlander’s always been in the mountainous part of the United States,” the educator once stated, “and our history at Highlander has been an up and down history, peaks and valleys and hills and hollers.” Horton believed that the course of social movements mirrored this hilly topography. And he used the metaphor of peaks and valleys to describe these different movement periods.
At the peak were what Horton called “movement times,” or periods of intensive social movement mobilization. He contrasted these with the valleys in between, slower and less dynamic times which he called “organizational periods.” Knowing which type of time period they are living through helps social movement participants determine what avenues for productive activity are open to them.
Horton wrote, “The best educational work at Highlander has always taken place when there is social movement. We’ve guessed right on two social movements—the labor movement in the 1930s and 1940s, and the civil rights movement in the 1950s and 1960s. During movement times, the people involved have the same problems and can go from one community to the next, start a conversation in one place, and finish it in another.”
These periods do not last forever, though. After the disbanding of the 1968 Poor People’s Campaign, which amassed in Washington, DC for several months in the wake of Martin Luther King Jr.’s assassination, Horton saw Highlander as primarily working in valleys. He wrote in the late 1980s about how this was distinct from a movement peak: “Now we’re in what I call an organizational period, which has limited objectives, doesn’t spread very rapidly, and has a lot of paid people and bureaucracy. It’s completely different from what takes place when there is a social movement.”
Horton did not believe you could do much to spark a new movement upsurge. But you could try to prepare for them. “During organization times you try to anticipate a social movement, and if it turns out that you’ve guessed right, then you’ll be on the inside of a movement helping with the mobilization and strategies, instead of on the outside jumping on the bandwagon and never being an important part of it,” he argued. The essence of this work is preparing “the groundwork for a larger movement. That way, you’re built into it when the momentum begins.”
Although he did not elaborate extensively on his vision for the “spadework”—as Ella Baker called it—necessary in organizational periods, he suggested that these slower times were critical for developing the consciousness and capabilities of movement participants. “The valley periods can be used just to kill time and survive, or they can be used to lay the groundwork of being inside when a movement occurs,” he said. “That’s what makes it possible for us to have peak periods.”

For those of us who study movement cycles, and particularly those who have worked to map dynamics of peak mobilizations, a number of interesting observations by Horton stand out.
Periods of intensive movement activity—what my brother Paul and I describe in our book This Is an Uprising as “moments of the whirlwind”—are often unpredictable and generally poorly understood. Many people tend to downplay their significance, including political observers outside of movements, who regard outbreaks of mass protest as fluke occurrences. But it includes many organizers as well, who see whirlwinds as unreliable and therefore unimportant.
Myles Horton did not downplay peak periods. Instead, he highlighted a variety of their distinctive characteristics.
First, he identified how mass mobilizations promote autonomous action among movement participants and members of the public. Horton saw movement times as unique periods in which ideas spread quickly and participation expands rapidly. He wrote: “It’s only in a movement that an idea is often made simple enough and direct enough that it can spread rapidly. Then your leadership multiplies very rapidly, because there’s something explosive going on.”
As much as we might like it to be, putting together a perfect coalition of groups that agree on a common set of demands is not a recipe for revolt.
Horton told the story of an older community member in a Southern town who told him about creating her own Citizenship School, teaching people to read as a means of preparing them to vote and increasing their political engagement. She was not aware that an extensive network of such schools had been developed by movement groups including Highlander and the Southern Christian Leadership Conference, or SCLC. Horton speculated that “she’d probably been to a conference where somebody was talking about Citizenship Schools,” and the concept was intuitive enough that “she could pick it up and make it her own.” Far from being an isolated example, it is common in mass mobilizations that tactical repertoires disseminate rapidly and are reproduced organically.
Acts of courage become contagious. “People see that other people not so different from themselves do things that they thought could never be done,” Horton explained. “They’re emboldened and challenged by that to step into the water, and once they get in the water, it’s as if they’ve never not been there.”
Second, Horton notes that, by their nature, movements are polarizing. They elicit mass participation not by creating great unity in society, but rather by highlighting controversies potent enough that people are motivated to throw down. “A large social movement forces people to take a stand for or against it, so that there are no longer any neutrals,” he wrote. “You’ve got to be on one side or the other.”
While polarization can provide powerful benefits to movements, it also has downsides. “It’s true that it forces some people to be worse than they would be, more violent than they would be,” Horton noted, “but it also forces some people to get behind the cause and work for it and even die for it.”
We have argued elsewhere that this balance of polarization’s positive and negative potentials must be carefully managed. That said, the conflictual nature of movement challenges is not an unfortunate development that can be avoided through better social dialogue. Instead, it is an inherent part of the process of change. As Frederick Douglass stated long ago: “If there is no struggle, there is no progress. Those who profess to favor freedom and yet deprecate agitation are men who want crops without plowing the ground.”
Horton echoed this sentiment, writing: “People have to understand that you can’t make progress without pain, because you can’t make progress without provoking violent opposition. If enough people want change and others stand in their way, they’re going to force them out of the way.”
Third, Horton observed that movement surges rely on a type of momentum that is not generated by ordinary organizational activity. During organizational periods, “which is most of the time,” he stated, groups will work to achieve limited short-term goals. But this does not propel significant participation by the general public, even if many groups are working toward common aims. Organization, in this way, does not make a movement moment. But once a whirlwind period starts, members of existing groups respond to the polarizing call of mass mobilizations, and the leaders of these groups can choose to feed into the energy.
Horton wrote that: “During the civil rights movement, for instance, people came out of the labor movement, the Black churches, the pacifist movement; people came who wanted social equality, and once the movement got under way, people who wanted to be where the excitement was were in it, people who wanted to get rid of their guilt were in it—it was so big that there was room for everybody.”
Among mass protest trainers we work with in the US, there is a saying that: “Alignment does not create momentum. Momentum creates alignment.” As much as we might like it to be, putting together a perfect coalition of groups that agree on a common set of demands is not a recipe for revolt. Instead, it tends to produce a lowest-common-denominator form of unity. On the other hand, a movement in motion has a way of joining a wide range of forces in pursuit of a common vision, often one more ambitious than many would have selected themselves.
In Highlander, Horton helped establish an organization that has endured for generations. He titled his memoir The Long Haul, upholding the value of persistent struggle. And yet he also voiced a critique of the bureaucratizing tendencies of institutions—even progressive ones. This combination made him a very interesting observer of organizational life.
Because their prescriptions fly in the face of much common organizing practice, some of the leading theorists of disruptive mobilization, such as Frances Fox Piven and Richard Cloward, have been accused of being “anti-organization” or of skewing anarchistic in their analysis of the role of institutions in creating progressive change. Horton recognized the importance of organizations. Without them, people acting merely as individuals would be limited in their effectiveness. At the same time, he was skeptical of how institutions had a tendency to ossify and lose their vitality over time.
In The Long Haul Horton wrote, “I came to realize that things had to be done through organizations. I knew that people as individuals would remain powerless, but if they could get together in organizations, they could have power, provided they used their organizations instead of being used by them.” He added, “I once wrote something about organizations, saying that they end up in structures and structures become permanent and most of them outlive their usefulness.”
Having witnessed the labor movement go from a disempowered low in the early 1930s to becoming part of the American Cold War political establishment by the end of the 1950s, Horton developed a critique shared by much of the New Left, which looked skeptically on the new power brokers: “I came to the conclusion that the bureaucratic system is an inevitable disease that afflicts all organizations and governments,” he wrote. “Often it is spread by good people who are made to do bad things—or less than good things—because of their separation from the people who were the original source of their power.”
Wary of such bureaucratic institutionalization, Highlander remained an outsider group. Horton contended that “Highlander’s chief interest is in starting up programs.” The school looked to intervene in drives for change by finding needs that others were not meeting and remaining experimental. “We avoided implementing programs that other less cutting-edge organizations or institutions were doing,” Horton wrote, “[and] tried to find ways of working that did not duplicate what was already being done. To be true to our vision, it was necessary to stay small and not get involved in mass education or in activities that required large amounts of money (which would make it tempting to do the kinds of programs that money was available for).”
Horton considered Highlander to be an incubator of new social movement projects, which he was willing to spin off and pass on to others once they were established. When the center’s interventions were developed enough to scale, they would hand them off to other institutions. “We solved the problem of staying small by spinning off programs that were already established and were willingly taken over by organizations less interested in creating new programs,” he explained.
Highlander carried out this process in the 1940s by allowing the CIO to take over its programs for training labor education directors and shop stewards. Later, in the 1960s, it handed off its program to create Citizenship Schools to the SCLC. “The Citizenship School project eventually became too big for us; in fact, it became bigger than all the rest of Highlander put together,” Horton argued. “When it gets to that stage, other people can take it over and operate it.”
“These spin-offs enabled Highlander to concentrate on cutting-edge programs that no one else in the region was undertaking,” he later added.
The lens of social movement ecology helps us to understand how Horton settled into a particular niche within progressive movements in the 20th century. This framework contends that distinct organizing approaches and theories of change can each play valuable roles in movement drives. Mass protest, structure-based organizing, inside-game politics, alternative institutions, and programs of personal transformation all make important contributions—although their relative importance can rise or fall at different moments in the cycle of change.
Viewed through this lens, it becomes clear that Horton primarily operated from the place of building an alternative institution and promoting education as a means of personal transformation. While he supported mass protest and structure building, he saw his main role as something different, and he tended to avoid insider politics altogether.
Late in his life, Horton undertook a series of fascinating dialogues with Brazilian educator Paulo Freire, whose book Pedagogy of the Oppressed and other writings have become cornerstone texts for many progressive teachers. Their discussions revealed some interesting differences between the two thinkers. Two prominent differences relate to how Horton situated himself within the movement ecosystem.
“The one battle is to rebuild this country, but there are many fronts for dealing with revolutionary change.”
Freire had at times been appointed to important educational roles in different levels of Brazilian government. He explained that he favored taking on the system from “two fronts,” developing independent projects from the outside while also burrowing into state institutions. This process might be described today as “contentious co-governance,” and it has been pursued by Brazil’s Landless Workers’ Movement, as it has worked to get its ambitious programs of rural, adult education adopted as state-sanctioned programs.
Horton, on the other hand, believed in operating as an outsider. He eschewed the mechanisms of the state and expressed wariness of unions, nonprofits, or membership organizations if they grew too bureaucratic or professionalized. This pushed him away from inside-game interventions or structure building, and it kept him primarily rooted in alternatives.
Another difference is that Horton insisted on a difference between education and organizing. The purpose of education, he believed, was to develop people as independent thinkers, able to analyze society and make decisions for themselves about how to change it. Organizing, in contrast, is about bringing people together around a specific goal. “[E]ducation makes possible organization, but there is a different interest, different emphasis,” Horton stated. In contrast, Freire saw education as “a permanent process” that takes place prior to organizing but also afterwards. “[U]ndoubtedly there is a different kind of education in mobilization before taking power, and there is also the continuity of that,” even after movements make gains, he believed.
Once again, Horton’s stance reinforced the idea that his contribution to social movements might be complementary to structure-based organizing, but would remain distinct from it.
In his important 1984 study, “The Origins of the Civil Rights Movement,” sociologist Aldon Morris characterized Highlander as a “movement halfway house,” or “an established group or organization that is only partially integrated into the larger society because its participants are actively involved in efforts to bring about a desired change in society.”
“What is distinctive about movement halfway houses is their relative isolation from the larger society and the absence of a mass base,” Morris wrote. This isolation means that halfway houses, by themselves, can not effectively leverage change or garner widespread support in the public. But, as alternative spaces, they can cultivate a variety of resources that become very valuable to movements. Among these, Morris lists “skilled activists, tactical knowledge, media contacts, workshops, knowledge of past movements, and a vision of a future society.”
Serving as a halfway house, Highlander did not seek to directly intervene to reform dominant bodies in the way that a political campaign or a protest movement making demands on specific politicians or business leaders might. But, like other alternative institutions, the school modeled alternate ways of being in the world. And it increased the capacity of groups in other segments of the ecology to function effectively. As Horton explained: “I’ve always taken the position that Highlander was not in the business of organizing, or even of training organizers, but in education for action, and in helping to develop social leadership.”
A slogan that Horton adopted from a well-known folksinger might be seen as his articulation of a movement ecology perspective: “A few years ago the singer and activist ‘Utah’ Phillips gave me a little pin that says, ‘One Battle, Many Fronts,’” Horton wrote. “The one battle is to rebuild this country, but there are many fronts for dealing with revolutionary change.”
Ultimately, Highlander became an influential institution during Horton’s lifetime, and it continues to do valuable training and support for movements, particularly in the South. But it did not scale in the way he had initially envisioned: “When we established Highlander, [co-founder] Don West and I were sure there would be Highlanders in every state. A dozen or more attempts to start Highlanders were made in this country, but none succeeded.”
In spite of this, Horton’s work offers a compelling model of how popular education can contribute to progressive change, fostering critical thinking in slow times and accelerating the spread of radical ideas during movement peaks. “The nature of my visions are to keep on growing beyond my conception,” he explained near the end of his autobiography. “I think there always needs to be a struggle… because there ought to be growth. You die when you stop growing.”
Research assistance provided by Celeste Pepitone-Nahas