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A PragerU video about the holiday is an example of how history can become propaganda.
Juneteenth celebrations in my town were lit. There were so many events I had a difficult time choosing which ones to attend. As a grandmother, I ended up at the event on the grounds of the Historic Harriet Barber house (circa 1875) in Hopkins, South Carolina, where my daughter and her 3-year-old son were drumming. The celebration was filled with spirited performances, great food, and camaraderie. Historical reflections centered on the origins of Juneteenth, commemorating June 19, 1865, when African-descended people who were enslaved in Texas finally learned of their freedom—more than two years after the Emancipation Proclamation had officially declared them free. Many gave shout-outs to African American ancestors for all of their visions, sacrifices, and accomplishments. It was a joyful space.
While we are still in the Juneteenth celebratory spirit, we should not sleep, lest it will be another two-and-a-half years when we wake up and realize that our freedom has been lost through a series of recent institutional white supremacist political maneuvers such as: weakening voting rights; attacks on Black political districts, and bans on African American studies.
In his classic 1933 book, The Mis-Education of the Negro, Dr. Carter G. Woodson, father of Black History Month, warned Black people not to believe the lies taught in school that are full of distortions, intentional inaccuracies, and omissions. He also warned that one of the most effective tools of institutional white supremacy is to recruit Black voices to legitimize and advance ideas that work against Black liberation. Nearly 100 years later, we are still facing the revision and erasure of Black history.
For example, PragerU—a conservative website that promotes conservative viewpoints via digital media—has produced a series of edu-tainment videos full of revisionist historical distortions and half-truths.
Juneteenth reminds us that freedom is not simply a legal status. Freedom requires historical memory, vigilance, and the courage to question what we are told.
One video, "The Inconvenient Truth About Juneteenth," is narrated by a young Black man, Xaviaer. In the 56 second TikTok-style video, the narrator presents himself as an “influencer” and is casually walking down the street, iced coffee in hand, as he opines that Black folks are mentally enslaved for believing the conventional story about Juneteenth.
Immediately, evoking the name of Rosa Parks, Xaviaer signifies that Rosa should have made the viewers sit in the front of the bus and take a history class. The cleverness of the misinformation, though, is apparent when he says that Democrats kept Black people enslaved two and a half years after the Emancipation Proclamation was signed. This slight of hand fails to clarify that the ideologies of the Republican and Democratic parties switched around 1870. Before that time, Republicans controlled the government and used its power to protect Black people who were formerly enslaved and guarantee their civil rights during Reconstruction. Most Democrats, particularly in the South, opposed many of these efforts. However, as the nation shifted its attention toward economic growth and industrial expansion, support for Reconstruction began to wane. Many Northern Republicans became less willing to invest political capital in protecting Black rights in the South.
By the mid-to-late 1870s, the Republican Party had largely retreated from its commitment to reconstructing Southern society and safeguarding the rights of African Americans. Following the Compromise of 1877 and the withdrawal of federal troops from the South, White Democrats regained political control across much of the region and systematically dismantled many of the gains Black people had achieved during Reconstruction. Over the following decades, political allegiances gradually shifted, and by the mid-20th century, many African Americans increasingly aligned with the Democratic Party, particularly as it became more supportive of civil rights initiatives.
Xaviaer concludes "The Inconvenient Truth about Juneteenth" by admonishing Black people for referring to Juneteenth as a Black Independence Day. He argues that the political left has repackaged the holiday through what he characterizes as a segregationist lens. He adds a mocking remark, suggesting that if viewers truly believe Juneteenth is a separate Black Independence Day, he does not want to see them "twerking on a boat" on the Fourth of July—not resisting the urge to slide in a stereotype.
The comment is intended to be humorous, but it serves a deeper purpose. By ridiculing those who celebrate Juneteenth, the video dismisses the historical reality that many enslaved African-descended people were excluded from the freedoms celebrated on July 4, 1776. Rather than engaging this historical contradiction, the video substitutes mockery for analysis and caricature for historical understanding.
From a critical perspective, Black people should not be getting history lessons from social media influencers, political propagandists, or organizations masquerading as educational institutions. History is too important.
Fortunately, other scholars have challenged the distortions and omissions that permeate traditional historical narratives. While Dr. Carter G. Woodson's The Mis-Education of the Negro remains one of the most important warnings about the dangers of accepting history uncritically, James Loewen's Lies My Teacher Told Me, exposed how textbooks sanitize and distort the past. Howard Zinn's A People's History of the United States intentionally centers the experiences of people who were oppressed, marginalized, and excluded from dominant historical accounts.
Misinformation is not merely about getting facts wrong. It is about shaping how people understand themselves, their communities, and their possibilities. Dr. Carter G. Woodson once reflected that it took him 20 years after earning his doctorate from Harvard University to recover from what he described as his intellectual conditioning. James Baldwin similarly observed that it took years to free himself from the myths and falsehoods he had been taught about race, history, and human worth.
The stakes are especially high when misleading narratives are packaged in entertaining videos designed to reach young people. And by the way, Dr. Carter G. Woodson, father of Black History Month, cautioned that one of the most effective tools of institutional white supremacy is to recruit Black voices to legitimize and advance ideas that work against Black liberation.
Juneteenth reminds us that freedom is not simply a legal status. Freedom requires historical memory, vigilance, and the courage to question what we are told and the understanding of the need to seek truth from credible sources.
The Riverplex Megapark planned for Louisiana's Ascension Parish threatens both the history and future of the community with the destruction of former slave cabins and the construction of a polluting ammonia plant.
I was pleased to see Sinners have a good night at the Oscars, picking up four trophies. It didn’t win Best Picture, but to my mind, it is the movie of the year. Sinners had far and away the greatest cultural impact, especially among Black people.
Sinners is the rare blockbuster film that explores Black history from the perspective of Black people, but I believe the reason the film has touched such a nerve is that it’s much more than a period piece. When I watched Sinners, I didn’t just see a movie about the past. I saw a mirror. The horror in the film isn’t history; the blood-sucking vampires of racism, white supremacy, and cultural erasure still haunt us today.
For me, Sinners hit literally close to home. Although it is set in Mississippi, it was filmed entirely in southeastern Louisiana, where my roots trace back to a small community called Donaldsonville. The film reminded me of my childhood when grandpa and I walked the avenue to shop. We’d walk from Smoke Bend, up the avenue, to a warehouse on the edge of town to get syrup in a yellow can—perfect for eating with fry bread. What’s funny about the movie is that Michael B. Jordan’s characters’ names were Smoke and Stack. And my grandpa told me that Smoke Bend got its name from the Indian campfires travelers saw when they came around the river bend. The scenes where Smoke and Stack go to Clarksdale to buy supplies were shot on Railroad Avenue in Donaldsonville, where I live and work. Folks from around here remember hearing the alarm and radio announcements from Ascension Parish Barn on Church street as they shopped along the Avenue.
The Jim Crow era depicted in Sinners has ended, but here in Ascension Parish, we are in a struggle to protect Black lives and preserve Black heritage. In the name of economic growth, the Parish government is planning to create a massive, 17,000-acre industrial complex—the so-called Riverplex Megapark—featuring a Hyundai plant and other pollution-producing factories. The complex will decimate the historic predominantly Black community of Modeste and part of Donaldsonville, displacing as many as 800 people.
We will not be able to protect our communities unless more should-be allies come to recognize that environmental justice is a major civil rights issue of our time.
In October, Modeste residents reported that heavy machinery had demolished some of the slave cabins on the site of the former Germania and Mulberry Plantations. The purpose of the destruction was to make way for the Hyundai facility, which could destroy both plantations as well as the neighboring Zeringue Plantation.
Those cabins hold the stories of their enslaved ancestors, the people whose labor built this land and whose spirit still breathes through it. Among the destroyed cabins was one of deep significance to me: My uncle, Cloveste, was born in one of them. Like the juke joint in Sinners, those cabins are a sacred space; they are bloodline, legacy, and love—and they were bulldozed to make room for corporate profit.
While erasing our past, this industrial complex also threatens our future. Located in the heart of “Cancer Alley,” Ascension Parish is one of the most polluted counties in the United States. Less than 3 miles from my house is the world’s largest ammonia plant, the single worst polluting factory in the country. I am a breast cancer survivor. All three of my children were born prematurely, and one of them has had respiratory problems his whole life. These kinds of sicknesses are commonplace around here. Yet plans for the complex include another ammonia plant that will spew out thousands of tons of pollution.
Down here, corporate executives don’t wear hoods or burn crosses, but their greed can kill us just the same.
We are all for development, but we want economic growth that strengthens our communities, not that erases and endangers them while creating generational wealth for others. Rural Roots Louisiana, the organization I founded, is leading an effort to block the “megapark,” and a judge recently ruled in our favor, ordering the front group behind the project to turn over relevant public records.
But we are up against forces with bottomless resources, which they are using to try to buy out and pay off people in the community. This presents people with hard choices, but as we see in Sinners, there is a cost to accommodating your oppressor. As Director Ryan Coogler said, his film explores “the deals people in oppressive situations must rationalize.”
In this struggle, as in all my work, I take heart in the example of our ancestors, who persevered in the face of even steeper odds. Their efforts and sacrifices ended American apartheid, and it is important to remember how far the country has come. Sinners itself, the fact that it got made, is a form of progress. It serves as a rebuke to those trying to erase Black history.
I also draw inspiration from activists and organizers throughout southeast Louisiana. A few years ago, in Plaquemines Parish—where most of Sinners was shot—community members blocked an oil terminal that would have destroyed a cemetery where their enslaved ancestors were buried. In St. James Parish, community groups have made headway in their lawsuit seeking a landmark moratorium on petrochemical facilities, while in St. John Parish, a historic Black community waged a heroic battle against a proposed grain elevator.
Still, we will not be able to protect our communities unless more should-be allies come to recognize that environmental justice is a major civil rights issue of our time. Put another way, environmental racism might not seem like the scariest vampire—it dresses in suits and wears nice shoes—but none have more blood on their teeth.
No matter what Trump or his allies allege, the video depicting the Obamas as apes is entirely consistent with their racist worldview; for them, Black is ugly, dangerous, and savage, while white is beautiful, safe, and civilized.
On February 5, a video was posted on President Donald Trump’s Truth Social account depicting former President Barack Obama and former First Lady Michelle Obama as apes in a jungle. The racist depiction of Black people as primates dates back centuries. It is meant to represent them as ugly, savage, and unintelligent—as fundamentally incapable of building a human (white) civilization.
The post was deleted 12 hours later. The White House initially blamed an unnamed staffer for posting it. One White House adviser told reporters, “The president was not aware of that video, and was very let down by the staffer who put it out.” Apparently, they forgot that Trump himself had claimed that only he and White House Deputy Chief of Staff Dan Scavino have access to his social media account.
Later that day, Trump admitted that he knew about the video before its posting. He told reporters, “I looked at the beginning of [the video]. It was fine.” He then added, “Nobody knew that that was at the end. If they would have looked, they would have had the sense to take it down.” Neither the current president of the United States nor his staff is apparently capable of watching a 1-minute video before posting it.
Trump refused to apologize, insisting that he “didn’t make a mistake.”
In some respects, Leavitt is right—that Truth Social post shouldn’t surprise anyone. Trump is the nation’s Racist-in-Chief.
Notably, even conservatives condemned the post (albeit meekly). Sen. Tim Scott (R-SC) posted on Twitter-X that this is “the most racist thing I’ve seen out of this White House.” Sen. Susan Collins (R-Maine) shared Scott’s post, writing, “Tim is right. This was appalling.” Sen. Dan Sullivan (R-Alaska) similarly wrote: “This post was offensive. I’m glad the White House took it down.”
Democrats, by contrast, used stronger language. House Minority Leader Hakeem Jeffries (D-NY) said, “Fuck Donald Trump and his vile, racist, and malignant behavior.” Finally, bipartisanship has been achieved!
Despite this outcry, the White House was quick to dismiss the post as being anything newsworthy. White House Press Secretary Karoline Leavitt demanded that journalists “please stop the fake outrage and report on something today that actually matters to the American public.”
In some respects, Leavitt is right—that Truth Social post shouldn’t surprise anyone. Trump is the nation’s Racist-in-Chief. It’s a slow day indeed if that video is the only racist thing Trump did all day.
In recent months, he has referred to Rep. Ilhan Omar (D-Minn.), a sitting Black congresswoman, as “a disgusting person, a loser,” and “garbage.” Trump says that she, a US citizen, “should be thrown the hell out of our country.” To emphasize, not her country, but “our country.”
More broadly, he says that Somalis are “low IQ people” and that Somalia is “barely a nation.” It “stinks” and is “filthy, dirty, disgusting, ridden with crime.” For Trump, Somalis are savage, ugly, uncivilized, and unintelligent people—fundamentally distinct from the “nice people” from civilized societies like Denmark, Norway, and Sweden. Notice the direct parallels between how Trump explicitly describes Somalis on the one hand, and the underlying racist meaning behind comparing Black people to primates on the other. Trump is applying the exact same set of stereotypes in both instances.
For MAGA Republicans, that success is always vulnerable to the threat of “foreign cultures” and Black immigrants, which in this case include both Ilhan Omar and Barack Obama.
Somalia is not the only example. He refers to Haiti as a “shithole” and “hellhole.” That Haitians are “eating the dogs. They’re eating the cats.” This narrative—not only wildly racist, but demonstrably false—was amplified by several Republicans, including Rep. Tom Tiffany (R-Wis.), Representative Andy Biggs (R-Ariz.) and then-Vice President-Elect JD Vance.
Trump’s racism is not an anomaly among MAGA Republicans. Homeland Security Adviser Stephen Miller remarks, “If Somalians cannot make Somalia successful, why would we think that the track will be any different in the United States? If Libya keeps failing, if the Central African Republic keeps failing, if Somalia keeps failing, right? If these societies all over the world continue to fail, you have to ask yourself, […] what do we think is going to happen?" For Miller, no matter where those people go, the result will be the same: “consistent high rates of welfare use, consistent high rates of criminal activity, consistent failures to assimilate.” Test scores will also consistently drop: “If you subtract immigration out of test scores, all of a sudden our test scores skyrocket!” Like Trump, for Miller, Africans and their descendants are incapable of building a human (white) civilization.
Indirectly, Trump applies this standard to Obama too. Per Trump’s birther conspiracy theory, Obama was born in Kenya. At the same time he promoted that lie, Trump insisted that Obama allowed the US to collapse to the level of “a third world country.” Taken together, from Trump’s perspective, Obama is an African immigrant whose “destructive” policies led to the country “dying.” This is precisely what he and others in his administration allege that African immigrants always do.
One might (confusedly) object that all of this is xenophobia, not anti-Black racism specifically—truly a distinction without a difference.
On February 3, Trump issued a proclamation emphasizing that “the history of black Americans is an indispensable chapter in our grand American country.” Thus, he calls upon “public officials, educators, librarians, and all the people of the United States to observe [Black History Month] with appropriate programs, ceremonies, and activities.”
Yet, this objection overlooks a crucial detail: Trump’s proclamation is explicitly not a recognition of diversity—“This month, however, we do not celebrate our differences.” For Trump, Black History Month is not a celebration of Black people, but rather of the ability of “black American heroes” to successfully embrace and defend the “very special culture” that America and Europe inherited. Importantly, for Trump and his allies, the values, beliefs, and principles of that special culture are uniquely white.
This is the white-washed version of Black History Month that MAGA recognizes—one where Black people’s contributions to America are completely divorced from their lived experiences; where it is white values that abolish slavery, end discrimination, and save the nation.
Trump is not honoring Black arts, culture, or philosophy. He is calling on us to remember Black people’s “enduring commitment to the American principles of liberty, justice and equality.” It is those principles that freed the Western Hemisphere from “empires, ended slavery, saved Europe, put a man on the moon, and built the freest, most just, and most prosperous society ever known to mankind.” Black patriots like Coretta Scott King, Booker T. Washington, and Thomas Sowell “fiercely defended the values set forth in the Declaration of Independence and helped to make our Republic the greatest country in the history of the world.”
For Trump, America’s “bedrock belief in equality” is inextricably tied to the nation’s Christian foundation and the belief that all are equal under God. It is that belief “that drove black American icons to help fulfill the promise of [America’s] principles.”
What Trump is expressing here is entirely consistent with the racist worldview that he and other MAGA Republicans endorse. Black values and cultures ruin societies, while white values uplift them. This is why Haiti, Somalia, Central African Republic, and Libya fail to develop, while the US thrives. If Black people succeed, it is because they have championed Christian and Enlightenment (white) principles and values. This is the white-washed version of Black History Month that MAGA recognizes—one where Black people’s contributions to America are completely divorced from their lived experiences; where it is white values that abolish slavery, end discrimination, and save the nation.
For MAGA Republicans, that success is always vulnerable to the threat of “foreign cultures” and Black immigrants, which in this case include both Ilhan Omar and Barack Obama. This vulnerability is why US cities like Baltimore, where more than half the residents are Black, can become “dangerous,” “disgusting, rat and rodent infested mess.”
No matter what Trump or his allies allege, the video depicting the Obamas as apes is entirely consistent with their racist worldview. In every instance, their comments reflect the same underlying dichotomy: Black is ugly, dangerous, and savage, while white is beautiful, safe, and civilized. This is true whether they explicitly state it or metaphorically represent it.
It is this racism that leads Trump to blame Black Americans for violent crimes. It is this racism that leads the Trump administration to invade Minnesota. It is this “racial and national origin animus” that spurs their desire to end Temporary Protection Status for Haitians. It is this racism that makes everyone, regardless of race or citizenship status, vulnerable to the Trump administration’s Christian and ethnonationalist agenda. It is this racism that we must all resist.