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Bari Weiss speaks during a January 18, 2025 event in Washington, DC.
The segment on the notorious torture prison—where the Trump administration has been unlawfully deporting Venezuelans—went viral on social media after being inadvertently aired in Canada.
Websites including YouTube and TikTok this week removed posts of a CBS News "60 Minutes" segment on a notorious prison in El Salvador, where Trump the administration has been illegally deporting Venezuelan immigrants, after being notified that publishing the clip violated parent company's copyright.
The segment on the Terrorism Confinement Center (CECOT)—which was intended to air on Sunday's episode of "60 Minutes"—was pulled by right-wing CBS News editor-in-chief Bari Weiss, who claimed that the story "was not ready" for broadcast, despite thorough editing and clearance by key company officials.
“Our story was screened five times and cleared by both CBS attorneys and Standards and Practices," said "60 Minutes" correspondent Sharyn Alfonsi, who reported the segment. “It is factually correct. In my view, pulling it now, after every rigorous internal check has been met, is not an editorial decision, it is a political one.”
The segment—which can still be viewed on sites including X—was shared by social media users after a Canadian network received and broadcast an original version of the "60 Minutes" episode containing the CECOT piece prior to CBS pulling the story. The social media posts containing the segment were reportedly removed after CBS parent company Paramount Skydance filed copyright claims.
A CBS News representative said that “Paramount’s content protection team is in the process of routine take down orders for the unaired and unauthorized segment.”
Weiss—who also founded and still edits the Paramount Skydance-owned Free Press—has faced criticism for other moves, including presiding over the removal of parts of a previous "60 Minutes" interview with President Donald Trump regarding potential corruption stemming from his family’s massive cryptocurrency profits.
On Tuesday, Axios reported that Weiss is planning a broad overhaul of standards and procedures at the network, where she was hired by Paramount Skydance CEO and Trump supporter David Ellison in October, despite a lack of broadcasting experience.
Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission has always been simple: To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It's never been this bad out there. And it's never been this hard to keep us going. At the very moment Common Dreams is most needed, the threats we face are intensifying. We need your support now more than ever. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Will you donate now to make sure Common Dreams not only survives but thrives? —Craig Brown, Co-founder |
Websites including YouTube and TikTok this week removed posts of a CBS News "60 Minutes" segment on a notorious prison in El Salvador, where Trump the administration has been illegally deporting Venezuelan immigrants, after being notified that publishing the clip violated parent company's copyright.
The segment on the Terrorism Confinement Center (CECOT)—which was intended to air on Sunday's episode of "60 Minutes"—was pulled by right-wing CBS News editor-in-chief Bari Weiss, who claimed that the story "was not ready" for broadcast, despite thorough editing and clearance by key company officials.
“Our story was screened five times and cleared by both CBS attorneys and Standards and Practices," said "60 Minutes" correspondent Sharyn Alfonsi, who reported the segment. “It is factually correct. In my view, pulling it now, after every rigorous internal check has been met, is not an editorial decision, it is a political one.”
The segment—which can still be viewed on sites including X—was shared by social media users after a Canadian network received and broadcast an original version of the "60 Minutes" episode containing the CECOT piece prior to CBS pulling the story. The social media posts containing the segment were reportedly removed after CBS parent company Paramount Skydance filed copyright claims.
A CBS News representative said that “Paramount’s content protection team is in the process of routine take down orders for the unaired and unauthorized segment.”
Weiss—who also founded and still edits the Paramount Skydance-owned Free Press—has faced criticism for other moves, including presiding over the removal of parts of a previous "60 Minutes" interview with President Donald Trump regarding potential corruption stemming from his family’s massive cryptocurrency profits.
On Tuesday, Axios reported that Weiss is planning a broad overhaul of standards and procedures at the network, where she was hired by Paramount Skydance CEO and Trump supporter David Ellison in October, despite a lack of broadcasting experience.
Websites including YouTube and TikTok this week removed posts of a CBS News "60 Minutes" segment on a notorious prison in El Salvador, where Trump the administration has been illegally deporting Venezuelan immigrants, after being notified that publishing the clip violated parent company's copyright.
The segment on the Terrorism Confinement Center (CECOT)—which was intended to air on Sunday's episode of "60 Minutes"—was pulled by right-wing CBS News editor-in-chief Bari Weiss, who claimed that the story "was not ready" for broadcast, despite thorough editing and clearance by key company officials.
“Our story was screened five times and cleared by both CBS attorneys and Standards and Practices," said "60 Minutes" correspondent Sharyn Alfonsi, who reported the segment. “It is factually correct. In my view, pulling it now, after every rigorous internal check has been met, is not an editorial decision, it is a political one.”
The segment—which can still be viewed on sites including X—was shared by social media users after a Canadian network received and broadcast an original version of the "60 Minutes" episode containing the CECOT piece prior to CBS pulling the story. The social media posts containing the segment were reportedly removed after CBS parent company Paramount Skydance filed copyright claims.
A CBS News representative said that “Paramount’s content protection team is in the process of routine take down orders for the unaired and unauthorized segment.”
Weiss—who also founded and still edits the Paramount Skydance-owned Free Press—has faced criticism for other moves, including presiding over the removal of parts of a previous "60 Minutes" interview with President Donald Trump regarding potential corruption stemming from his family’s massive cryptocurrency profits.
On Tuesday, Axios reported that Weiss is planning a broad overhaul of standards and procedures at the network, where she was hired by Paramount Skydance CEO and Trump supporter David Ellison in October, despite a lack of broadcasting experience.