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Yo-Yo Ma performing Saturday in Laredo as part of The Bach Project. (Screengrab/Texas Public Radio)
In a rebuke to the Trump administration's cruel immigration policies and rhetoric, world-renowned cellist Yo-Yo Ma gave a performance at the U.S.-Mexico border on Saturday, where he praised culture's ability to "build bridges, not walls."
With the international bridge connecting the two countries visible behind him, the audience in Laredo, Texas heard the musician play an excerpt of Johann Sebastian Bach's cello suites. An audience in the sister city of Nuevo Laredo was treated to a performance as well shortly after.
Texas Public Radio captured video of the performance:
Ma also read from Emma Lazarus's poem on the Statue of Liberty:
Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!
"We must live by those words," he said.
Taking direct aim at President Trump's recent rhetoric, Ma said, "A country is not a hotel and it's not 'full.'"
"I've lived my life at the borders--between cultures, between disciplines, between musics, between generations," he said.
The performance was part of The Bach Project, his two-year effort to bring the composer's suites for cello to 36 locations around the world, with performances alongside days of action to harness culture as a unifying force.
"The Bach Project," the website for the initiative explains, "explores and celebrates all the ways that culture makes us stronger as individuals, as communities, as a society, and as a planet."
The border performance was embraced by many on social media:
This country and this world are at a monumental crossroads. US voters have an opportunity to beat back the forces of fascism and confront the billionaires who are rigging the economy, our media system, and our democracy, making it increasingly impossible for ordinary people to get by. We’re not just talking about the election. We’re talking about what must be done once these fascist elements are vanquished from power. We need a bolder set of solutions than what either major party has so far been willing to offer and a working-class movement ready to fight like hell for it. Trump didn't emerge from nowhere. The conditions that fueled MAGA authoritarianism were created by decades of radical neoliberal economic policies and a corrupt political system dominated by corporate interests. They slashed taxes on the super-rich, promising that the benefits would trickle down. They said giveaways to the corporate titans would make life more affordable for the rest of us. It was all bullshit. And when a bitter, betrayed populace searches for someone to blame, right-wing demagogues have little trouble finding scapegoats. People know when they're being lied to, but you won't hear any of this from the corporate media. Only independent journalism—powered and funded by people who believe in building a better world—can deliver truly trustworthy daily news. If you share our vision, please contribute whatever you can to sustain our work. |
In a rebuke to the Trump administration's cruel immigration policies and rhetoric, world-renowned cellist Yo-Yo Ma gave a performance at the U.S.-Mexico border on Saturday, where he praised culture's ability to "build bridges, not walls."
With the international bridge connecting the two countries visible behind him, the audience in Laredo, Texas heard the musician play an excerpt of Johann Sebastian Bach's cello suites. An audience in the sister city of Nuevo Laredo was treated to a performance as well shortly after.
Texas Public Radio captured video of the performance:
Ma also read from Emma Lazarus's poem on the Statue of Liberty:
Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!
"We must live by those words," he said.
Taking direct aim at President Trump's recent rhetoric, Ma said, "A country is not a hotel and it's not 'full.'"
"I've lived my life at the borders--between cultures, between disciplines, between musics, between generations," he said.
The performance was part of The Bach Project, his two-year effort to bring the composer's suites for cello to 36 locations around the world, with performances alongside days of action to harness culture as a unifying force.
"The Bach Project," the website for the initiative explains, "explores and celebrates all the ways that culture makes us stronger as individuals, as communities, as a society, and as a planet."
The border performance was embraced by many on social media:
In a rebuke to the Trump administration's cruel immigration policies and rhetoric, world-renowned cellist Yo-Yo Ma gave a performance at the U.S.-Mexico border on Saturday, where he praised culture's ability to "build bridges, not walls."
With the international bridge connecting the two countries visible behind him, the audience in Laredo, Texas heard the musician play an excerpt of Johann Sebastian Bach's cello suites. An audience in the sister city of Nuevo Laredo was treated to a performance as well shortly after.
Texas Public Radio captured video of the performance:
Ma also read from Emma Lazarus's poem on the Statue of Liberty:
Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!
"We must live by those words," he said.
Taking direct aim at President Trump's recent rhetoric, Ma said, "A country is not a hotel and it's not 'full.'"
"I've lived my life at the borders--between cultures, between disciplines, between musics, between generations," he said.
The performance was part of The Bach Project, his two-year effort to bring the composer's suites for cello to 36 locations around the world, with performances alongside days of action to harness culture as a unifying force.
"The Bach Project," the website for the initiative explains, "explores and celebrates all the ways that culture makes us stronger as individuals, as communities, as a society, and as a planet."
The border performance was embraced by many on social media: