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Yo-Yo Ma performing Saturday in Laredo as part of The Bach Project. (Screengrab/Texas Public Radio)
In a rebuke to the Trump administration's cruel immigration policies and rhetoric, world-renowned cellist Yo-Yo Ma gave a performance at the U.S.-Mexico border on Saturday, where he praised culture's ability to "build bridges, not walls."
With the international bridge connecting the two countries visible behind him, the audience in Laredo, Texas heard the musician play an excerpt of Johann Sebastian Bach's cello suites. An audience in the sister city of Nuevo Laredo was treated to a performance as well shortly after.
Texas Public Radio captured video of the performance:
Ma also read from Emma Lazarus's poem on the Statue of Liberty:
Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!
"We must live by those words," he said.
Taking direct aim at President Trump's recent rhetoric, Ma said, "A country is not a hotel and it's not 'full.'"
"I've lived my life at the borders--between cultures, between disciplines, between musics, between generations," he said.
The performance was part of The Bach Project, his two-year effort to bring the composer's suites for cello to 36 locations around the world, with performances alongside days of action to harness culture as a unifying force.
"The Bach Project," the website for the initiative explains, "explores and celebrates all the ways that culture makes us stronger as individuals, as communities, as a society, and as a planet."
The border performance was embraced by many on social media:
Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission has always been simple: To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It's never been this bad out there. And it's never been this hard to keep us going. At the very moment Common Dreams is most needed, the threats we face are intensifying. We need your support now more than ever. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Will you donate now to make sure Common Dreams not only survives but thrives? —Craig Brown, Co-founder |
In a rebuke to the Trump administration's cruel immigration policies and rhetoric, world-renowned cellist Yo-Yo Ma gave a performance at the U.S.-Mexico border on Saturday, where he praised culture's ability to "build bridges, not walls."
With the international bridge connecting the two countries visible behind him, the audience in Laredo, Texas heard the musician play an excerpt of Johann Sebastian Bach's cello suites. An audience in the sister city of Nuevo Laredo was treated to a performance as well shortly after.
Texas Public Radio captured video of the performance:
Ma also read from Emma Lazarus's poem on the Statue of Liberty:
Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!
"We must live by those words," he said.
Taking direct aim at President Trump's recent rhetoric, Ma said, "A country is not a hotel and it's not 'full.'"
"I've lived my life at the borders--between cultures, between disciplines, between musics, between generations," he said.
The performance was part of The Bach Project, his two-year effort to bring the composer's suites for cello to 36 locations around the world, with performances alongside days of action to harness culture as a unifying force.
"The Bach Project," the website for the initiative explains, "explores and celebrates all the ways that culture makes us stronger as individuals, as communities, as a society, and as a planet."
The border performance was embraced by many on social media:
In a rebuke to the Trump administration's cruel immigration policies and rhetoric, world-renowned cellist Yo-Yo Ma gave a performance at the U.S.-Mexico border on Saturday, where he praised culture's ability to "build bridges, not walls."
With the international bridge connecting the two countries visible behind him, the audience in Laredo, Texas heard the musician play an excerpt of Johann Sebastian Bach's cello suites. An audience in the sister city of Nuevo Laredo was treated to a performance as well shortly after.
Texas Public Radio captured video of the performance:
Ma also read from Emma Lazarus's poem on the Statue of Liberty:
Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!
"We must live by those words," he said.
Taking direct aim at President Trump's recent rhetoric, Ma said, "A country is not a hotel and it's not 'full.'"
"I've lived my life at the borders--between cultures, between disciplines, between musics, between generations," he said.
The performance was part of The Bach Project, his two-year effort to bring the composer's suites for cello to 36 locations around the world, with performances alongside days of action to harness culture as a unifying force.
"The Bach Project," the website for the initiative explains, "explores and celebrates all the ways that culture makes us stronger as individuals, as communities, as a society, and as a planet."
The border performance was embraced by many on social media: