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The four bullets that killed Marielle in downtown Rio de Janeiro, which were once owned by the Federal Police of Brazil, have not stopped her from being an empowering source of support for black people and people of color across the world. (Photo: Democracy Now!)

The four bullets that killed Marielle in downtown Rio de Janeiro, which were once owned by the Federal Police of Brazil, have not stopped her from being an empowering source of support for black people and people of color across the world. (Photo: Democracy Now!)

It’s Carnaval in Brazil—What ‘Marielle Presente’ Means for Women of Color Across the Globe

The name and image of Marielle Franco—an intersectional representation of the many wars being fought—serves as more than just a reminder

Tanya Rawal-Jindia

March 14 will mark the first anniversary of Brazilian politician Marielle Franco’s assassination—but on Sunday, the second day of São Paulo Carnaval, her legacy as a powerful and empowering black, gay, single mother was celebrated without apology. For women of color in Brazil and beyond, this was a demonstration of united strength—not just power.

Hundreds of community members participating in the Vai-Vai parade paid homage to Marielle Sunday morning—a photo of her and the words “Marielle Presente” (Marielle is here) faced the sky in mosaic form. And beneath each of the 32 tiles were bodies full of the healthy energy and force that come from resistance.

Marielle’s sister, Anielle Franco, and Marielle’s daughter, Luyara Santos, took part in the celebration. Holding back tears at dawn to honor the sparkle and joy the world has seen in the images of Marielle Franco that have circulated this past year, her sister and daughter announced to the world: “Ela estava ao lado do povo negro.” She was on the side of the black people. And the four bullets that killed Marielle in downtown Rio de Janeiro, which were once owned by the Federal Police of Brazil, have not stopped her from being an empowering source of support for black people and people of color across the world.

Just months after her death, “artivists” (artist-activists) from Nairobi built an exhibit—“Portraits of Marielle: Creating Bridges between Kenya and Brazil”—held at the Maré Museum to celebrate the legacy of Marielle and to identify her death as a node for south-south solidarity. Throughout the past year, women of color from Dublin to Barcelona have gathered in her name, also recognizing the bridge that needed to be built between Marielle’s fight in Brazil and their own. And now, the representation of Marielle at this year’s Carnaval is another invitation to consider Marielle’s roaring platform as a global one—she was a mother who wanted a better world for her daughter, as can be seen between the lines in an interview she gave in the favela that was once her home.

The day before her assassination, Marielle asked one of the saddest and most relevant questions of our time: “How many more will have to die for this war to end?”

Marielle Franco’s face is painted on the walls of São Paulo at several intersections. The dark outline of her face reminds passersby of the stakes involved in resistance. The day before her assassination, Marielle asked one of the saddest and most relevant questions of our time: “How many more will have to die for this war to end?” There is no answer in sight for this query. And there is no geographical boundary for it either.

When we speak of the war against dark skin, the war against women, or the war against the dispossessed, the assassination of Marielle Franco is a reminder that the punishment for resisting the parameters imposed by racism, sexism, and persons from low-income sectors that take shape as favelas, slums, and ghettos can always be death, and not simply emotional discomfort. Resistance has consequences.

 The name and image of Marielle Franco—an intersectional representation of the many wars being fought—serves as more than just a reminder. Speaking her name, sharing her image is in itself an act of resistance. The people of Vai-Vai were bold Sunday morning—to the people across the globe, there is an obligation to support them.

This article was produced by Globetrotter, a project of the Independent Media Institute.


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