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ticketmaster
Congress Must End Ticketmaster’s Monopoly
When a company gains too much control over essential critical goods and services, the government has a responsibility to step in and restore competition.
Jun 06, 2026
If you’ve ever been to a concert or sporting event, you’ve probably dealt with Ticketmaster.
And if you have, you’ve probably overpaid.
Ticketmaster is the closest thing the live events industry has to a monopoly. It controls the ticketing market at most major American venues and has used that power to squeeze fans with higher prices and limit competition, ultimately making live entertainment more expensive for everyone.
That is why recent legal action against Ticketmaster and its parent company, Live Nation, was so encouraging. A jury ruled in April that it is an operating illegal monopoly. Remedies will follow; the question is when.
Fans should not have to skip seeing their favorite band, team, or performer because a monopolistic corporation has found another way to extract money from them.
For millions of Americans who have watched ticket prices climb due to hidden fees, service charges, and processing costs, this ruling felt like long-overdue accountability.
But one court case alone will not fix a broken marketplace.
The larger problem is not just one company’s conduct in one courtroom. It is a business model built around control. Live Nation and Ticketmaster dominate ticketing, promotion, venues, and resale in ways that make it harder for competitors to enter the market and harder for consumers to find alternatives.
Fans see the results every day. A ticket advertised at one price suddenly costs far more at checkout. Consumers are pushed into one platform with few other options. Artists and venues face enormous pressure to work within the same closed system. The result is a marketplace where one corporation can act as gatekeeper for much of American live entertainment.
That is not how a competitive market is supposed to work.
Of course, Ticketmaster and Live Nation are fighting to protect their monopolistic practices. Company executives have already made clear that they oppose a breakup and intend to challenge court efforts to unwind their power. In all likelihood, the monopoly’s legal challenges will lead to a lengthy appeals process that could lead to consumers not seeing remedies for years.
A breakup of Live Nation and Ticketmaster may ultimately be necessary, because one big player will ultimately squeeze out any competitors in the marketplace.
America has taken similar action before when monopolies became too powerful and too harmful to consumers. Two perfect examples are Standard Oil and the Bell Systems, and the lessons from each are clear: When a company gains too much control over an essential critical goods (like oil) and services (communications), the government has a responsibility to step in and restore competition.
But even before the courts finish their work, Congress can take action right now.
The most important step is to attack the exclusivity arrangements that keep Ticketmaster in control.
Today, venues and artists are locked into deals that leave fans with limited options. If you want to see a major concert or sporting event, Ticketmaster is frequently the only choice—even before the sale begins.
That gatekeeping power is the foundation of Ticketmaster’s monopoly.
Congress should require an open ticket marketplace. Fans should be able to buy tickets through the platform of their choice, not be forced into one company’s ecosystem.
Of course, much of the modern economy already functions this way. Consumers can compare flights, hotels, rental cars across competing platforms, just to name a few. The ticketing industry should work the same way.
Open distribution will give consumers more choice, put downward pressure on fees, and create room for competitors to challenge Ticketmaster’s dominance. It would not be a full breakup, but it would deliver the same benefits while courts continue to consider broader remedies.
Congress should also keep its promise to pass the bipartisan TICKET Act, which would require ticket sellers to display the full price upfront and guarantee refunds for canceled events. Consumers deserve transparency before they buy, not surprise charges after they have already committed.
Fans should not have to skip seeing their favorite band, team, or performer because a monopolistic corporation has found another way to extract money from them.
However, this issue is about more than Ticketmaster. Congress is willing to stand up to concentrated corporate power when it harms consumers.
The live events marketplace should reward competition, transparency, and choice. Right now, it rewards control.
Congress has an opportunity to change that and put fans first. It should take it.
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'Decades in the Making': Antitrust Advocates Celebrate as Jury Rules Against Live Nation-Ticketmaster
Minnesota Attorney General Keith Ellison called the verdict "a win for everyone who thinks concert tickets are too damn expensive."
Apr 15, 2026
Antitrust advocates celebrated on Wednesday after a jury found that Live Nation and is subsidiary Ticketmaster were illegal monopolies who for decades systematically overcharged customers for concert tickets.
As reported by The Associated Press, the verdict against Live Nation and Ticketmaster could cost the two entities "hundreds of millions of dollars, just for the $1.72 per ticket that the jury found Ticketmaster had overcharged consumers in 22 states," and they could be forced to sell off some of the venues they own.
The case against Live Nation, which was brought by 33 states and the District of Columbia, was initially led by the US Department of Justice. However, under President Donald Trump, the DOJ last month reached a last-minute settlement with the company that would not require it to be broken up.
The state attorneys general, however, vowed to see the case through and were rewarded with a big verdict in their favor.
New York Attorney General Letitia James celebrated the verdict, describing it as "a landmark victory to protect New Yorkers from harmful monopolies."
Minnesota Attorney General Keith Ellison called the verdict "a win for everyone who thinks concert tickets are too damn expensive," and declared himself "proud to have brought this lawsuit."
District of Columbia Attorney General Brian Schwalb noted Live Nation "has raked in billions in profits from an illegal monopoly that coerces venues, restricts artists, and exploits fans," and called the verdict "a massive win in the fight for fairness for local venues, artists, and fans."
Lina Khan, former chair of the Federal Trade Commission under President Joe Biden, hailed the verdict, but said it was just "a key first step towards ending Live Nation’s monopolistic control and securing real relief for those it harmed."
Lee Hepner, senior legal counsel at the American Economic Liberties Project, said the verdict was "decades in the making," and he cited iconic Seattle band Pearl Jam's fight against Ticketmaster in the 1990s to illustrate just how long it's taken to hold the company accountable.
"Pour one out for Pearl Jam, who testified before Congress in 1993 about Ticketmaster's abuse of the live concert industry," he commented.
The Roosevelt Institute took a shot at the Trump DOJ for bailing on the case, and noted the verdict against Live Nation "only happened because state AGs kept pushing after a federal settlement that let the companies off the hook."
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‘While No One’s Looking,’ Trump DOJ Settles Antitrust Case With Live Nation-Ticketmaster
"This settlement is the clearest sign yet that this administration serves big business, not the people."
Mar 09, 2026
The Trump Justice Department on Monday reportedly reached a tentative deal with Live Nation—the owner of Ticketmaster—to settle a Biden-era antitrust lawsuit that aimed to break up the company, accusing it of illegally monopolizing the live entertainment industry.
News of the settlement, which would not require a breakup of Live Nation, came days after the trial began, with a lawyer for the Trump Justice Department's decimated antitrust division saying last week that the company abuses its market power and earns its massive profits "through illegal action." The antitrust division's counsel in the case, David Dahlquist, was apparently not made aware of the settlement until he appeared in court Monday morning.
Lee Hepner, senior legal counsel at the American Economic Liberties Project, said it is "highly unorthodox for the Justice Department’s lead litigator to be left out of the loop on the settlement and highly prejudicial to the jury’s deliberations."
“According to every observer, this trial was already going well for the Justice Department and states," said Hepner. "They had just won summary judgment and a jury had already heard evidence of Live Nation’s longstanding pattern of retaliation against venues who had attempted to open the market to competition. State AGs are once again left to clean up the mess left by this Administration’s incompetence.”
Under the settlement, which must be approved by a judge, Live Nation "would pay a fine of up to $280 million and divest itself of at least 13 amphitheaters across the country as it opens up its ticketing processes so that competitors can share in the sale of tickets," the Associated Press reported.
The National Independent Venue Association (NIVA), a trade group representing thousands of independent live entertainment venues, festivals, and promoters, noted in a statement that the reported $280 million settlement amount "is the equivalent of four days of [Live Nation's] 2025 revenue, which means they could potentially make it back by this Friday."
"The reported settlement does not appear to include any specific and explicit protections for fans, artists, or independent venues and festivals," said Stephen Parker, NIVA's executive director. "Reported details also indicate that ticket resale platforms could be further empowered through new requirements for Ticketmaster to host their listings, which would likely exacerbate the price gouging potential for predatory resellers and the platforms that serve them."
"If these facts are true," Parker added, "NIVA views this as a failure of the justice system."
And Trump pardons Ticketmaster while no one’s looking. pic.twitter.com/ZEFcSomb05
— Matt Stoller (@matthewstoller) March 9, 2026
The antitrust lawsuit against Live Nation was filed in 2024 after a nearly two-year investigation launched amid mounting public outrage aimed at Ticketmaster, spurred in part by its botched presale of Taylor Swift concert tickets in 2022. Then-President Joe Biden's Justice Department filed the complaint in partnership with 30 state attorneys general, most of whom vowed Monday to continue the fight without the Trump administration's support.
"For years, Live Nation has made enormous profits by exploiting its illegal monopoly and raising costs for shows," said New York Attorney General Letitia James. "My office has led a bipartisan group of attorneys general in suing Live Nation for taking advantage of fans, venues, and artists, and we are committed to holding Live Nation accountable."
The settlement deal comes weeks after Gail Slater, the former head of the Justice Department's antitrust arm, was pushed out by DOJ leadership. Prior to Slater's removal, Live Nation executives and lobbyists had reportedly been negotiating the terms of a possible settlement with senior Justice Department officials outside of the antitrust office, heightening corruption concerns.
Emily Peterson-Cassin, policy director at the Demand Progress Education Fund, said in a statement that "this settlement amounts to a slap on the wrist that tinkers around the edges of the real problem: Live Nation’s monopoly."
"Instead of breaking up Live Nation and Ticketmaster, Live Nation will now get to continue forcing the vast majority of live venues to use Ticketmaster," said Peterson-Cassin. "Following the ousting of Gail Slater and the gutting of the government’s antitrust enforcement capabilities, this settlement is the clearest sign yet that this administration serves big business, not the people."
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