A general view of the atmosphere seen at the Los Angeles Premiere of Warner Bros. Superman at TCL Chinese Theatre on July 7, 2025 in Hollywood, California is shown.
Superman Isn’t About Gaza—But It Sure Feels Like It
In Superman, we’re watching something hauntingly familiar: a powerful state waging war on a trapped civilian population, a global superpower choosing complicity over justice, and a narrative war where truth is the first casualty.
Director James Gunn insists the new Superman film isn’t a political allegory, noting the script was completed before the events of October 7, 2023. But art, especially in times of global crisis, often outgrows the intentions of its creators. Whether consciously crafted or not, the world is receiving this film as a lens through which to process grief, rage, and a collective hunger for justice for the Palestinian people.
Watching the film, I couldn’t help but cheer not only for Superman—but for the people of Jarhanpur, a battered, besieged territory subjected to ongoing military assault by its high-tech neighbor, Boravia. Jarhanpur’s residents are depicted as marginalized and vilified, living in ruins under constant threat. The imagery of bombed-out buildings, displaced families, and children pulled from rubble evokes the horrors of the Israeli assault on Gaza and the mounting toll on Palestinian civilians. The people of Jarhanpur are also racially coded to align with Arab identity: darker-skinned actors, traditional garments, accents, and names.
Another parallel lies in the politics of narrative. Boravia brands Jarhanpur’s fighters as terrorists—a label the film slowly dismantles by revealing the humanity, grief, and resistance of a people struggling to survive. It’s a powerful reflection of the Palestinian experience, where the word “terrorist” is weaponized to erase history, justify massacres, and delegitimize resistance.
Boravia, portrayed as the aggressor, fits the role of villainous state all too well: overwhelming military superiority, settler-style expansionism, and a narrative of perpetual self-defense. The film’s portrayal of Boravia’s government manipulating facts and weaponizing fear mirrors Israel’s real-world disinformation campaigns—and the Western media’s complicity in amplifying them.
Those of us who have taken a stand against Israel’s genocide should take advantage of this cultural moment.
Superman himself initially tries to remain neutral—but neutrality collapses in the face of genocide. He ultimately sides with the oppressed, recognizing that Jarhanpur’s people are fighting for survival, dignity, and freedom. This arc mirrors the global awakening we’re seeing today, as more and more people stand with Palestinians and reject the apartheid policies and war crimes of the Israeli state.
In Superman, we’re watching something hauntingly familiar: a powerful state waging war on a trapped civilian population, a global superpower choosing complicity over justice, and a narrative war where truth is the first casualty.
Those of us who have taken a stand against Israel’s genocide should take advantage of this cultural moment. Distribute flyers at film showings. Write your own reviews. Use this film as an educational tool to expose Israel’s atrocities and uplift the righteous struggle of the Palestinian people.
And maybe—just maybe—Superman can remind us that the world community, united with the Palestinian people, can become the real superpower that defeats Boravia… I mean, Israel.
FINAL DAY! This is urgent.
Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission from the outset was simple. To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It’s never been this bad out there. And it’s never been this hard to keep us going. At the very moment Common Dreams is most needed and doing some of its best and most important work, the threats we face are intensifying. Right now, with just hours left in our Spring Campaign, we're still falling short of our make-or-break goal. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Can you make a gift right now to make sure Common Dreams not only survives but thrives? There is no backup plan or rainy day fund. There is only you. —Craig Brown, Co-founder |
Director James Gunn insists the new Superman film isn’t a political allegory, noting the script was completed before the events of October 7, 2023. But art, especially in times of global crisis, often outgrows the intentions of its creators. Whether consciously crafted or not, the world is receiving this film as a lens through which to process grief, rage, and a collective hunger for justice for the Palestinian people.
Watching the film, I couldn’t help but cheer not only for Superman—but for the people of Jarhanpur, a battered, besieged territory subjected to ongoing military assault by its high-tech neighbor, Boravia. Jarhanpur’s residents are depicted as marginalized and vilified, living in ruins under constant threat. The imagery of bombed-out buildings, displaced families, and children pulled from rubble evokes the horrors of the Israeli assault on Gaza and the mounting toll on Palestinian civilians. The people of Jarhanpur are also racially coded to align with Arab identity: darker-skinned actors, traditional garments, accents, and names.
Another parallel lies in the politics of narrative. Boravia brands Jarhanpur’s fighters as terrorists—a label the film slowly dismantles by revealing the humanity, grief, and resistance of a people struggling to survive. It’s a powerful reflection of the Palestinian experience, where the word “terrorist” is weaponized to erase history, justify massacres, and delegitimize resistance.
Boravia, portrayed as the aggressor, fits the role of villainous state all too well: overwhelming military superiority, settler-style expansionism, and a narrative of perpetual self-defense. The film’s portrayal of Boravia’s government manipulating facts and weaponizing fear mirrors Israel’s real-world disinformation campaigns—and the Western media’s complicity in amplifying them.
Those of us who have taken a stand against Israel’s genocide should take advantage of this cultural moment.
Superman himself initially tries to remain neutral—but neutrality collapses in the face of genocide. He ultimately sides with the oppressed, recognizing that Jarhanpur’s people are fighting for survival, dignity, and freedom. This arc mirrors the global awakening we’re seeing today, as more and more people stand with Palestinians and reject the apartheid policies and war crimes of the Israeli state.
In Superman, we’re watching something hauntingly familiar: a powerful state waging war on a trapped civilian population, a global superpower choosing complicity over justice, and a narrative war where truth is the first casualty.
Those of us who have taken a stand against Israel’s genocide should take advantage of this cultural moment. Distribute flyers at film showings. Write your own reviews. Use this film as an educational tool to expose Israel’s atrocities and uplift the righteous struggle of the Palestinian people.
And maybe—just maybe—Superman can remind us that the world community, united with the Palestinian people, can become the real superpower that defeats Boravia… I mean, Israel.
- Trump’s Illegal Gaza Plan Is the Logical Extension of Decades of Bipartisan US Policy ›
- 'We Are All Culpable': Matt Nelson Self-Immolates to Protest Israel's Gaza Onslaught ›
- 'This Is a War Crime': Video of IDF Bulldozer Dragging Body of Palestinian Man in Gaza Sparks Outrage ›
- 100-Year-Old Jimmy Carter Shows Us What Courage Looks Like on Israel-Palestine ›
- Israel's Blockade Causing 'Man-Made Drought' in Gaza: UNICEF ›
- Opinion | I Went to See Superman As an Escape from Reality—Reality Was Still There | Common Dreams ›
Director James Gunn insists the new Superman film isn’t a political allegory, noting the script was completed before the events of October 7, 2023. But art, especially in times of global crisis, often outgrows the intentions of its creators. Whether consciously crafted or not, the world is receiving this film as a lens through which to process grief, rage, and a collective hunger for justice for the Palestinian people.
Watching the film, I couldn’t help but cheer not only for Superman—but for the people of Jarhanpur, a battered, besieged territory subjected to ongoing military assault by its high-tech neighbor, Boravia. Jarhanpur’s residents are depicted as marginalized and vilified, living in ruins under constant threat. The imagery of bombed-out buildings, displaced families, and children pulled from rubble evokes the horrors of the Israeli assault on Gaza and the mounting toll on Palestinian civilians. The people of Jarhanpur are also racially coded to align with Arab identity: darker-skinned actors, traditional garments, accents, and names.
Another parallel lies in the politics of narrative. Boravia brands Jarhanpur’s fighters as terrorists—a label the film slowly dismantles by revealing the humanity, grief, and resistance of a people struggling to survive. It’s a powerful reflection of the Palestinian experience, where the word “terrorist” is weaponized to erase history, justify massacres, and delegitimize resistance.
Boravia, portrayed as the aggressor, fits the role of villainous state all too well: overwhelming military superiority, settler-style expansionism, and a narrative of perpetual self-defense. The film’s portrayal of Boravia’s government manipulating facts and weaponizing fear mirrors Israel’s real-world disinformation campaigns—and the Western media’s complicity in amplifying them.
Those of us who have taken a stand against Israel’s genocide should take advantage of this cultural moment.
Superman himself initially tries to remain neutral—but neutrality collapses in the face of genocide. He ultimately sides with the oppressed, recognizing that Jarhanpur’s people are fighting for survival, dignity, and freedom. This arc mirrors the global awakening we’re seeing today, as more and more people stand with Palestinians and reject the apartheid policies and war crimes of the Israeli state.
In Superman, we’re watching something hauntingly familiar: a powerful state waging war on a trapped civilian population, a global superpower choosing complicity over justice, and a narrative war where truth is the first casualty.
Those of us who have taken a stand against Israel’s genocide should take advantage of this cultural moment. Distribute flyers at film showings. Write your own reviews. Use this film as an educational tool to expose Israel’s atrocities and uplift the righteous struggle of the Palestinian people.
And maybe—just maybe—Superman can remind us that the world community, united with the Palestinian people, can become the real superpower that defeats Boravia… I mean, Israel.
- Trump’s Illegal Gaza Plan Is the Logical Extension of Decades of Bipartisan US Policy ›
- 'We Are All Culpable': Matt Nelson Self-Immolates to Protest Israel's Gaza Onslaught ›
- 'This Is a War Crime': Video of IDF Bulldozer Dragging Body of Palestinian Man in Gaza Sparks Outrage ›
- 100-Year-Old Jimmy Carter Shows Us What Courage Looks Like on Israel-Palestine ›
- Israel's Blockade Causing 'Man-Made Drought' in Gaza: UNICEF ›
- Opinion | I Went to See Superman As an Escape from Reality—Reality Was Still There | Common Dreams ›