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Author and editor Tom Engelhardt operating the Chief 22 printing press at the New England Free Press circa 1970. (Photo: Courtesy of the NEFP)
Feminism, Radical Literature, and Little Old Me
I certainly can take no credit for the fact that we were distributing such now-classic materials back in the 1970s, but I can still take pride in the fact that I was there when it all happened
Mar 06, 2019
Sometimes your past returns in the strangest of ways, as happened to me when today's article from TomDispatch regular Rebecca Gordon first crossed my doorstep. As you'll see, its subject would not be one on which this almost 75-year-old guy would consider himself to have the slightest expertise: women discovering their bodies in complex ways in the 1970s--and mutilating them now.
I almost always write little intros for TomDispatch pieces, but this time, fascinated as I was by Gordon's account, my heart sank... until, that is, I made my way ever deeper into the piece and discovered something odd and wondrous. I had, however indirectly, been associated with each of the key documents from the late 1960s and early 1970s that she cites as crucial to her growing understanding of herself in those years.
In 1969, in the midst of the turbulent anti-Vietnam War movement, I was swept out of graduate school and found myself -- I don't quite remember how -- working as a printer at what we then, romantically enough, called an "underground print shop" (though it wasn't in any way "underground"). It went by the name of the New England Free Press (NEFP) and we spent our time printing up anti-Vietnam War leaflets, strike posters, and all sorts of other subversive creations of that moment.
Just in case you doubt my memory, above is a photo of me (yes, I swear it's me!), circa 1969, working at that very print shop on an old Chief 22 press. The NEFP became known for its pathbreaking literature program, a remarkable and still-fascinating set of movement writings that we often (but not always) printed up ourselves and sent around widely. Fortunately, some old NEFP staff members have recently begun creating an NEFP website in memory of that long-gone moment and of some of those pamphlets, especially a remarkable catalogue of the women's liberation materials we then distributed. As it happens, they included the three pieces mentioned by Gordon today as crucial to her own development: the famed Our Bodies, Ourselves (when it was still a pamphlet, not a book), Barbara Ehrenreich and Deirdre English's Witches, Midwives, and Nurses, and Anne Koedt's The Myth of the Vaginal Orgasm.
I certainly can take no credit for the fact that we were distributing such now-classic materials (though I do recognize one article that I did bring to that long list), but I can still take pride in the fact that I was there when it all happened. (The NEFP even distributed the first piece I ever wrote for publication, "Ambush at Kamikaze Pass," which would, a quarter of a century later, become the basis for my book The End of Victory Culture.) Anyway, enough about me, as they say. Now, consider the remarkable memories of Rebecca Gordon
We are at a crossroads
This country and this world are at a monumental crossroads. US voters have an opportunity to beat back the forces of fascism and confront the billionaires who are rigging the economy, our media system, and our democracy, making it increasingly impossible for ordinary people to get by. We’re not just talking about the election. We’re talking about what must be done once these fascist elements are vanquished from power. We need a bolder set of solutions than what either major party has so far been willing to offer and a working-class movement ready to fight like hell for it. Trump didn't emerge from nowhere. The conditions that fueled MAGA authoritarianism were created by decades of radical neoliberal economic policies and a corrupt political system dominated by corporate interests. They slashed taxes on the super-rich, promising that the benefits would trickle down. They said giveaways to the corporate titans would make life more affordable for the rest of us. It was all bullshit. And when a bitter, betrayed populace searches for someone to blame, right-wing demagogues have little trouble finding scapegoats. People know when they're being lied to, but you won't hear any of this from the corporate media. Only independent journalism—powered and funded by people who believe in building a better world—can deliver truly trustworthy daily news. If you share our vision, please contribute whatever you can to sustain our work. |
© 2023 TomDispatch.com
Tom Engelhardt
The above piece, published here with permission, first appeared at Tom Engelhardt's substack page, where you can find more of his writing.
Engelhardt, was editor-in-chief of TomDispatch.com for over 24 years, is the author of numerous books, including: "A Nation Unmade by War" (2018, Dispatch Books), "Shadow Government: Surveillance, Secret Wars, and a Global Security State in a Single-Superpower World" (2014, with an introduction by Glenn Greenwald), "Terminator Planet: The First History of Drone Warfare, 2001-2050"(co-authored with Nick Turse), "The United States of Fear" (2011), "The American Way of War: How Bush's Wars Became Obama's" (2010), and "The End of Victory Culture: a History of the Cold War and Beyond" (2007).
Sometimes your past returns in the strangest of ways, as happened to me when today's article from TomDispatch regular Rebecca Gordon first crossed my doorstep. As you'll see, its subject would not be one on which this almost 75-year-old guy would consider himself to have the slightest expertise: women discovering their bodies in complex ways in the 1970s--and mutilating them now.
I almost always write little intros for TomDispatch pieces, but this time, fascinated as I was by Gordon's account, my heart sank... until, that is, I made my way ever deeper into the piece and discovered something odd and wondrous. I had, however indirectly, been associated with each of the key documents from the late 1960s and early 1970s that she cites as crucial to her growing understanding of herself in those years.
In 1969, in the midst of the turbulent anti-Vietnam War movement, I was swept out of graduate school and found myself -- I don't quite remember how -- working as a printer at what we then, romantically enough, called an "underground print shop" (though it wasn't in any way "underground"). It went by the name of the New England Free Press (NEFP) and we spent our time printing up anti-Vietnam War leaflets, strike posters, and all sorts of other subversive creations of that moment.
Just in case you doubt my memory, above is a photo of me (yes, I swear it's me!), circa 1969, working at that very print shop on an old Chief 22 press. The NEFP became known for its pathbreaking literature program, a remarkable and still-fascinating set of movement writings that we often (but not always) printed up ourselves and sent around widely. Fortunately, some old NEFP staff members have recently begun creating an NEFP website in memory of that long-gone moment and of some of those pamphlets, especially a remarkable catalogue of the women's liberation materials we then distributed. As it happens, they included the three pieces mentioned by Gordon today as crucial to her own development: the famed Our Bodies, Ourselves (when it was still a pamphlet, not a book), Barbara Ehrenreich and Deirdre English's Witches, Midwives, and Nurses, and Anne Koedt's The Myth of the Vaginal Orgasm.
I certainly can take no credit for the fact that we were distributing such now-classic materials (though I do recognize one article that I did bring to that long list), but I can still take pride in the fact that I was there when it all happened. (The NEFP even distributed the first piece I ever wrote for publication, "Ambush at Kamikaze Pass," which would, a quarter of a century later, become the basis for my book The End of Victory Culture.) Anyway, enough about me, as they say. Now, consider the remarkable memories of Rebecca Gordon
Tom Engelhardt
The above piece, published here with permission, first appeared at Tom Engelhardt's substack page, where you can find more of his writing.
Engelhardt, was editor-in-chief of TomDispatch.com for over 24 years, is the author of numerous books, including: "A Nation Unmade by War" (2018, Dispatch Books), "Shadow Government: Surveillance, Secret Wars, and a Global Security State in a Single-Superpower World" (2014, with an introduction by Glenn Greenwald), "Terminator Planet: The First History of Drone Warfare, 2001-2050"(co-authored with Nick Turse), "The United States of Fear" (2011), "The American Way of War: How Bush's Wars Became Obama's" (2010), and "The End of Victory Culture: a History of the Cold War and Beyond" (2007).
Sometimes your past returns in the strangest of ways, as happened to me when today's article from TomDispatch regular Rebecca Gordon first crossed my doorstep. As you'll see, its subject would not be one on which this almost 75-year-old guy would consider himself to have the slightest expertise: women discovering their bodies in complex ways in the 1970s--and mutilating them now.
I almost always write little intros for TomDispatch pieces, but this time, fascinated as I was by Gordon's account, my heart sank... until, that is, I made my way ever deeper into the piece and discovered something odd and wondrous. I had, however indirectly, been associated with each of the key documents from the late 1960s and early 1970s that she cites as crucial to her growing understanding of herself in those years.
In 1969, in the midst of the turbulent anti-Vietnam War movement, I was swept out of graduate school and found myself -- I don't quite remember how -- working as a printer at what we then, romantically enough, called an "underground print shop" (though it wasn't in any way "underground"). It went by the name of the New England Free Press (NEFP) and we spent our time printing up anti-Vietnam War leaflets, strike posters, and all sorts of other subversive creations of that moment.
Just in case you doubt my memory, above is a photo of me (yes, I swear it's me!), circa 1969, working at that very print shop on an old Chief 22 press. The NEFP became known for its pathbreaking literature program, a remarkable and still-fascinating set of movement writings that we often (but not always) printed up ourselves and sent around widely. Fortunately, some old NEFP staff members have recently begun creating an NEFP website in memory of that long-gone moment and of some of those pamphlets, especially a remarkable catalogue of the women's liberation materials we then distributed. As it happens, they included the three pieces mentioned by Gordon today as crucial to her own development: the famed Our Bodies, Ourselves (when it was still a pamphlet, not a book), Barbara Ehrenreich and Deirdre English's Witches, Midwives, and Nurses, and Anne Koedt's The Myth of the Vaginal Orgasm.
I certainly can take no credit for the fact that we were distributing such now-classic materials (though I do recognize one article that I did bring to that long list), but I can still take pride in the fact that I was there when it all happened. (The NEFP even distributed the first piece I ever wrote for publication, "Ambush at Kamikaze Pass," which would, a quarter of a century later, become the basis for my book The End of Victory Culture.) Anyway, enough about me, as they say. Now, consider the remarkable memories of Rebecca Gordon
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