To donate by check, phone, or other method, see our More Ways to Give page.
Occasionally entertainment and politics intersect, often hitting a false note. You never want your screenplay to be, as they say in Hollywood, "on the nose." You have to step sideways away from ordinary news and address some dimension of the human condition to make art.
But in moments of national crisis, stars feel a need to speak out. Nick Gass has reviewed some of the major such incidents at the Academy Awards. Jane Fonda used ther moment on the stage at the Academy Awards in the 1970s to denounce the Vietnam War. Marlon Brando declined to appear and had a Native American activist accept for him, making a statement about Indian rights.
Robin Corey tells the story of how in 1978 Vanessa Redgrave was picketed by the Jewish Defense League because of her support for Palestinian rights, and when she won her category anyway, she said, "I think you should be very proud that in the last few weeks you've stood firm and you have refused to be intimidated by the threats of a small bunch of Zionist hoodlums whose behavior is an insult to the stature of Jews all over the world and to their great and heroic record of struggle against fascism and oppression."
Michael Moore denounced the Iraq War.
So we now have another such moment, as Meryl Streep tearfully addressed the stars assembled at the Golden Globes about her anxieties and distress at the advent of the Trump era in the United States.
"Meryl Streep Speech The Golden Globes 2017":
She pointed out, as Hugh Laurie already had, that those assembled at the Golden Globes award ceremony (put on by the Hollywood Foreign Press Association) were Hollywood, foreigners, and the press, the very sort of people who have been vilified for the past 18 months by Donald J. Trump. (Laurie had wondered if last night's ceremony would be the last, as all the foreigners were kicked out of the country).
She pointed out the diversity of the origins of the actors in the room, saying that Amy McAdams, Natalie Portman, Ruth Negga, Ryan Gosling and Dev Patel were born abroad: "Where are their birth certificates?" she asked. The essence of the acting art, she affirmed, is to get inside a character who is foreign to us and make us feel what they feel. "And there were many, many, many powerful performances this year that did exactly that, breathtaking, passionate work." She was making two points against the xenophobia, the irrational hatred of foreigners, at the center of the Trump campaign and at the center of his Neonazi fringe, such as the Breitbart thugs. One is that key American industries, including the entertainment industry, often attain their excellence through openness to talent from abroad. The second is a far more subtle and powerful point, which is that no human experience is really foreign to us as human beings if only we can find the tools to understand it, emotionally and intellectually. She was standing up for her craft, acting, as xenophilic, as involving a love of the foreign, insofar as the falling away of strangeness is the goal of great acting.
Her most powerful intervention, however, referred to Donald J. Trump's mocking of New York Times reporter Serge Kovaleski, who is challenged by a congenital joint condition.
By the way, the mocking was provoked by Kovaleski's having stood up to Trump over his false and monstrous claim that large crowds of Muslim-Americans celebrated the September 11 attacks in New Jersey. She called Trump's antics a "performance" but lamented that it was in "real life." She thus drew attention to the similarity of the political speech, which spins a narrative and often involves some mugging for the camera or even doing impressions of people, to the actor's performance. Her complaint is that when Trump bully Kovaleski in public, he gave permission to all Americans to be mean to the weak, to become a nation of goons.
CNN: "Trump mocks reporter with disability":
Streep is in tears because a Fascist is about to take the helm of our country. And her apprehension over how the tone set by the White House could coarsen the fabric of everyday life is well-placed. Her call on the press to confront these tendencies may be a bit forlorn. The television media, at least, appear to view Trump as a cash cow because he attracts eyeballs, which allows them to earn more from advertising.
But I think the situation is even more dire than just a president who encourages bullying by example. I think there is a danger that Neo-Nazis and Klansmen and other such gangs may start beating up Jews, and Muslims and Latinos and African-Americans. I think there is a danger that Attorney General Jeff Sessions will encourage this racialized violence, and that local police will be encouraged to wink at it. I fear a tear in the fabric of the rule of law. Fascism doesn't begin with a big military machine, it begins with gangs of brutes.
Ms. Streep left us with the most wonderful advice, relayed from the late Carrie Fisher: "the dear departed Princess Leia, said to me once, take your broken heart, make it into art."
Art yes. But also resistance.
Occasionally entertainment and politics intersect, often hitting a false note. You never want your screenplay to be, as they say in Hollywood, "on the nose." You have to step sideways away from ordinary news and address some dimension of the human condition to make art.
But in moments of national crisis, stars feel a need to speak out. Nick Gass has reviewed some of the major such incidents at the Academy Awards. Jane Fonda used ther moment on the stage at the Academy Awards in the 1970s to denounce the Vietnam War. Marlon Brando declined to appear and had a Native American activist accept for him, making a statement about Indian rights.
Robin Corey tells the story of how in 1978 Vanessa Redgrave was picketed by the Jewish Defense League because of her support for Palestinian rights, and when she won her category anyway, she said, "I think you should be very proud that in the last few weeks you've stood firm and you have refused to be intimidated by the threats of a small bunch of Zionist hoodlums whose behavior is an insult to the stature of Jews all over the world and to their great and heroic record of struggle against fascism and oppression."
Michael Moore denounced the Iraq War.
So we now have another such moment, as Meryl Streep tearfully addressed the stars assembled at the Golden Globes about her anxieties and distress at the advent of the Trump era in the United States.
"Meryl Streep Speech The Golden Globes 2017":
She pointed out, as Hugh Laurie already had, that those assembled at the Golden Globes award ceremony (put on by the Hollywood Foreign Press Association) were Hollywood, foreigners, and the press, the very sort of people who have been vilified for the past 18 months by Donald J. Trump. (Laurie had wondered if last night's ceremony would be the last, as all the foreigners were kicked out of the country).
She pointed out the diversity of the origins of the actors in the room, saying that Amy McAdams, Natalie Portman, Ruth Negga, Ryan Gosling and Dev Patel were born abroad: "Where are their birth certificates?" she asked. The essence of the acting art, she affirmed, is to get inside a character who is foreign to us and make us feel what they feel. "And there were many, many, many powerful performances this year that did exactly that, breathtaking, passionate work." She was making two points against the xenophobia, the irrational hatred of foreigners, at the center of the Trump campaign and at the center of his Neonazi fringe, such as the Breitbart thugs. One is that key American industries, including the entertainment industry, often attain their excellence through openness to talent from abroad. The second is a far more subtle and powerful point, which is that no human experience is really foreign to us as human beings if only we can find the tools to understand it, emotionally and intellectually. She was standing up for her craft, acting, as xenophilic, as involving a love of the foreign, insofar as the falling away of strangeness is the goal of great acting.
Her most powerful intervention, however, referred to Donald J. Trump's mocking of New York Times reporter Serge Kovaleski, who is challenged by a congenital joint condition.
By the way, the mocking was provoked by Kovaleski's having stood up to Trump over his false and monstrous claim that large crowds of Muslim-Americans celebrated the September 11 attacks in New Jersey. She called Trump's antics a "performance" but lamented that it was in "real life." She thus drew attention to the similarity of the political speech, which spins a narrative and often involves some mugging for the camera or even doing impressions of people, to the actor's performance. Her complaint is that when Trump bully Kovaleski in public, he gave permission to all Americans to be mean to the weak, to become a nation of goons.
CNN: "Trump mocks reporter with disability":
Streep is in tears because a Fascist is about to take the helm of our country. And her apprehension over how the tone set by the White House could coarsen the fabric of everyday life is well-placed. Her call on the press to confront these tendencies may be a bit forlorn. The television media, at least, appear to view Trump as a cash cow because he attracts eyeballs, which allows them to earn more from advertising.
But I think the situation is even more dire than just a president who encourages bullying by example. I think there is a danger that Neo-Nazis and Klansmen and other such gangs may start beating up Jews, and Muslims and Latinos and African-Americans. I think there is a danger that Attorney General Jeff Sessions will encourage this racialized violence, and that local police will be encouraged to wink at it. I fear a tear in the fabric of the rule of law. Fascism doesn't begin with a big military machine, it begins with gangs of brutes.
Ms. Streep left us with the most wonderful advice, relayed from the late Carrie Fisher: "the dear departed Princess Leia, said to me once, take your broken heart, make it into art."
Art yes. But also resistance.
Occasionally entertainment and politics intersect, often hitting a false note. You never want your screenplay to be, as they say in Hollywood, "on the nose." You have to step sideways away from ordinary news and address some dimension of the human condition to make art.
But in moments of national crisis, stars feel a need to speak out. Nick Gass has reviewed some of the major such incidents at the Academy Awards. Jane Fonda used ther moment on the stage at the Academy Awards in the 1970s to denounce the Vietnam War. Marlon Brando declined to appear and had a Native American activist accept for him, making a statement about Indian rights.
Robin Corey tells the story of how in 1978 Vanessa Redgrave was picketed by the Jewish Defense League because of her support for Palestinian rights, and when she won her category anyway, she said, "I think you should be very proud that in the last few weeks you've stood firm and you have refused to be intimidated by the threats of a small bunch of Zionist hoodlums whose behavior is an insult to the stature of Jews all over the world and to their great and heroic record of struggle against fascism and oppression."
Michael Moore denounced the Iraq War.
So we now have another such moment, as Meryl Streep tearfully addressed the stars assembled at the Golden Globes about her anxieties and distress at the advent of the Trump era in the United States.
"Meryl Streep Speech The Golden Globes 2017":
She pointed out, as Hugh Laurie already had, that those assembled at the Golden Globes award ceremony (put on by the Hollywood Foreign Press Association) were Hollywood, foreigners, and the press, the very sort of people who have been vilified for the past 18 months by Donald J. Trump. (Laurie had wondered if last night's ceremony would be the last, as all the foreigners were kicked out of the country).
She pointed out the diversity of the origins of the actors in the room, saying that Amy McAdams, Natalie Portman, Ruth Negga, Ryan Gosling and Dev Patel were born abroad: "Where are their birth certificates?" she asked. The essence of the acting art, she affirmed, is to get inside a character who is foreign to us and make us feel what they feel. "And there were many, many, many powerful performances this year that did exactly that, breathtaking, passionate work." She was making two points against the xenophobia, the irrational hatred of foreigners, at the center of the Trump campaign and at the center of his Neonazi fringe, such as the Breitbart thugs. One is that key American industries, including the entertainment industry, often attain their excellence through openness to talent from abroad. The second is a far more subtle and powerful point, which is that no human experience is really foreign to us as human beings if only we can find the tools to understand it, emotionally and intellectually. She was standing up for her craft, acting, as xenophilic, as involving a love of the foreign, insofar as the falling away of strangeness is the goal of great acting.
Her most powerful intervention, however, referred to Donald J. Trump's mocking of New York Times reporter Serge Kovaleski, who is challenged by a congenital joint condition.
By the way, the mocking was provoked by Kovaleski's having stood up to Trump over his false and monstrous claim that large crowds of Muslim-Americans celebrated the September 11 attacks in New Jersey. She called Trump's antics a "performance" but lamented that it was in "real life." She thus drew attention to the similarity of the political speech, which spins a narrative and often involves some mugging for the camera or even doing impressions of people, to the actor's performance. Her complaint is that when Trump bully Kovaleski in public, he gave permission to all Americans to be mean to the weak, to become a nation of goons.
CNN: "Trump mocks reporter with disability":
Streep is in tears because a Fascist is about to take the helm of our country. And her apprehension over how the tone set by the White House could coarsen the fabric of everyday life is well-placed. Her call on the press to confront these tendencies may be a bit forlorn. The television media, at least, appear to view Trump as a cash cow because he attracts eyeballs, which allows them to earn more from advertising.
But I think the situation is even more dire than just a president who encourages bullying by example. I think there is a danger that Neo-Nazis and Klansmen and other such gangs may start beating up Jews, and Muslims and Latinos and African-Americans. I think there is a danger that Attorney General Jeff Sessions will encourage this racialized violence, and that local police will be encouraged to wink at it. I fear a tear in the fabric of the rule of law. Fascism doesn't begin with a big military machine, it begins with gangs of brutes.
Ms. Streep left us with the most wonderful advice, relayed from the late Carrie Fisher: "the dear departed Princess Leia, said to me once, take your broken heart, make it into art."
Art yes. But also resistance.