Jun 02, 2002
This week as diplomats' families and tourists quickly disappeared, journalists from Europe and America arrived in droves. Most of them stay at the Imperial Hotel in Delhi. Many of them call me. Why are you still here, they ask, why haven't you left the city? Isn't nuclear war a real possibility? It is, but where shall I go? If I go away and everything and every one, every friend, every tree, every home, every dog, squirrel and bird that I have known and loved is incinerated, how shall I live on? Who shall I love, and who will love me back? Which society will welcome me and allow me to be the hooligan I am, here, at home?
We've decided we're all staying. We've huddled together, we realize how much we love each other and we think what a shame it would be to die now. Life's normal, only because the macabre has become normal. While we wait for rain, for football, for justice, on TV the old generals and the eager boy anchors talk of first strike and second strike capability, as though they're discussing a family board game. My friends and I discuss Prophecy, the film of the bombing of Hiroshima and Nagasaki, the dead bodies choking the river, the living stripped of their skin and hair, we remember especially the man who just melted into the steps of the building and we imagine ourselves like that, as stains on staircases.
My husband's writing a book about trees. He has a section on how figs are pollinated, each fig by its own specialized fig wasp. There are nearly 1,000 different species of fig wasps. All the fig wasps will be nuked, and my husband and his book.
A dear friend, who is an activist in the anti-dam movement in the Narmanda Valley, is on indefinite hunger strike. Today is the twelfth day of her fast. She and the others fasting with her are weakening quickly. They are protesting because the government is bulldozing schools, felling forests, uprooting handpumps, forcing people from their villages. What an act of faith and hope. But to a government comfortable with the notion of a wasted world, what's a wasted value?
Terrorists have the power to trigger a nuclear war. Non-violence is treated with contempt. Displacement, dispossession, starvation, poverty, disease, these are all just funny comic strip items now. Meanwhile, emissaries of the coalition against terror come and go preaching restraint. Tony Blair arrives to preach peace - and on the side, to sell weapons to both India and Pakistan. The last question every visiting journalist always asks me: 'Are you writing another book?'
That question mocks me. Another book? Right now when it looks as though all the music, the art, the architecture, the literature, the whole of human civilization means nothing to the monsters who run the world. What kind of book should I write? For now, just for now, for just a while pointlessness is my biggest enemy. That's what nuclear bombs do, whether they're used or not. They violate everything that is humane, they alter the meaning of life.
Why do we tolerate them? Why do we tolerate the men who use nuclear weapons to blackmail the entire human race?
* This was first broadcast on Radio 4's Today program.
© 2023 The Guardian
Arundhati Roy
Arundhati Roy was born in 1959 in Shillong, India. She studied architecture in New Delhi, where she now lives, and has worked as a film designer, actor, and screenplay writer in India. Her most recent book, a novel, is: "The Ministry of Utmost Happiness." Her other books include: "Listening to Grasshoppers: Fields Notes on Democracy," "The God of Small Things," and "The End of Imagination."
This week as diplomats' families and tourists quickly disappeared, journalists from Europe and America arrived in droves. Most of them stay at the Imperial Hotel in Delhi. Many of them call me. Why are you still here, they ask, why haven't you left the city? Isn't nuclear war a real possibility? It is, but where shall I go? If I go away and everything and every one, every friend, every tree, every home, every dog, squirrel and bird that I have known and loved is incinerated, how shall I live on? Who shall I love, and who will love me back? Which society will welcome me and allow me to be the hooligan I am, here, at home?
We've decided we're all staying. We've huddled together, we realize how much we love each other and we think what a shame it would be to die now. Life's normal, only because the macabre has become normal. While we wait for rain, for football, for justice, on TV the old generals and the eager boy anchors talk of first strike and second strike capability, as though they're discussing a family board game. My friends and I discuss Prophecy, the film of the bombing of Hiroshima and Nagasaki, the dead bodies choking the river, the living stripped of their skin and hair, we remember especially the man who just melted into the steps of the building and we imagine ourselves like that, as stains on staircases.
My husband's writing a book about trees. He has a section on how figs are pollinated, each fig by its own specialized fig wasp. There are nearly 1,000 different species of fig wasps. All the fig wasps will be nuked, and my husband and his book.
A dear friend, who is an activist in the anti-dam movement in the Narmanda Valley, is on indefinite hunger strike. Today is the twelfth day of her fast. She and the others fasting with her are weakening quickly. They are protesting because the government is bulldozing schools, felling forests, uprooting handpumps, forcing people from their villages. What an act of faith and hope. But to a government comfortable with the notion of a wasted world, what's a wasted value?
Terrorists have the power to trigger a nuclear war. Non-violence is treated with contempt. Displacement, dispossession, starvation, poverty, disease, these are all just funny comic strip items now. Meanwhile, emissaries of the coalition against terror come and go preaching restraint. Tony Blair arrives to preach peace - and on the side, to sell weapons to both India and Pakistan. The last question every visiting journalist always asks me: 'Are you writing another book?'
That question mocks me. Another book? Right now when it looks as though all the music, the art, the architecture, the literature, the whole of human civilization means nothing to the monsters who run the world. What kind of book should I write? For now, just for now, for just a while pointlessness is my biggest enemy. That's what nuclear bombs do, whether they're used or not. They violate everything that is humane, they alter the meaning of life.
Why do we tolerate them? Why do we tolerate the men who use nuclear weapons to blackmail the entire human race?
* This was first broadcast on Radio 4's Today program.
Arundhati Roy
Arundhati Roy was born in 1959 in Shillong, India. She studied architecture in New Delhi, where she now lives, and has worked as a film designer, actor, and screenplay writer in India. Her most recent book, a novel, is: "The Ministry of Utmost Happiness." Her other books include: "Listening to Grasshoppers: Fields Notes on Democracy," "The God of Small Things," and "The End of Imagination."
This week as diplomats' families and tourists quickly disappeared, journalists from Europe and America arrived in droves. Most of them stay at the Imperial Hotel in Delhi. Many of them call me. Why are you still here, they ask, why haven't you left the city? Isn't nuclear war a real possibility? It is, but where shall I go? If I go away and everything and every one, every friend, every tree, every home, every dog, squirrel and bird that I have known and loved is incinerated, how shall I live on? Who shall I love, and who will love me back? Which society will welcome me and allow me to be the hooligan I am, here, at home?
We've decided we're all staying. We've huddled together, we realize how much we love each other and we think what a shame it would be to die now. Life's normal, only because the macabre has become normal. While we wait for rain, for football, for justice, on TV the old generals and the eager boy anchors talk of first strike and second strike capability, as though they're discussing a family board game. My friends and I discuss Prophecy, the film of the bombing of Hiroshima and Nagasaki, the dead bodies choking the river, the living stripped of their skin and hair, we remember especially the man who just melted into the steps of the building and we imagine ourselves like that, as stains on staircases.
My husband's writing a book about trees. He has a section on how figs are pollinated, each fig by its own specialized fig wasp. There are nearly 1,000 different species of fig wasps. All the fig wasps will be nuked, and my husband and his book.
A dear friend, who is an activist in the anti-dam movement in the Narmanda Valley, is on indefinite hunger strike. Today is the twelfth day of her fast. She and the others fasting with her are weakening quickly. They are protesting because the government is bulldozing schools, felling forests, uprooting handpumps, forcing people from their villages. What an act of faith and hope. But to a government comfortable with the notion of a wasted world, what's a wasted value?
Terrorists have the power to trigger a nuclear war. Non-violence is treated with contempt. Displacement, dispossession, starvation, poverty, disease, these are all just funny comic strip items now. Meanwhile, emissaries of the coalition against terror come and go preaching restraint. Tony Blair arrives to preach peace - and on the side, to sell weapons to both India and Pakistan. The last question every visiting journalist always asks me: 'Are you writing another book?'
That question mocks me. Another book? Right now when it looks as though all the music, the art, the architecture, the literature, the whole of human civilization means nothing to the monsters who run the world. What kind of book should I write? For now, just for now, for just a while pointlessness is my biggest enemy. That's what nuclear bombs do, whether they're used or not. They violate everything that is humane, they alter the meaning of life.
Why do we tolerate them? Why do we tolerate the men who use nuclear weapons to blackmail the entire human race?
* This was first broadcast on Radio 4's Today program.
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