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"Trump gets paid. Taxpayers get screwed," said one congressman.
The $40 million film Melania, a biography of the first lady that was purchased by Amazon, has been panned as a "bribe disguised as a documentary," an "expensive propaganda doc," and a "journey into the void."
But despite the reviews, the tech firm has poured an unprecedented $35 million into a marketing campaign for the documentary, and one government watchdog group suggested Monday that the investment by the third-richest person in the world, Amazon founder Jeff Bezos, is already paying off.
Bezos welcomed Defense Secretary Pete Hegseth to his Blue Origin facilities in Florida on Monday as part of Hegseth's "Arsenal of Freedom" speaking tour, which is aimed at overhauling the Pentagon's relationship with defense tech companies.
"Blue Origin is committed to supporting national security to, through, and from space," said Bezos at the event.
Speaking during Secretary of War Pete Hegseth’s “Arsenal of Freedom” tour at Cape Canaveral, Jeff Bezos says U.S. national security now hinges on industrial speed, scale, and space-based capability.
READ MORE: https://t.co/cOUQii31TJ#amazon #jeffbezos #nationalnews #florida pic.twitter.com/uaFGaoMhnI
— KRCR News Channel 7 (@KRCR7) February 3, 2026
Blue Origin, Bezos' space exploration firm, has received billions of dollars in defense contracts to build technology that uses space lasers, nuclear-powered spacecraft, and a processing facility for satellites.
Hegseth said during his tour that Blue Origin is likely to do "plenty of winning" as the Pentagon hands out additional contracts.
Late last month, Amazon Web Services was also awarded a $581 million contract to support the US Air Force's Cloud One program.
Greg Williams, director of the Project on Government Oversight's Center for Defense Information, told USA Today that on its face, Hegseth's visits to Blue Origin as well as SpaceX, the space technology firm owned by Trump administration associate and Republican megadonor Elon Musk, were not "particularly novel."
But considering Bezos' purchase and promotion of the documentary spotlighting President Donald Trump's wife, said Williams, Hegseth's hobnobbing with the tech mogul raises new questions about Bezos' desire to curry favor with the White House.
"By spending a tiny amount of money to buy the rights," said Williams, Bezos "potentially gets a much larger return."
As such, Hegseth's visit to Blue Origin called attention to a situation of "unprecedented conflict of interest," Williams added.
US Rep. Greg Casar (D-Texas) summarized the apparent transaction involving the documentary rights and the government contracts: "Trump gets paid. Taxpayers get screwed."
If America still had a Department of Justice, Jeff Bezos would be indicted for bribery of a public official pursuant to 18 U.S. Code § 201, which criminalizes offering or giving anything of value to a public official with the intent to influence their official actions.
I haven’t seen it. I hope you don’t, either.
This, from one of the kinder reviews:
“Across some 104 minutes, the first lady delivers these blatantly scripted and meaningless narrations with all the conviction of someone who just woke up from a two-hour nap and can’t remember what day it is.”
Manohla Dargis of The New York Times sees a “glossy, curiously impersonal” portrait of a woman who “rarely drops her Sphinxlike deadpan.” Nick Hilton of The Independent calls the first lady a “scowling void of pure nothingness in this ghastly bit of propaganda.” Guardian critic Xan Brooks says it “doesn’t have a single redeeming quality” and compares it to a “medieval tribute to placate the greedy king on his throne.”
Not since The Washington Post music critic Paul Hume observed that Margaret Truman’s singing voice in Constitution Hall in 1950 was “flat a good deal of the time” has a performance by a member of a sitting president’s family generated such averse reviews.
Yet because the The Washington Post is now owned by the man who spent $75 million on the movie ($40 million to make it, $35 million to promote it), I somehow doubt The Post will crap on it. (At least Monica Hesse, in her review for The Post, had the honesty to confess that “if you suspect I have come here today to trash a movie about the wife of a notoriously thin-skinned, anti-journalist president, which was bankrolled by the company owned by the man who also pays my salary—NOT TODAY, SATAN. Do you think I’m a moron?”)
My purpose today is less to highlight this inane excuse for a film than to talk about its real excuse—allowing Jeff Bezos to give a big fat bribe to the president of the United States.
Why would Bezos bribe him? Please.
Bezos, one of the richest men in the world, owns Amazon and many other businesses that depend on the whims of the sociopath in the Oval Office. (Trump sold the idea of the documentary to Bezos when he dined at Mar-a-Lago in December 2024, just after the election, according to the The Wall Street Journal.)
Bezos’s Amazon Web Services has a $1 billion agreement with the General Services Administration for cloud services, which presumably Bezos would like renewed. His rocket company, Blue Origin, has over $2.3 billion in contracts from the U.S. Space Force.
Several of Bezos’s companies are subject to potential tariffs on goods from China. Amazon is under the cloud of a major antitrust lawsuit brought by the Federal Trade Commission (when the FTC was still independent—before it came under the putative control of the Oval Office). The trial is expected in 2027.
And so on.
Friends, when the history of this sordid period of America is written—assuming it’s not written by historians trying to curry favor with a future fascist regime—I hope the leaders of American business are condemned to the hellfire they deserve for helping destroy American democracy.
The outer ring of hell will be reserved for CEOs who stayed silent so as not to rile the narcissist-in-chief.
Jamie Dimon of JPMorgan Chase will reside here because, notwithstanding his assumed role as spokesman for American business, Dimon has uttered no criticism of Trump other than to suggest, in the vaguest possible terms, that Trump’s attack on the Federal Reserve’s independence “is probably not a great idea.”
The middle ring will be reserved for business leaders who surrendered to Trump’s extortionist demands for personal payoffs.
The Ellisons, père Larry (the world’s third-richest person) et fils David, will be there, along with Shari Redstone and the board of Paramount, for paying Trump $16 million to settle his utterly baseless lawsuit against CBS.
Also in this middle ring will be Bob Iger, CEO of Disney (which owns ABC) and Debra OConnell, the president of ABC News Group and Disney Entertainment Networks, for giving Trump $15 million to settle his equally spurious lawsuit against ABC News.
In the inner ring, where hell fires burn especially hot, will be business leaders who went beyond acquiescing to Trump’s extortion and decided to pay him big fat bribes.
Elon Musk, the world’s richest man, will have pride of place here, after spending a quarter of a billion dollars getting Trump elected.
Tim Cook, CEO of Apple, will get a spot here for lavishing on Trump a custom-designed glass plaque mounted on a 24-karat gold base.
We’ll also find here the CEOs who coughed up $300,000 each for Trump’s ballroom — including crypto magnates Cameron and Tyler Winklevoss, oil tycoon Harold Hamm, Blackstone’s Stephen Schwarzman, and every Big Tech mogul.
But Jeff Bezos, with his $75 million bribe of Trump, will deserve a special place in the innermost ring of hell.
The $40 million he paid Melania Trump’s production company is at least $35 million more than the cost of typical high-end documentaries. (By way of comparison, Magnolia Pictures and CNN Films produced “RBG,” a documentary about the late Supreme Court justice Ruth Bader Ginsburg, for around $1 million.)
Melania Trump pocketed more than 70 percent of that $40 million—or more than $28 million—the Journal reported.
The additional $35 million Bezos shelled out for marketing “Melania” is 10 times what other high-profile documentaries spend on marketing. The promotional budget for “RBG” was about $3 million. (To be sure, Melania Trump is no Ruth Bader Ginsburg, so I suppose you might argue that Melania needed a larger promo budget. But this much larger?)
All this, at a time when Bezos is slashing the newsroom at the Post—it’s heart and soul—in order to “economize.” Forget the inner ring. Bezos deserves to be at the center of the inferno.
The promo money apparently worked, at least in the U.S., where opening-weekend ticket sales for “Melania” totaled $7 million.
But let’s be realistic. A $35 million promotional budget will get people into theaters to see paint drying.
If all goes well—given that opening weekend is usually about 25 percent of total box office and that movie houses pocket half — Amazon could end up with about $14 million on its $75 million investment. A pittance.
Yet this was never a financial investment. It was an investment in kissing Trump’s derriere. As Ted Hope, who was instrumental in starting Amazon’s film division, wondered aloud to The New York Times: “How can it not be equated with currying favor or an outright bribe? How can that not be the case?”
Of course it’s an outright bribe.
If America still had a Department of Justice, Bezos would be indicted for bribery of a public official pursuant to 18 U.S. Code § 201, which criminalizes offering or giving anything of value to a public official with the intent to influence their official actions. Penalty: imprisonment for up to 15 years.
(Also note: TheU.S. Constitution lists taking a bribe as an impeachable offense for a president.)
There’s a statute of limitations for criminal prosecution of such bribes: Prosecution must begin within five years of the deed.
So, my friends, if America gets a true Justice Department starting in January of 2029, Bezos’s inferno may become a reality.
"It’s one of those rare, unicorn films that doesn’t have a single redeeming quality," said one critic.
Critics have weighed in on Amazon MGM Studios' documentary about first lady Melania Trump, and their verdicts are overwhelmingly negative.
According to review aggregation website Metacritic, Melania—which Amazon paid $40 million to acquire and $35 million to market—so far has received a collective score of just 6 out of 100 from critics, which indicates "overwhelming dislike."
Similarly, Melania scores a mere 6% on Rotten Tomatoes' "Tomameter," indicating that 94% of reviews for the movie so far have been negative.
One particularly brutal review came from Nick Hilton, film critic for the Independent, who said that the first lady came off in the film as "a preening, scowling void of pure nothingness" who leads a "vulgar, gilded lifestyle."
Hilton added that the film is so terrible that it fails even at being effective propaganda and is likely to be remembered as "a striking artifact... of a time when Americans willingly subordinated themselves to a political and economic oligopoly."
The Guardian's Xan Brooks delivered a similarly scathing assessment, declaring the film "dispiriting, deadly and unrevealing."
"It’s one of those rare, unicorn films that doesn’t have a single redeeming quality," Brooks elaborated. "I’m not even sure it qualifies as a documentary, exactly, so much as an elaborate piece of designer taxidermy, horribly overpriced and ice-cold to the touch and proffered like a medieval tribute to placate the greedy king on his throne."
Donald Clarke of the Irish Times also discussed the film's failure as a piece of propaganda, and he compared it unfavorably to the work of Nazi propagandist Leni Riefenstahl.
"Melania... appears keener on inducing narcolepsy in its viewers than energizing them into massed marching," he wrote. "Triumph of the Dull, perhaps."
Variety's Owen Gleiberman argued that the Melania documentary is utterly devoid of anything approaching dramatic stakes, which results in the film suffering from "staggering inertia."
"Mostly it’s inert," Gleiberman wrote of the film. "It feels like it’s been stitched together out of the most innocuous outtakes from a reality show. There’s no drama to it. It should have been called 'Day of the Living Tradwife.'"
Frank Scheck of the Hollywood Reporter found that the movie mostly exposes Melania Trump is an empty vessel without a single original thought or insight, instead deploying "an endless number of inspirational phrases seemingly cribbed from self-help books."
Kevin Fallon of the Daily Beast described Melania as "an unbelievable abomination of filmmaking" that reaches "a level of insipid propaganda that almost resists review."
"It's so expected," Fallon added, "and utterly pointless."