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"Why is it that cinema, a breeding ground for socially committed works, seems to be so indifferent to the horror of reality and the oppression suffered by our sisters and brothers?"
On Monday, in the lead-up to the annual Cannes Film Festival in France, nearly 400 international actors, directors, and producers released an open letter condemning Israel's genocide in the Gaza Strip.
The letter—published by French newspaper Libération and U.S. magazine Variety—begins with Fatma Hassona a 25-year-old Palestinian freelance photojournalist killed in an Israeli military strike on April 16, 2025, just a day after it was announced that Sepideh Farsi's film Put Your Soul on Your Hand and Walk, in which she stars, was selected to premiere at a section of the festival.
Just weeks earlier, in March, "Palestinian filmmaker Hamdan Ballal, who won an Oscar for his film No Other Land, was brutally attacked by Israeli settlers and then kidnapped by the army, before being released under international pressure," the letter details, noting that the Academy of Motion Picture Arts and Sciences was pushed to apoloize for not adequately supporting him.
"We are ashamed of such passivity," asserted the signatories, including Pedro Almodóvar, Javier Bardem, Ralph and Sophie Fiennes, Richard Gere, Jonathan Glazer, Viggo Mortensen, Cynthia Nixon, Ruben Östlund, Guy Pearce, Laura Poitras, Mark Ruffalo, and Susan Sarandon.
"Let us collectively dare to look at it with the precision of our sensitive hearts, so that it can no longer be silenced and covered up."
"Why is it that cinema, a breeding ground for socially committed works, seems to be so indifferent to the horror of reality and the oppression suffered by our sisters and brothers?" they asked. "As artists and cultural players, we cannot remain silent while genocide is taking place in Gaza and this unspeakable news is hitting our communities hard."
In addition to condemning silence in the face of genocide, they argued that "far-right, fascism, colonialism, anti-trans and anti-LGBTQIA+, sexist, racist, islamophobic, and antisemitic movements are waging their battle on the battlefield of ideas, attacking publishing, cinema, and universities, and that's why we have a duty to fight."
"Let's refuse to let our art be an accomplice to the worst," the letter declares. "Let us rise up. Let us name reality. Let us collectively dare to look at it with the precision of our sensitive hearts, so that it can no longer be silenced and covered up. Let us reject the propaganda that constantly colonizes our imaginations and makes us lose our sense of humanity."
Iranian filmmaker Sepideh Farsi looks at a portrait of the late Palestinian photographer Fatima Hassona at her home in Paris, France on May 5, 2025. (Photo: Joel Saget/AFP via Getty Images)
Farsi—who also signed the letter—welcomed the impact of her film featuring Hassona but also called on Cannes organizers to denounce Israel's ongoing assault on Gaza, which has killed over 52,900 Palestinians since October 2023 and left the enclave's more than 2 million survivors struggling to access essentials, due to an Israeli blockade on humanitarian aid.
"There needs to be a real statement," Farsi
toldAgence France-Presse. "Saying 'the festival isn't political' makes no sense."
What filmmaker Jonathan Glazer said in scarcely one minute at the Oscars retains profound moral power that no distortions can hide.
Last week, Variety reported that “more than 1,000 Jewish creatives, executives and Hollywood professionals have signed an open letter denouncing Jonathan Glazer’s ‘The Zone of Interest’ Oscar speech.” The angry letter is a tight script for a real-life drama of defending Israel as it continues to methodically kill civilians no less precious than the signers’ own loved ones.
A few ethical words from Glazer while accepting his award provoked outrage. He spoke of wanting to refute “Jewishness and the Holocaust being hijacked by an occupation, which has led to conflict for so many innocent people,” and he followed with a vital question: “Whether the victims of October the 7th in Israel or the ongoing attack on Gaza, all the victims of this dehumanization, how do we resist?”
Those words were too much for the letter’s signers, who included many of Hollywood’s powerful producers, directors and agents. For starters, they accused Glazer (who is Jewish) of “drawing a moral equivalence between a Nazi regime that sought to exterminate a race of people, and an Israeli nation that seeks to avert its own extermination.”
Ironically, that accusation embodied what Glazer had confronted from the Academy Awards stage when he said that what’s crucial in the present is “not to say, ‘Look what they did then,’ rather, ‘Look what we do now.’”
But the letter refused to look at what Israel is doing now as it bombs, kills, maims and starves Palestinian civilians in Gaza, where there are now 32,000 known dead and 74,000 injured. The letter’s moral vision only looked back at what the Third Reich did. Its signers endorsed the usual Zionist polemics—fitting neatly into Glazer’s description of “Jewishness and the Holocaust” being “hijacked by an occupation.”
The crimes against humanity committed by Nazi Germany against Jews are in no way exculpatory for the crimes against humanity now being committed by Israel.
The letter even denied that an occupation actually exists—objecting to “the use of words like ‘occupation’ to describe an indigenous Jewish people defending a homeland that dates back thousands of years.” Somehow the Old Testament was presumed to be sufficient justification for the ongoing slaughter of Palestinians in Gaza, most of whose ancestors lived in what’s now Israel. The vast majority of 2.2 million people have been driven from their bombed-out homes in Gaza, with many now facing starvation due to blockage of food.
Israel’s extreme restrictions on food and other vital supplies are causing deaths from starvation and disease as well as enormous suffering. In early March, a panel of U.N. experts issued a statement that declared: “Israel has been intentionally starving the Palestinian people in Gaza since 8 October. Now it is targeting civilians seeking humanitarian aid and humanitarian convoys.” (So much for the anti-Glazer letter’s claim that “Israel is not targeting civilians.”)
Last weekend, on Egypt’s border at the crossing to Rafah, U.N. Secretary-General Antonio Guterres said: "Here from this crossing, we see the heartbreak and heartlessness of it all. A long line of blocked relief trucks on one side of the gates, the long shadow of starvation on the other. That is more than tragic. It is a moral outrage."
But there is not the slightest hint of any such moral outrage in the letter signed by the more than 1,000 “creatives, executives and Hollywood professionals.” Instead, all the ire is directed at Glazer for pointing out that moral choices on matters of life and death are not merely consigned to the past. The crimes against humanity committed by Nazi Germany against Jews are in no way exculpatory for the crimes against humanity now being committed by Israel.
What Glazer said in scarcely one minute retains profound moral power that no distortions can hide. Continuity exists between the setting of “The Zone of Interest” eight decades ago and today’s realities as the United States supports Israel’s genocidal actions:
Our film shows where dehumanization leads, at its worst. It shaped all of our past and present. Right now we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation, which has led to conflict for so many innocent people. Whether the victims of October the 7th in Israel or the ongoing attack on Gaza, all the victims of this dehumanization, how do we resist?
Much of the movie’s focus is on the lives of a man and a woman preoccupied with career, status and material well-being. Such preoccupations are hardly unfamiliar in the movie industry, where silence or support for the Gaza war are common among professionals—in contrast to Jonathan Glazer and others, Jewish or not, who have spoken out in his defense or for a ceasefire.
“What he was saying is so simple: that Jewishness, Jewish identity, Jewish history, the history of the Holocaust, the history of Jewish suffering, must not be used in the campaign as an excuse for a project of dehumanizing or slaughtering other people,” the playwright and screenwriter Tony Kushner said in an interview with an Israeli newspaper days ago. He called Glazer’s statement from the Oscars stage “unimpeachable and irrefutable.”
Yet even without signing the open letter that denounced Glazer’s comments, some in the entertainment industry felt compelled to assert their backing for a country now engaged in a genocidal war. Notably, a spokesperson for the financier of Glazer’s film, Len Blavatnik, responded to the controversy by tellingVariety that “his long-standing support of Israel is unwavering.”
How many more Palestinian civilians will Israel murder before such “support for Israel” begins to waver?
"Our film shows where dehumanization leads at its worst," said Jonathan Glazer, director of The Zone of Interest.
The 96th annual Academy Awards on Sunday evening were marked by a number of statements—some vocal and some sartorial—in favor of Palestinian rights and against Israel's occupation and bombardment of Gaza, with filmmaker Jonathan Glazer directly addressing Zionists who have "hijacked" the Holocaust to justify relentless attacks on civilians.
Glazer accepted the award for Best International Feature Film for The Zone of Interest, his film about a Nazi commander who lives with his family just outside the walls of Auschwitz concentration camp, where gunshots and other sounds of the extermination of Jewish prisoners are audible from the commander's garden.
Glazer and producer James Wilson were adamant as they accepted the award that The Zone of Interest should not be viewed as a film about past events, but one that was "made to reflect and confront us in the present."
"Not to say, 'Look what they did then,' rather 'Look what we do now,'" said the director. "Our film shows where dehumanization leads at its worst."
"We stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict, for so many innocent people.”
'Zone of Interest' director Jonathan Glazer spoke out about Israel's weaponisation of the Holocaust in his Oscar… pic.twitter.com/SM9JfhxvrO
— Middle East Eye (@MiddleEastEye) March 11, 2024
Glazer then noted that both he and Wilson are among many Jewish people who object to the Israeli government's perennial claim—supported by Western countries including the U.S.—that Israel's occupation of Palestinian land and subjugation of Palestinian people is necessary to provide Jewish people with safety from the kind of persecution that ultimately led to the Holocaust.
"Right now, we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people," continued Glazer. "Whether the victims of October 7 in Israel or the ongoing attack on Gaza, all the victims of this dehumanization—how do we resist?"
Glazer's comments were immediately decontextualized by right-wing commentators including Newsweek opinion editor Batya Ungar-Sargon, who claimed the director displayed "moral rot" by telling the audience he refuted "his Jewishness."
"You're lying about what they said by adding a period in the middle of their sentence,"
said Yonah Lieberman, co-founder of the Jewish-led Palestinian rights group IfNotNow, which has frequently been accused of antisemitism by pro-Israel groups for objecting to Israeli apartheid. "They clearly meant they refute the way their Jewishness has been hijacked. You're supposed to be a journalist."
The Israeli group Breaking the Silence (BtS), run by veterans of the Israel Defense Forces who now object to the occupation, compared the outraged reaction to Glazer's speech to the aftermath of Israeli filmmaker Yuval Abraham's comments at the Berlin International Film Festival, where he spoke out against the subjugation of Palestinians in the West Bank.
Abraham was immediately denounced as antisemitic by Israeli media and received death threats, while the German government announced it would open an investigation into the filmmaker's comments.
"These 'misunderstandings' aren't new," said BtS regarding the response of Ungar-Sargon and others.
"It's possible to oppose the killing of innocent civilians in Gaza and still care for the safety of Israeli hostages," added the group. "One can worry about Israelis who were evacuated from their homes after October 7 and still be horrified by the conditions in which so many are currently living in Gaza. We refuse to let this harsh reality make us less human, and that we refuse to accept the ease with which the blood and lives of civilians is used as a justification for political ideologies, or as a bargaining chip. Empathy is not a zero-sum game."
Other than Glazer's speech, most commentary about Israel's assault on Gaza—now in its sixth month and having killed at least 31,045 Palestinians as the Israeli government blocks nearly all humanitarian aid from reaching the population—was made through Oscar attendees' clothing choices.
Several actors and filmmakers wore red pins in support of Artists4Ceasefire, which toldThe Hill that members showed "collective support for an immediate and permanent cease-fire, the release of all of the hostages, and for the urgent delivery of humanitarian aid to civilians in Gaza."
Musician Billie Eilish, director Ava DuVernay, and actors including Ramy Youssef, Mark Ruffalo, Riz Ahmed, and Mahershala Ali were among those who wore the red pins.
Billie Eilish, Ramy Youssef, Ava DuVernay and other celebrities wore red pins at the Oscars in support for a cease-fire in Gaza. The design featured a single hand holding a heart and was organized by the group Artists4Ceasefire. pic.twitter.com/sj6HBzsoYi
— The Associated Press (@AP) March 11, 2024
"We're all calling for an immediate and permanent cease-fire in Gaza," Youssef told reporters. "We're calling for the safety of everyone involved, and we really want lasting justice and peace for the Palestinian people... We really want to say, just stop killing children."