Trump's Media Takeover Isn't About Bias, It's About Silencing Dissent

It's remarkable how much happens that barely makes the news. While we scroll through memes and sensationalized soundbites, our attention monetized by oligarchs who profit from our stupor, democracy dies in broad daylight.

Many of us fastidiously tracking political events may have missed a chilling detail buried in the Paramount/CBS merger: a "bias monitor." The Trump administration installed this Orwellian position alongside the dismantling of diversity, equity, and inclusion at CBS and Paramount. According to Federal Communications Commission Commissioner Anna Gomez, the sole dissenting vote against the merger, this represents "just another part of this administration's campaign of censorship and control."

Commissioner Gomez explained the gravity of this so-called monitor: "What they're saying is that they are going to self-censor basically for ideological purity according to what this administration likes and to report only in the way this administration likes. Apparently, bias is anything this administration doesn't like. And that is what they're promising not to show anymore to their consumers."

This is not a threat. It is a promise being delivered.

When Satire Dies, Democracy Dies

Stephen Colbert's cancellation marks that promise in action. The highest-rated late-night host, Emmy-nominated, and like other effective comedians, someone who has pointed out the absurdities of our political system for decades. As Inae Oh of Mother Jones reported, "one could argue that [until now] Trump's attacks had yet to take down our actual culture. I'm talking about the literal content we consume—the television, art, movies, literature, music—no matter how much Trump complained. That it remained protected and free-willed, a rare area of control for a public that otherwise feels powerless to take action." The cancellation of Colbert changes this. We are witnessing the first successful assault on the cultural sphere itself.

They're not just coming for our votes or our institutions, they're coming for our imagination, our ability to envision a different world.

What does it mean to have a president who uses his enormous platform to pathetically attack performers and entertainers? Just in the last week of July, U.S. President Donald Trump personally attacked Bruce Springsteen, Beyoncé, Oprah, Bono, Taylor Swift, Trey Parker, Matt Stone, and Joy Behar. These attacks aren't just the desperate posturing of a has-been reality TV star president, they threaten to become official government-led investigations.

Of course, there's no credible evidence for any of his claims. But that hasn't prevented the capitulation of systems that could fight back. Recently, Brown, Columbia, University of Pennsylvania, University of California Los Angeles, Paramount, Disney, and Meta all paid multimillion dollar settlements ($221 million in the case of Columbia) to the Trump administration to avoid litigation. This litigation could have helped establish some balance of power in this country. Because of these capitulations, they are now all complicit in the dismantling of our democracy.

This Is Not About Bias

Let me be clear as a psychologist: This is not about bias. Bias is a tendency, often unconscious, that leads to preferences or disfavor of people, ideas, or beliefs, often in ways that are unfair. Real biases manifest as stereotypes, prejudices, and systematic preferences that shape how we perceive and interact with the world.

If we genuinely wanted a bias monitor at any corporation, it would require enormous funding for diversity, equity, and inclusion purposes. Actual bias monitoring would examine unconscious prejudices, systemic discrimination, and unfair treatment of marginalized groups. This is the opposite of what the Trump administration has been doing as all the policies being enacted reinforce white supremacy.

What we have instead is the Trump administration weaponizing psychological terminology to create a world where one pathetic old man can stifle all entertainment that forces him to confront his own obvious inadequacies and irrelevance.

This isn't about bias, it's about following the predictable playbook of authoritarians. This suppression of critical voices mirrors what happens in North Korea, where the government exerts near-total control over media and entertainment, allowing only content that glorifies the ruling family while strictly banning dissent or satire. There are no North Korean Stephen Colberts. Critical art is suppressed, and those attempting to create or access it face harsh punishment, including forced labor or execution.

The Revolutionary Power of Art

While this moment is dire, I believe in the revolutionary power of art. History shows us that authoritarian regimes fear artists above all else because art reveals truth in ways that propaganda cannot counter.

To all who continue to create—comedians, performers, writers, artists—don't stop. Keep faith in the transformative power of art because, in Toni Morrison's words, "Art takes us and makes us take a journey beyond price, beyond cost, into bearing witness to the world as it is and as it should be."

As we navigate this slide away from democracy, we need artists to continue creating more than ever. Every joke that punctures pomposity, every song that speaks truth to power, every story that humanizes the dehumanized is an act of resistance.

The Trump administration understands something we must remember: Culture shapes consciousness. They're not just coming for our votes or our institutions, they're coming for our imagination, our ability to envision a different world.

As usual, Trump doesn't get humanity and doesn't understand that art has always thrived under oppression. The most powerful voices often emerge from the margins, from the underground, from those who refuse to be silenced.

This "bias monitor" isn't monitoring bias, it's monitoring our humanity. And that's exactly why we must not let them win.