More than a Sportswriter: Lester 'Red' Rodney: 1911-2009

It didn't make SportsCenter, but one of history's most influential
sportswriters died this week at the age of 98. His name was Lester
Rodney. Lester was one of the first people to write about a young
Negro League prospect named Jackie Robinson. He was the last living
journalist to cover the famous 1938 fight at Yankee Stadium between
"The Brown Bomber" Joe Louis and Hitler favorite, Max Schmeling. He
crusaded against baseball's color line when almost every other
journalist pretended it didn't exist.

It didn't make SportsCenter, but one of history's most influential
sportswriters died this week at the age of 98. His name was Lester
Rodney. Lester was one of the first people to write about a young
Negro League prospect named Jackie Robinson. He was the last living
journalist to cover the famous 1938 fight at Yankee Stadium between
"The Brown Bomber" Joe Louis and Hitler favorite, Max Schmeling. He
crusaded against baseball's color line when almost every other
journalist pretended it didn't exist. He edited a political sports
page that engaged his audience in how to fight for a more just sports
world. His writing, which could describe the beauty of a well-turned
double play in one sentence and blast injustice in the next, is still
bracing and ahead of its time. He should be in the Baseball Hall of
Fame. Instead he was largely erased from the books.

If you have never heard of Lester Rodney, there is a very simple
reason why: the newspaper he worked at from 1936-1958 was the Daily
Worker, the party press of the U.S. Communist Party. Lester used his
paper to launch the first campaign to end the color line in Major
League Baseball. I spoke to Lester about this in 2004 and he said to
me, "It's amazing. You go back and you read the great newspapers in
the thirties, you'll find no editorials saying, 'What's going on here?
This is America, land of the free and people with the wrong
pigmentation of skin can't play baseball?' Nothing like that. No
challenges to the league, to the commissioner, no talking about
Satchel Paige and Josh Gibson, who were obviously of superstar
caliber. So it was this tremendous vacuum waiting."

The campaign was integrated into the Party's anti-racist work of the
1930s: "I spoke to the leaders of the YCL [the Young Communist
League]. We talked about circulating the paper [at ballparks]. It just
evolved as we talked about the color line and some kids in the YCL
suggested, 'Why don't we go to the ballparks-to Yankee Stadium, Ebbets
Field, the Polo Grounds-with petitions?' We wound up with at least a
million and a half signatures that we delivered straight to the desk
of [baseball commissioner] Judge Landis."

As Lester fought to end the Color Ban, he also never stopped
highlighting and covering the Negro League teams, giving them press at
a time when they invisible men outside of the African American press.
But it was Jackie Robinson who captured Lester's imagination. Armed
with a press pass to the Ebbets Field locker room, he saw up close the
way Robinson was told to "just shut up and play" despite the constant
harassment during his inaugural 1947 campaign. "Jackie was suppressing
his very being, his personality," said Lester. "He was a fiercely
intelligent man. He knew his role and he accepted it. And the black
players who followed him knew what he meant too."

Lester saw the way their play - and their courage - helped inspire the
struggle for Civil Rights, especially in the South. Lester told me
about a dramatic exhibition game in Atlanta where all the dynamics of
the Black Freedom Struggle were on display. "This exhibition game
wound up with the Black fans being allowed in because they had
overflowed the segregated stands, they had poured in from outlying
districts to see the first integrated game in Georgia history. The
Klan had said, 'This must not happen.' That night there was this
tremendous sight of Robinson, [Dodgers African American players] Don
Newcombe, and Roy Campanella coming out and the black fans behind the
ropes and in the stands standing and roaring their greeting. A large
sector of whites were just sitting and booing. Then other white
people, hesitantly at first, stood up and consciously differentiated
themselves from the booers and clapped. This was an amazing spectacle.
This was the Deep South many years before the words civil rights were
widely known. So it had its impact... Roy Campanella, once said to me
something like, 'Without the Brooklyn Dodgers you don't have Brown v.
Board of Education.' I laughed, I thought he was joking but he was
stubborn. He said, 'All I know is we were the first ones on the
trains, we were the first ones down South not to go around the back of
the restaurant, first ones in the hotels.' He said, 'We were like the
teachers of the whole integration thing.'"

Lester would still become emotional when he recalls Jackie Robinson
and his impact. "There are very few people of whom you can say with
certainty that they made this a somewhat better country. Without doubt
you can say that about Jackie Robinson. His legacy was not, 'Hooray,
we did it,' but 'Buddy, there's still unfinished work out there' He
was a continuing militant, and that's why the Dodgers never considered
this brilliant baseball man as a manager or coach. It's because he was
outspoken and unafraid. That's the kind of person he was. In fact, the
first time he was asked to play at an old-timers' game at Yankee
Stadium, he said 'I must sorrowfully refuse until I see more progress
being made off the playing field on the coaching lines and in the
managerial departments.' He made people uncomfortable. In fact it was
that very quality which made him something special. He always made you
feel that 'Buddy, there's still unfinished work out there.'" We can
absolutely say the same about Lester Rodney, albeit with a twist. Yes,
Lester made you feel like there was unfinished work out there. But he
also made you feel like the great fun in life was in trying to get it
done. That and seeing a perfectly turned 6-4-3 double play.

Read Irwin Silber's book Press Box Red for the best history on Lester's life.

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