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"I have beautiful news for you. I wish I could tell you in person. Do you know you have just become a grandfather?" Shaima Alareer wrote to her slain father before she, her baby, and her husband were killed.
The daughter, infant grandson, and son-in-law of Refaat Alareer—the renowned Palestinian poet assassinated last year in an Israeli airstrike—were killed Friday in another Israel Defense Forces bombing, this one reportedly targeting a building hosting an international relief charity in Gaza City.
Shaima Alareer, her husband Muhammad Abd al-Aziz Siyam, and their 3-month-old son Abd al-Rahman were killed in the strike on a home where they were sheltering in the Rimal neighborhood of Gaza City, Anadolu Agencyreported.
Siyam was an engineer. Alareer was an accomplished illustrator and the eldest daughter of Refaat Alareer—one of Palestine's most famous poets and professors—who was slain in a December 6 Israeli strike on Shejaiya that also killed his brother, sister, and her four children.
A month before his killing, Alareer posted his now-famous poem, "If I Must Die," on social media. The poem was written for Shaima.
"I want my children to plan, rather than worry about, their future, and to draw beaches or fields or blue skies and a sun in the corner, not warships, pillars of smoke, warplanes, and guns," Refaat Alareer explained a decade ago.
After giving birth, Shaima Alareer wrote to her slain father: "I have beautiful news for you. I wish I could tell you in person. Do you know you have just become a grandfather? Yes, dad. This is your first grandchild. He's more than a month old now. This is your grandchild Abdul Rahman whom I always imagined you would carry. I never imagined I'd lose you so soon before you got to meet him."
The Geneva-based Euro-Mediterranean Human Rights Monitor found that the strike that killed Refaat Alareer and his relatives was "apparently deliberate" and followed "weeks of death threats" that came after Alareer—co-founder of the Palestinian writers' group We Are Not Numbers—called the Hamas-led October 7 attacks on Israel "legitimate" and mocked uncorroborated reports that Hamas militants baked an Israeli infant in an oven.
Friday's strike came amid relentless Israel attacks on Gaza by air, land, and sea, including a bombing of the Nuseirat refugee camp in central Gaza that killed at least 15 people on Saturday. Monday airstrikes targeting three homes killed at least 20 people including numerous children in the southern city of Rafah—where around 1.5 million Palestinians, most of them refugees forced from other parts of Gaza, are bracing for an expected full-scale Israeli invasion.
The state of Israel has killed our storytellers in Gaza with the hope that the stories will die with them. But they will not.
What is taking place in Gaza is meant for the history books: an epic tale of a small nation under a long, brutal siege for many years, facing one of the greatest military powers in the world. And yet, it refuses to be defeated.
Not even the legendary tenacity of Leo Tolstoy’s ‘War and Peace’ characters can be compared to the heroism of Gazans, living over a tiny stretch of land while subsisting on the precipice of calamity, even long before the Israeli genocide.
But if Gaza has already been declared uninhabitable by the United Nations Conference on Trade and Development (UNCTAD) as early as 2020, how is it able to cope with everything that took place since then, particularly the grueling and unprecedented Israeli war, starting on October 7?
“I have ordered a complete siege on the Gaza Strip. There will be no electricity, no food, no fuel, everything is closed,” said Israeli Defense Minister Yoav Gallant on October 9. In fact, Israel carried out far greater war crimes than the choking of 2.3 million people.
“No place is safe, not even hospitals and schools,” the UN Office for the Coordination of Humanitarian Affairs (OCHA) said on X on November 11. Things have become far worse since that statement was made.
And, because Gazans refused to leave their homeland, the 365 sq kilometers—approx. 141 square miles—turned into a hunting ground of human beings, who were killed in every way imaginable. Those who did not die under the rubble of their homes or were gunned down by attack helicopters while attempting to escape from one region to another, are now dying from disease and hunger.
Not a single category of Palestinians has been spared this horrible fate: the children, the women, the educators, the doctors and medics, the rescuers, even the artists and the poets. Each one of these groups has an ever-growing list of names, updated daily.
Fully aware of the extent of its war crimes in Gaza, Israel has systematically targeted Gaza’s storytellers - its journalists and their families, the bloggers, the intellectuals and even the social media influencers.
While Palestinians insist that their collective pain—and resistance—must be televised, Israel is doing everything in its power to eliminate the storytellers.
The Palestinian Journalists Syndicate said in a statement on December 6 that 75 Palestinian Journalists and media workers have been killed by Israel since the beginning of the war.
The above number does not include many citizen journalists and writers who do not necessarily operate in an official capacity. It also does not include members of their families, like the family of journalist Wael al-Dahdouh or the family of Moamen Al Sharafi.
Aware that their intellectuals are targets for Israel, Gazans have, for years, attempted to produce yet more storytellers. In 2015, a group of young journalists and students formed a group they called ‘We Are Not Numbers.’ “We Are Not Numbers tells the stories behind the numbers of Palestinians in the news and advocates for their human rights,” WANN described itself.
A co-founder of the group, Professor Refaat Alareer, is a beloved Palestinian educator from Gaza. A young intellectual, whose brilliance is only matched by his kindness, Alareer believed that the story of Palestine, Gaza in particular, should be told by the Palestinians themselves, whose relationship to the Palestinian discourse cannot be marginal.
“As Gaza keeps gasping for life, we struggle for it to pass, we have no choice but to fight back and tell her stories. For Palestine,” Alareer wrote in his contribution in the volume ‘Light in Gaza: Writing Born of Fire.’
He edited several books—including ‘Gaza Writes Back’ and ‘Gaza Unsilenced’—which also allowed him to take the message of other Palestinian intellectuals in Gaza to the rest of the world.
“Sometimes a homeland becomes a tale. We love the story because it is about our homeland and we love our homeland even more because of the story,” he wrote in ‘Gaza Writes Back.’
Alareer reportedly refused to leave northern Gaza, even after Israel had managed to isolate it from the rest of the Strip, subjecting it to countless massacres.
As if aware of the fate awaiting him, Alareer tweeted this line, along with a poem he had penned: “If I must die, let it be a tale.”
On December 7, the writers’ collective, We Are Not Numbers, declared that their beloved founder, Refaat Alareer, was killed in an Israeli airstrike in northern Gaza.
Alareer was not the only member of the collective who was killed by Israel. On October 14, Yousef Dawas and on November 24, Mohammed Zaher Hammo, were killed, with members of their families, in Israeli strikes on various parts of the Gaza Strip.
In one of the workshops I did with the group, prior to the war, Yousef Dawas stood out, and not only because of his unusually long hair, but because of his clever and pointed questions.
He wanted to tell the stories of ordinary Gazans, so that other ordinary people around the world can appreciate the everyday struggle of the Palestinian people, their righteous quest for justice and their hope for a better future.
These storytellers were all killed by Israel, with the hope that the stories will die with them. But Israel will fail because the collective story is bigger than all of us. A nation that has produced the likes of Ghassan Kanafani, Basil al-Araj, and Refaat Alareer will always produce great intellectuals, who will serve the historic role of telling the story of Palestine and her liberation.
This is the last poem shared by Alareer.
If I must die,
you must live
to tell my story
to sell my things
to buy a piece of cloth
and some strings,
(make it white with a long tail)
so that a child, somewhere in Gaza
while looking heaven in the eye
awaiting his dad who left in a blaze—
and bid no one farewell
not even to his flesh
not even to himself—
sees the kite, my kite you made, flying up
above
and thinks for a moment an angel is there
bringing back love
If I must die
let it bring hope
let it be a tale.
The attack on the internationally renowned cultural center came as Israeli occupation forces stepped up raids on the Jenin Refugee camp in recent days, killing a dozen Palestinians and abducting scores more.
In what critics are calling part of an effort to destroy Palestinian culture, Israeli forces on Wednesday raided the Freedom Theatre in the Jenin refugee camp in the illegally occupied West Bank and subsequently kidnapped three of the renowned playhouse's staff members.
Freedom Theatre associate director Zoey Lafferty wrote for The New Arab that Israeli occupation forces ransacked the internationally renowned cultural center shortly after 9:00 a.m. local time Wednesday. Lafferty said Israeli troops tore apart the theater's office and knocked down a wall, firing weapons from inside the building.
Israeli troops then went to the homes of artistic director Ahmed Tobasi and producer Mustafa Sheta and blindfolded, handcuffed, and abducted them. Hours later, they also kidnapped and "severely beat" Jamal Abu Joas, a recently graduated acting student.
"For decades, Palestinian artists have been arbitrarily detained by Israel, sometimes for years, who also target and destroy cultural buildings, a war crime under international law."
Tobasi, who says he was also beaten by his captors, was later released.
"They treated us like animals," he said in a statement following his release. "They are trying to hurt us in any way they can, but it's important we stay strong."
Rasha Seta, Mustafa's wife, said that her husband "was handcuffed and taken in front of our children with no mercy or any consideration to our feelings."
"My children spent their night crying," she added. "We felt so scared without him being around with us. We feel very sad for him being away, especially since we don't know why he was arrested. We call for everyone who can help us to stand with my husband and release him from this occupation."
The raid and arrests follow Israeli forces' killing of three members of Freedom Theatre in recent weeks: 17-year-old Yamen Jarrar, 26-year-old Jehad Naghniyeh, and 30-year-old Mohammed Matahen. In June, occupation forces killed youth theater participants Sadeel Naghnaghia, age 15, and Mahmoud Al-Sadi, who was 17 years old.
"For decades, Palestinian artists have been arbitrarily detained by Israel, sometimes for years, who also target and destroy cultural buildings, a war crime under international law," Freedom Theatre said on Thursday. "In the last few weeks in Gaza, an unprecedented number of writers, poets, theatermakers, and journalists have been killed, including Dr. Refaat Alareer, who was deliberately targeted and murdered."
According to Gaza officials, nearly 19,000 Palestinians—most of them women and children—have been killed by Israeli bombs and bullets since October 7, when Hamas-led militants attacked southern Israel and killed over 1,100 Israelis and others while taking around 240 people hostage. Upward of 1.9 million Gazans—or nearly 90% of the besieged strip's population—have been forcibly displaced. Many critics around the world have accused Israel of perpetrating genocide in Gaza.
The Freedom Theatre stages professional theatre productions; holds theater workshops in the refugee camp, Jenin town, and nearby villages; offers training in acting, pedagogy, and photography; and publishes books, exhibitions, and short films.
"Since we opened our doors in 2006, we have made theater and visual art available to every young person in Jenin refugee camp," the theater's website explains. "Our work has made Jenin refugee camp known in Palestine and internationally for innovative, thought-provoking theater and media productions. We have created a generation of artists and leaders, who one day will be at the forefront of the Palestinian liberation movement."
The Israeli raid and arrests came as occupation forces killed at least a dozen Palestinians in the West Bank during three days of raids on the Jenin refugee camp, which was built in 1953 to house some of the more than 750,000 Arabs ethnically cleansed from other parts of Palestine during the establishment of the modern state of Israel.
Today, around 15,000 Palestinians call the camp home. Jenin has been repeatedly invaded before and during Israel's current war on Gaza due to its residents' robust resistance to Israeli occupation, ethnic cleansing, apartheid, and settler colonization. Last month, an Israeli attack on the camp killed two children—one of them just 8 or 9 years old.
This was already the deadliest year for Palestinians in the West Bank and East Jerusalem since the Second Intifada, or general uprising, a generation ago. Since October 7, Israeli soldiers and settlers have killed around 280 Palestinians in the territories, with thousands more wounded and close to 4,000 people kidnapped.
"As the genocide continues in Gaza and invasions in Jenin camp happen daily, it is hard to find the line between devastation and hope, loss and defiance, reality and optimism," Lafferty wrote. "What is clear is that Palestinians have managed to unite those around the world of different ages, backgrounds, cultures, and religions, to not only stand up for Palestinian rights and voices, but also our own."
"Through words and creativity, resilience and resistance, Palestinians have taught us how we can build a global Intifada," she added.