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What does a space for free speech look and feel and sound like?"
This is the question that artists, performers, and architects are taking on in an ongoing design competition and exhibition, organized by Theatrum Mundi and the American Institute of Architects--New York, in which participants "propose architectural or performative designs (temporary or permanent) that transform spaces in New York City into places for public 'demonstration'" and free speech.
This concept, while not new in a city with a vibrant history of protest and organizing, has unearthed a trove of proposals that are sure to add to New York's struggle over what constitutes free speech and who gets to participate.
In one proposal, participants plan to design a "public terrace" for recent immigrants, located in Columbus Park, which has historically been a gathering place for new arrivals to the country. The design would include a "History Box," which designers Gentaro Matsubara, Shingo Sekiya, and Jeon Young-mi describe as a "communication tool to learn about the history of the site about immigrants that used to live and work near around Columbus Park."

The "Urban Atlas Project" in Harlem aims to provide residents with "a forum to recognize neighbors with similar interests, voice concerns about how things are changing, develop ideas around how to make things better and start a movement of awareness that can lead toward a movement of action," according to designers Sabrina Dorsainvil and Luisa Munera.

The 40 proposals include a mobile "speech bubble" as well as a pop-up "sound garden" and take on topics of gentrification, displacement, state repression, and more. The full list of proposals can be perused on the competition's website.
Designers Raquel de Anda, Gan Golan, and Ron Morrison, who proposed an imaginary "Floating Agora" for free speech, write, "For free speech to return to the city, a journey is required."
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Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission has always been simple: To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It's never been this bad out there. And it's never been this hard to keep us going. At the very moment Common Dreams is most needed, the threats we face are intensifying. We need your support now more than ever. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Will you donate now to make sure Common Dreams not only survives but thrives? —Craig Brown, Co-founder |
What does a space for free speech look and feel and sound like?"
This is the question that artists, performers, and architects are taking on in an ongoing design competition and exhibition, organized by Theatrum Mundi and the American Institute of Architects--New York, in which participants "propose architectural or performative designs (temporary or permanent) that transform spaces in New York City into places for public 'demonstration'" and free speech.
This concept, while not new in a city with a vibrant history of protest and organizing, has unearthed a trove of proposals that are sure to add to New York's struggle over what constitutes free speech and who gets to participate.
In one proposal, participants plan to design a "public terrace" for recent immigrants, located in Columbus Park, which has historically been a gathering place for new arrivals to the country. The design would include a "History Box," which designers Gentaro Matsubara, Shingo Sekiya, and Jeon Young-mi describe as a "communication tool to learn about the history of the site about immigrants that used to live and work near around Columbus Park."

The "Urban Atlas Project" in Harlem aims to provide residents with "a forum to recognize neighbors with similar interests, voice concerns about how things are changing, develop ideas around how to make things better and start a movement of awareness that can lead toward a movement of action," according to designers Sabrina Dorsainvil and Luisa Munera.

The 40 proposals include a mobile "speech bubble" as well as a pop-up "sound garden" and take on topics of gentrification, displacement, state repression, and more. The full list of proposals can be perused on the competition's website.
Designers Raquel de Anda, Gan Golan, and Ron Morrison, who proposed an imaginary "Floating Agora" for free speech, write, "For free speech to return to the city, a journey is required."
_____________________
What does a space for free speech look and feel and sound like?"
This is the question that artists, performers, and architects are taking on in an ongoing design competition and exhibition, organized by Theatrum Mundi and the American Institute of Architects--New York, in which participants "propose architectural or performative designs (temporary or permanent) that transform spaces in New York City into places for public 'demonstration'" and free speech.
This concept, while not new in a city with a vibrant history of protest and organizing, has unearthed a trove of proposals that are sure to add to New York's struggle over what constitutes free speech and who gets to participate.
In one proposal, participants plan to design a "public terrace" for recent immigrants, located in Columbus Park, which has historically been a gathering place for new arrivals to the country. The design would include a "History Box," which designers Gentaro Matsubara, Shingo Sekiya, and Jeon Young-mi describe as a "communication tool to learn about the history of the site about immigrants that used to live and work near around Columbus Park."

The "Urban Atlas Project" in Harlem aims to provide residents with "a forum to recognize neighbors with similar interests, voice concerns about how things are changing, develop ideas around how to make things better and start a movement of awareness that can lead toward a movement of action," according to designers Sabrina Dorsainvil and Luisa Munera.

The 40 proposals include a mobile "speech bubble" as well as a pop-up "sound garden" and take on topics of gentrification, displacement, state repression, and more. The full list of proposals can be perused on the competition's website.
Designers Raquel de Anda, Gan Golan, and Ron Morrison, who proposed an imaginary "Floating Agora" for free speech, write, "For free speech to return to the city, a journey is required."
_____________________