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Hundreds took to the streets in 2018 as antiwar and social justice groups organized a demonstration in New York City, with a rally at Herald Square and march to Trump Tower as part of national regional spring actions throughout the country against the US bombing of Syria and opposing endless U.S. wars. (Photo: Erik McGregor/LightRocket via Getty Images)
In the White Mountains of New Hampshire, I gathered last week with a group of antiwar activists where we talked of the grim issues confronting the globe. Nuclear war, conventional war, drone war, Climate Catastrophe, American Imperialism, our Culture of Militarism. The world is in a dire, cataclysmic state. We are, it seems, a hairsbreadth from annihilating ourselves.
No, it's just us, random groups of citizens around the world trying to save our species from extinction.
One speaker presented on the Zaporizhzhia nuclear plant in Ukraine that has come under shelling. It has six reactors. Any one of them, if hit by artillery, would explode with more destructive force than ten Chernobyls combined. If they aren't hit by shelling, the power grid keeping the nuclear rods cooled could be knocked offline by shelling in the area. This would cause a meltdown. Or the workers at the plant could flee the area because they are working in the middle of a deadly war zone, thereby leaving the plant without the necessary technicians to keep it running safely.
This was just one of the issues raised last week.
We also spoke of hypersonic missiles which fly at five times the speed of sound, are low flying and evasive and thus cannot be detected by radar making it a highly destabilizing instrument of war; the deployment of tactical nuclear warheads to be used as part of a conventional attack under the absurd assumption that a limited nuclear war can be fought; and, the $1.5 trillion to be spent on modernizing the U.S. nuclear force rebuilding every leg of the nuclear triad.
Is this not some form of planetary madness?
I looked around the room at our hard-working, well-informed, occasionally disorganized group from various backgrounds and asked myself, It's up to us to save humanity? Groups like this are to pull us back from the brink? Shouldn't there be some vast international organization of Nobel laureates with global support and authority doing this? Some world agency with endless resources working every day at this? After all, we had trouble arranging the picnic tables in an orderly fashion.
No, it's just us, random groups of citizens around the world trying to save our species from extinction. My mind reeled, spun. I eventually found footing in the reassuring fields of art, poetry, music, beauty. I thought of dance.
The dance of sympathy refers to the idea that our bodies feel compelled to move in response to the music we hear. Music evokes a sympathetic connection and our bodies, regardless of where we are from, move as a result. From a waltz to a samba to Afro Dance, we come together on the floor, unknown to each other a moment before but now sharing space, swaying to the tempo, rhyming without words.
The dance of sympathy says our emotions connect us, makes two strangers rise in a room and begin to dance in unison, both responding to the music they hear. Similarly, a poem, a painting, a sculpture causes comparable outbreaks of emotional bonding. Like it or not, we are all connected, sympathetic kin transcending borders, ethnicities, and religions. This group of peacemakers in the White Mountains knew that, lived it, worked to implement it. We did not all rise and dance, thank goodness, but our hearts and minds moved in unison.
Our world is perpetually at war, injustice is rampant, and suffering is too commonly accepted or overlooked. Greed drives this malevolent chaos, corroding the spirit, emptying the heart, distorting the mind. Greed disdains beauty and art, cannot reconcile itself to fellowship, its insatiable appetite inevitably consuming all those within its reach.
Art creates order out of such chaos, brings form and shape to pain, outrage, and injustice. It also affirms love, compassion, and a shared humanity. It says, you are not alone, whether in pain or joy we travel together.
Working for peace and justice is not only the moral and right thing to do, but is also a creative expression of what it is to be human, an effort to eliminate war by bringing order to chaos and replacing violence with harmony. It is to dance in sympathy with all people. Conversely, to be a warrior, to kill, or to ignore the deeds of warriors, requires an act against self, a contraction of spirit, a shutting down. It is an isolating act, self-immolating, burning up any connection to humanity.
One night during my stay in the mountains, a woman from outside our group read from a book of poetry she had recently published. The poems were about things she should have said to her son who lost his battle with drug addiction. The subject was difficult, the poems wrenching and beautiful. One of them had the refrain, "Why did I pour so much love into every bath?" Why, if this was to be the result? She used precise rhyming schemes, sonnets and villanelles, to help order her outrage, give form and shape to her suffering. Her artistry had led her to a personal peacemaking, with herself, with her son, and the world.
As a member of one these scattered, random groups of dissident peacemakers, we try to do the same, practicing our nonviolent art, writing our saving works, using hopeful artistry to bring order to chaos and lead us through these dark, cataclysmic days so that love lurches on, cleansing, healing, restoring. May we all rise, cross our invented borders and meet in sympathetic connection. May we all be poets and peacemakers, ending this planetary madness.
Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission has always been simple: To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It's never been this bad out there. And it's never been this hard to keep us going. At the very moment Common Dreams is most needed, the threats we face are intensifying. We need your support now more than ever. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Will you donate now to make sure Common Dreams not only survives but thrives? —Craig Brown, Co-founder |
In the White Mountains of New Hampshire, I gathered last week with a group of antiwar activists where we talked of the grim issues confronting the globe. Nuclear war, conventional war, drone war, Climate Catastrophe, American Imperialism, our Culture of Militarism. The world is in a dire, cataclysmic state. We are, it seems, a hairsbreadth from annihilating ourselves.
No, it's just us, random groups of citizens around the world trying to save our species from extinction.
One speaker presented on the Zaporizhzhia nuclear plant in Ukraine that has come under shelling. It has six reactors. Any one of them, if hit by artillery, would explode with more destructive force than ten Chernobyls combined. If they aren't hit by shelling, the power grid keeping the nuclear rods cooled could be knocked offline by shelling in the area. This would cause a meltdown. Or the workers at the plant could flee the area because they are working in the middle of a deadly war zone, thereby leaving the plant without the necessary technicians to keep it running safely.
This was just one of the issues raised last week.
We also spoke of hypersonic missiles which fly at five times the speed of sound, are low flying and evasive and thus cannot be detected by radar making it a highly destabilizing instrument of war; the deployment of tactical nuclear warheads to be used as part of a conventional attack under the absurd assumption that a limited nuclear war can be fought; and, the $1.5 trillion to be spent on modernizing the U.S. nuclear force rebuilding every leg of the nuclear triad.
Is this not some form of planetary madness?
I looked around the room at our hard-working, well-informed, occasionally disorganized group from various backgrounds and asked myself, It's up to us to save humanity? Groups like this are to pull us back from the brink? Shouldn't there be some vast international organization of Nobel laureates with global support and authority doing this? Some world agency with endless resources working every day at this? After all, we had trouble arranging the picnic tables in an orderly fashion.
No, it's just us, random groups of citizens around the world trying to save our species from extinction. My mind reeled, spun. I eventually found footing in the reassuring fields of art, poetry, music, beauty. I thought of dance.
The dance of sympathy refers to the idea that our bodies feel compelled to move in response to the music we hear. Music evokes a sympathetic connection and our bodies, regardless of where we are from, move as a result. From a waltz to a samba to Afro Dance, we come together on the floor, unknown to each other a moment before but now sharing space, swaying to the tempo, rhyming without words.
The dance of sympathy says our emotions connect us, makes two strangers rise in a room and begin to dance in unison, both responding to the music they hear. Similarly, a poem, a painting, a sculpture causes comparable outbreaks of emotional bonding. Like it or not, we are all connected, sympathetic kin transcending borders, ethnicities, and religions. This group of peacemakers in the White Mountains knew that, lived it, worked to implement it. We did not all rise and dance, thank goodness, but our hearts and minds moved in unison.
Our world is perpetually at war, injustice is rampant, and suffering is too commonly accepted or overlooked. Greed drives this malevolent chaos, corroding the spirit, emptying the heart, distorting the mind. Greed disdains beauty and art, cannot reconcile itself to fellowship, its insatiable appetite inevitably consuming all those within its reach.
Art creates order out of such chaos, brings form and shape to pain, outrage, and injustice. It also affirms love, compassion, and a shared humanity. It says, you are not alone, whether in pain or joy we travel together.
Working for peace and justice is not only the moral and right thing to do, but is also a creative expression of what it is to be human, an effort to eliminate war by bringing order to chaos and replacing violence with harmony. It is to dance in sympathy with all people. Conversely, to be a warrior, to kill, or to ignore the deeds of warriors, requires an act against self, a contraction of spirit, a shutting down. It is an isolating act, self-immolating, burning up any connection to humanity.
One night during my stay in the mountains, a woman from outside our group read from a book of poetry she had recently published. The poems were about things she should have said to her son who lost his battle with drug addiction. The subject was difficult, the poems wrenching and beautiful. One of them had the refrain, "Why did I pour so much love into every bath?" Why, if this was to be the result? She used precise rhyming schemes, sonnets and villanelles, to help order her outrage, give form and shape to her suffering. Her artistry had led her to a personal peacemaking, with herself, with her son, and the world.
As a member of one these scattered, random groups of dissident peacemakers, we try to do the same, practicing our nonviolent art, writing our saving works, using hopeful artistry to bring order to chaos and lead us through these dark, cataclysmic days so that love lurches on, cleansing, healing, restoring. May we all rise, cross our invented borders and meet in sympathetic connection. May we all be poets and peacemakers, ending this planetary madness.
In the White Mountains of New Hampshire, I gathered last week with a group of antiwar activists where we talked of the grim issues confronting the globe. Nuclear war, conventional war, drone war, Climate Catastrophe, American Imperialism, our Culture of Militarism. The world is in a dire, cataclysmic state. We are, it seems, a hairsbreadth from annihilating ourselves.
No, it's just us, random groups of citizens around the world trying to save our species from extinction.
One speaker presented on the Zaporizhzhia nuclear plant in Ukraine that has come under shelling. It has six reactors. Any one of them, if hit by artillery, would explode with more destructive force than ten Chernobyls combined. If they aren't hit by shelling, the power grid keeping the nuclear rods cooled could be knocked offline by shelling in the area. This would cause a meltdown. Or the workers at the plant could flee the area because they are working in the middle of a deadly war zone, thereby leaving the plant without the necessary technicians to keep it running safely.
This was just one of the issues raised last week.
We also spoke of hypersonic missiles which fly at five times the speed of sound, are low flying and evasive and thus cannot be detected by radar making it a highly destabilizing instrument of war; the deployment of tactical nuclear warheads to be used as part of a conventional attack under the absurd assumption that a limited nuclear war can be fought; and, the $1.5 trillion to be spent on modernizing the U.S. nuclear force rebuilding every leg of the nuclear triad.
Is this not some form of planetary madness?
I looked around the room at our hard-working, well-informed, occasionally disorganized group from various backgrounds and asked myself, It's up to us to save humanity? Groups like this are to pull us back from the brink? Shouldn't there be some vast international organization of Nobel laureates with global support and authority doing this? Some world agency with endless resources working every day at this? After all, we had trouble arranging the picnic tables in an orderly fashion.
No, it's just us, random groups of citizens around the world trying to save our species from extinction. My mind reeled, spun. I eventually found footing in the reassuring fields of art, poetry, music, beauty. I thought of dance.
The dance of sympathy refers to the idea that our bodies feel compelled to move in response to the music we hear. Music evokes a sympathetic connection and our bodies, regardless of where we are from, move as a result. From a waltz to a samba to Afro Dance, we come together on the floor, unknown to each other a moment before but now sharing space, swaying to the tempo, rhyming without words.
The dance of sympathy says our emotions connect us, makes two strangers rise in a room and begin to dance in unison, both responding to the music they hear. Similarly, a poem, a painting, a sculpture causes comparable outbreaks of emotional bonding. Like it or not, we are all connected, sympathetic kin transcending borders, ethnicities, and religions. This group of peacemakers in the White Mountains knew that, lived it, worked to implement it. We did not all rise and dance, thank goodness, but our hearts and minds moved in unison.
Our world is perpetually at war, injustice is rampant, and suffering is too commonly accepted or overlooked. Greed drives this malevolent chaos, corroding the spirit, emptying the heart, distorting the mind. Greed disdains beauty and art, cannot reconcile itself to fellowship, its insatiable appetite inevitably consuming all those within its reach.
Art creates order out of such chaos, brings form and shape to pain, outrage, and injustice. It also affirms love, compassion, and a shared humanity. It says, you are not alone, whether in pain or joy we travel together.
Working for peace and justice is not only the moral and right thing to do, but is also a creative expression of what it is to be human, an effort to eliminate war by bringing order to chaos and replacing violence with harmony. It is to dance in sympathy with all people. Conversely, to be a warrior, to kill, or to ignore the deeds of warriors, requires an act against self, a contraction of spirit, a shutting down. It is an isolating act, self-immolating, burning up any connection to humanity.
One night during my stay in the mountains, a woman from outside our group read from a book of poetry she had recently published. The poems were about things she should have said to her son who lost his battle with drug addiction. The subject was difficult, the poems wrenching and beautiful. One of them had the refrain, "Why did I pour so much love into every bath?" Why, if this was to be the result? She used precise rhyming schemes, sonnets and villanelles, to help order her outrage, give form and shape to her suffering. Her artistry had led her to a personal peacemaking, with herself, with her son, and the world.
As a member of one these scattered, random groups of dissident peacemakers, we try to do the same, practicing our nonviolent art, writing our saving works, using hopeful artistry to bring order to chaos and lead us through these dark, cataclysmic days so that love lurches on, cleansing, healing, restoring. May we all rise, cross our invented borders and meet in sympathetic connection. May we all be poets and peacemakers, ending this planetary madness.