(Credit: CJH/photographer unknown)
Nov 01, 2017
Harry Belafonte has been a household name across the United States and around much of the world for seventy years. He's ninety now--and his legendary resonant voice is a bit harder to decipher sometimes. He walks with a cane, and more slowly. But his mind--quicksilver, curious, funny--is as swift as ever.
He's been often worshipped and occasionally reviled for his music, his acting, his activism, his internationalism, and his commitment to justice. He's been a mentor to generations of activists, an organizer and mobilizer, and a man of biting wit. He remained a sought-after speaker up until his recent announcement that he may stop giving public appearances.
His memoir, My Song, which came out a few years ago, gives a lively insider history of the civil rights movement. But even as a best-selling author, Harry was never primarily known, at least as far as I was aware, as a literary figure, a bibliophile. Until this year.
In February, New York's 115th Street Public Library--in the very center of historic Harlem--was renamed in his honor. At the ceremony, New York City Mayor Bill de Blasio said, "Harry Belafonte has a storied career as both an artist and an advocate for New York City. His drive and initiative have had major impact in the realms of social justice, civil rights, culture, and activism, especially in the Harlem community. It is my honor and privilege to work with the New York Public Library to honor Mr. Belafonte and celebrate the life and accomplishment of this invaluable New Yorker."
The 115th Street Library was built in 1908, one of the many lending libraries built by Andrew Carnegie. It became a center of Harlem community arts and organizing. Belafonte grew up in Harlem, and he embodies much of that dual commitment, to arts and organizing, that the library--now the Harry Belafonte 115th Street Library--represents.
Last year, Belafonte was inducted into the Library Lions club--named for the iconic stone cats that have welcomed and put up with legions of climbing and clinging kids outside the entrance to the city's main public library at 42nd Street and 5th Avenue.
Asked at the Library Lions gala how he felt being inducted, he returned to his Hollywood roots, comparing it to "being in a Humphrey Bogart movie. It's such a mysterious society and when I was told I got it, I had to go, 'Oh my God. What did I do? What did I do to earn it?' I'm just very honored and touched that they offered [it to] me."
Some years ago, I heard him speak at the Institute for Policy Studies' annual human rights awards, Belafonte spoke of his own mentor, the great actor, singer and public intellectual Paul Robeson. He reminded us of what the leftwing political leader had taught him about how to be both artist and activist. He spoke of passing on what we learn--the lessons, the legacies--of those who have gone before.
And he never forgets those legacies. In a recent conversation about the Institute's work with Reverend William Barber and others leading the new Poor People's Campaign, he jumped in with a story. "The last time I spoke to Martin," he said, referring to Martin Luther King, Jr., "we were making plans for the [1968] Poor People's Campaign. Martin was getting ready to leave town and we were supposed to meet about it again when he came back--from Memphis." Just days later Dr. King would be murdered in Memphis.
At the ceremony celebrating the renaming of the library, Mr. B, as he's so often known, said, "On March 1, ninety years ago, I was born here. Harlem holds a very special place in my heart, and I'm so honored that I will now have a special place in Harlem. A library is a place for people to come together, to learn about their world and explore new ideas, things I've tried to do my entire life. I am hopeful that when people come to this place that will now bear my name, they will be inspired to learn about some of the pursuits I've held most dear--music, writing and social justice."
With the combination of the Calypso and Caribbean music he made famous, his evocative (and occasionally hilarious) memoir, and his myriad of current organizations and constant political work, it's pretty clear that Harry Belafonte's own version of that triple legacy is still on the rise.
Join Us: News for people demanding a better world
Common Dreams is powered by optimists who believe in the power of informed and engaged citizens to ignite and enact change to make the world a better place. We're hundreds of thousands strong, but every single supporter makes the difference. Your contribution supports this bold media model—free, independent, and dedicated to reporting the facts every day. Stand with us in the fight for economic equality, social justice, human rights, and a more sustainable future. As a people-powered nonprofit news outlet, we cover the issues the corporate media never will. |
© 2023 The Progressive
Phyllis Bennis
Phyllis Bennis is a fellow of the Institute for Policy Studies and serves on the national board of Jewish Voice for Peace. Her most recent book is the 7th updated edition of "Understanding the Palestinian-Israeli Conflict: A Primer" (2018). Her other books include: "Understanding the US-Iran Crisis: A Primer" (2008) and "Challenging Empire: How People, Governments, and the UN Defy US Power" (2005).
martin luther king jrwilliam barberphyllis bennispoor peoples campaigncoretta scott kingbill de blasioharry belafonte
Harry Belafonte has been a household name across the United States and around much of the world for seventy years. He's ninety now--and his legendary resonant voice is a bit harder to decipher sometimes. He walks with a cane, and more slowly. But his mind--quicksilver, curious, funny--is as swift as ever.
He's been often worshipped and occasionally reviled for his music, his acting, his activism, his internationalism, and his commitment to justice. He's been a mentor to generations of activists, an organizer and mobilizer, and a man of biting wit. He remained a sought-after speaker up until his recent announcement that he may stop giving public appearances.
His memoir, My Song, which came out a few years ago, gives a lively insider history of the civil rights movement. But even as a best-selling author, Harry was never primarily known, at least as far as I was aware, as a literary figure, a bibliophile. Until this year.
In February, New York's 115th Street Public Library--in the very center of historic Harlem--was renamed in his honor. At the ceremony, New York City Mayor Bill de Blasio said, "Harry Belafonte has a storied career as both an artist and an advocate for New York City. His drive and initiative have had major impact in the realms of social justice, civil rights, culture, and activism, especially in the Harlem community. It is my honor and privilege to work with the New York Public Library to honor Mr. Belafonte and celebrate the life and accomplishment of this invaluable New Yorker."
The 115th Street Library was built in 1908, one of the many lending libraries built by Andrew Carnegie. It became a center of Harlem community arts and organizing. Belafonte grew up in Harlem, and he embodies much of that dual commitment, to arts and organizing, that the library--now the Harry Belafonte 115th Street Library--represents.
Last year, Belafonte was inducted into the Library Lions club--named for the iconic stone cats that have welcomed and put up with legions of climbing and clinging kids outside the entrance to the city's main public library at 42nd Street and 5th Avenue.
Asked at the Library Lions gala how he felt being inducted, he returned to his Hollywood roots, comparing it to "being in a Humphrey Bogart movie. It's such a mysterious society and when I was told I got it, I had to go, 'Oh my God. What did I do? What did I do to earn it?' I'm just very honored and touched that they offered [it to] me."
Some years ago, I heard him speak at the Institute for Policy Studies' annual human rights awards, Belafonte spoke of his own mentor, the great actor, singer and public intellectual Paul Robeson. He reminded us of what the leftwing political leader had taught him about how to be both artist and activist. He spoke of passing on what we learn--the lessons, the legacies--of those who have gone before.
And he never forgets those legacies. In a recent conversation about the Institute's work with Reverend William Barber and others leading the new Poor People's Campaign, he jumped in with a story. "The last time I spoke to Martin," he said, referring to Martin Luther King, Jr., "we were making plans for the [1968] Poor People's Campaign. Martin was getting ready to leave town and we were supposed to meet about it again when he came back--from Memphis." Just days later Dr. King would be murdered in Memphis.
At the ceremony celebrating the renaming of the library, Mr. B, as he's so often known, said, "On March 1, ninety years ago, I was born here. Harlem holds a very special place in my heart, and I'm so honored that I will now have a special place in Harlem. A library is a place for people to come together, to learn about their world and explore new ideas, things I've tried to do my entire life. I am hopeful that when people come to this place that will now bear my name, they will be inspired to learn about some of the pursuits I've held most dear--music, writing and social justice."
With the combination of the Calypso and Caribbean music he made famous, his evocative (and occasionally hilarious) memoir, and his myriad of current organizations and constant political work, it's pretty clear that Harry Belafonte's own version of that triple legacy is still on the rise.
Phyllis Bennis
Phyllis Bennis is a fellow of the Institute for Policy Studies and serves on the national board of Jewish Voice for Peace. Her most recent book is the 7th updated edition of "Understanding the Palestinian-Israeli Conflict: A Primer" (2018). Her other books include: "Understanding the US-Iran Crisis: A Primer" (2008) and "Challenging Empire: How People, Governments, and the UN Defy US Power" (2005).
Harry Belafonte has been a household name across the United States and around much of the world for seventy years. He's ninety now--and his legendary resonant voice is a bit harder to decipher sometimes. He walks with a cane, and more slowly. But his mind--quicksilver, curious, funny--is as swift as ever.
He's been often worshipped and occasionally reviled for his music, his acting, his activism, his internationalism, and his commitment to justice. He's been a mentor to generations of activists, an organizer and mobilizer, and a man of biting wit. He remained a sought-after speaker up until his recent announcement that he may stop giving public appearances.
His memoir, My Song, which came out a few years ago, gives a lively insider history of the civil rights movement. But even as a best-selling author, Harry was never primarily known, at least as far as I was aware, as a literary figure, a bibliophile. Until this year.
In February, New York's 115th Street Public Library--in the very center of historic Harlem--was renamed in his honor. At the ceremony, New York City Mayor Bill de Blasio said, "Harry Belafonte has a storied career as both an artist and an advocate for New York City. His drive and initiative have had major impact in the realms of social justice, civil rights, culture, and activism, especially in the Harlem community. It is my honor and privilege to work with the New York Public Library to honor Mr. Belafonte and celebrate the life and accomplishment of this invaluable New Yorker."
The 115th Street Library was built in 1908, one of the many lending libraries built by Andrew Carnegie. It became a center of Harlem community arts and organizing. Belafonte grew up in Harlem, and he embodies much of that dual commitment, to arts and organizing, that the library--now the Harry Belafonte 115th Street Library--represents.
Last year, Belafonte was inducted into the Library Lions club--named for the iconic stone cats that have welcomed and put up with legions of climbing and clinging kids outside the entrance to the city's main public library at 42nd Street and 5th Avenue.
Asked at the Library Lions gala how he felt being inducted, he returned to his Hollywood roots, comparing it to "being in a Humphrey Bogart movie. It's such a mysterious society and when I was told I got it, I had to go, 'Oh my God. What did I do? What did I do to earn it?' I'm just very honored and touched that they offered [it to] me."
Some years ago, I heard him speak at the Institute for Policy Studies' annual human rights awards, Belafonte spoke of his own mentor, the great actor, singer and public intellectual Paul Robeson. He reminded us of what the leftwing political leader had taught him about how to be both artist and activist. He spoke of passing on what we learn--the lessons, the legacies--of those who have gone before.
And he never forgets those legacies. In a recent conversation about the Institute's work with Reverend William Barber and others leading the new Poor People's Campaign, he jumped in with a story. "The last time I spoke to Martin," he said, referring to Martin Luther King, Jr., "we were making plans for the [1968] Poor People's Campaign. Martin was getting ready to leave town and we were supposed to meet about it again when he came back--from Memphis." Just days later Dr. King would be murdered in Memphis.
At the ceremony celebrating the renaming of the library, Mr. B, as he's so often known, said, "On March 1, ninety years ago, I was born here. Harlem holds a very special place in my heart, and I'm so honored that I will now have a special place in Harlem. A library is a place for people to come together, to learn about their world and explore new ideas, things I've tried to do my entire life. I am hopeful that when people come to this place that will now bear my name, they will be inspired to learn about some of the pursuits I've held most dear--music, writing and social justice."
With the combination of the Calypso and Caribbean music he made famous, his evocative (and occasionally hilarious) memoir, and his myriad of current organizations and constant political work, it's pretty clear that Harry Belafonte's own version of that triple legacy is still on the rise.
We've had enough. The 1% own and operate the corporate media. They are doing everything they can to defend the status quo, squash dissent and protect the wealthy and the powerful. The Common Dreams media model is different. We cover the news that matters to the 99%. Our mission? To inform. To inspire. To ignite change for the common good. How? Nonprofit. Independent. Reader-supported. Free to read. Free to republish. Free to share. With no advertising. No paywalls. No selling of your data. Thousands of small donations fund our newsroom and allow us to continue publishing. Can you chip in? We can't do it without you. Thank you.