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Former readers of Mad Magazine can remember a regular feature called "Scenes We'd Like to See." It showed what might happen if candor replaced customary euphemisms and evasions. These days, what media scenes would we like to see? One aspect of news media that needs a different paradigm is the correction ritual. Newspapers are sometimes willing to acknowledge faulty reporting, but the "correction box" is routinely inadequate -- the journalistic equivalent of self-flagellation for jaywalking in the course of serving as an accessory to deadly crimes. Some daily papers are scrupulous about correcting the smallest factual errors that have made it into print. So, we learn that a first name was misspelled or a date was wrong or a person was misidentified in a photo caption. However, we rarely encounter a correction that addresses a fundamental flaw in what passes for ongoing journalism. Here are some of the basic corrections that we'd really like to see:
The new documentary film "War Made Easy: How Presidents and Pundits Keep Spinning Us to Death" is based on Norman Solomon's book of the same title. Grassroots groups have begun to show the DVD around the country. For information about the full-length movie, produced by the Media Education Foundation and narrated by Sean Penn, go here. https://www.theconnextion.com/index.cfm?ArtistID=422&NoFrame=Yes&RefID=10
Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission has always been simple: To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It's never been this bad out there. And it's never been this hard to keep us going. At the very moment Common Dreams is most needed, the threats we face are intensifying. We need your support now more than ever. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Will you donate now to make sure Common Dreams not only survives but thrives? —Craig Brown, Co-founder |
Norman Solomon is the national director of RootsAction.org and executive director of the Institute for Public Accuracy. The paperback edition of his latest book, War Made Invisible: How America Hides the Human Toll of Its Military Machine, includes an afterword about the Gaza war.
Former readers of Mad Magazine can remember a regular feature called "Scenes We'd Like to See." It showed what might happen if candor replaced customary euphemisms and evasions. These days, what media scenes would we like to see? One aspect of news media that needs a different paradigm is the correction ritual. Newspapers are sometimes willing to acknowledge faulty reporting, but the "correction box" is routinely inadequate -- the journalistic equivalent of self-flagellation for jaywalking in the course of serving as an accessory to deadly crimes. Some daily papers are scrupulous about correcting the smallest factual errors that have made it into print. So, we learn that a first name was misspelled or a date was wrong or a person was misidentified in a photo caption. However, we rarely encounter a correction that addresses a fundamental flaw in what passes for ongoing journalism. Here are some of the basic corrections that we'd really like to see:
The new documentary film "War Made Easy: How Presidents and Pundits Keep Spinning Us to Death" is based on Norman Solomon's book of the same title. Grassroots groups have begun to show the DVD around the country. For information about the full-length movie, produced by the Media Education Foundation and narrated by Sean Penn, go here. https://www.theconnextion.com/index.cfm?ArtistID=422&NoFrame=Yes&RefID=10
Norman Solomon is the national director of RootsAction.org and executive director of the Institute for Public Accuracy. The paperback edition of his latest book, War Made Invisible: How America Hides the Human Toll of Its Military Machine, includes an afterword about the Gaza war.
Former readers of Mad Magazine can remember a regular feature called "Scenes We'd Like to See." It showed what might happen if candor replaced customary euphemisms and evasions. These days, what media scenes would we like to see? One aspect of news media that needs a different paradigm is the correction ritual. Newspapers are sometimes willing to acknowledge faulty reporting, but the "correction box" is routinely inadequate -- the journalistic equivalent of self-flagellation for jaywalking in the course of serving as an accessory to deadly crimes. Some daily papers are scrupulous about correcting the smallest factual errors that have made it into print. So, we learn that a first name was misspelled or a date was wrong or a person was misidentified in a photo caption. However, we rarely encounter a correction that addresses a fundamental flaw in what passes for ongoing journalism. Here are some of the basic corrections that we'd really like to see:
The new documentary film "War Made Easy: How Presidents and Pundits Keep Spinning Us to Death" is based on Norman Solomon's book of the same title. Grassroots groups have begun to show the DVD around the country. For information about the full-length movie, produced by the Media Education Foundation and narrated by Sean Penn, go here. https://www.theconnextion.com/index.cfm?ArtistID=422&NoFrame=Yes&RefID=10