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Former readers of Mad Magazine can remember a regular feature called "Scenes We'd Like to See." It showed what might happen if candor replaced customary euphemisms and evasions. These days, what media scenes would we like to see? One aspect of news media that needs a different paradigm is the correction ritual. Newspapers are sometimes willing to acknowledge faulty reporting, but the "correction box" is routinely inadequate -- the journalistic equivalent of self-flagellation for jaywalking in the course of serving as an accessory to deadly crimes. Some daily papers are scrupulous about correcting the smallest factual errors that have made it into print. So, we learn that a first name was misspelled or a date was wrong or a person was misidentified in a photo caption. However, we rarely encounter a correction that addresses a fundamental flaw in what passes for ongoing journalism. Here are some of the basic corrections that we'd really like to see:
The new documentary film "War Made Easy: How Presidents and Pundits Keep Spinning Us to Death" is based on Norman Solomon's book of the same title. Grassroots groups have begun to show the DVD around the country. For information about the full-length movie, produced by the Media Education Foundation and narrated by Sean Penn, go here. https://www.theconnextion.com/index.cfm?ArtistID=422&NoFrame=Yes&RefID=10
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Norman Solomon is the national director of RootsAction.org and executive director of the Institute for Public Accuracy. His latest book, War Made Invisible: How America Hides the Human Toll of Its Military Machine, was published in paperback with a new afterword about the Gaza war in autumn 2024.
Former readers of Mad Magazine can remember a regular feature called "Scenes We'd Like to See." It showed what might happen if candor replaced customary euphemisms and evasions. These days, what media scenes would we like to see? One aspect of news media that needs a different paradigm is the correction ritual. Newspapers are sometimes willing to acknowledge faulty reporting, but the "correction box" is routinely inadequate -- the journalistic equivalent of self-flagellation for jaywalking in the course of serving as an accessory to deadly crimes. Some daily papers are scrupulous about correcting the smallest factual errors that have made it into print. So, we learn that a first name was misspelled or a date was wrong or a person was misidentified in a photo caption. However, we rarely encounter a correction that addresses a fundamental flaw in what passes for ongoing journalism. Here are some of the basic corrections that we'd really like to see:
The new documentary film "War Made Easy: How Presidents and Pundits Keep Spinning Us to Death" is based on Norman Solomon's book of the same title. Grassroots groups have begun to show the DVD around the country. For information about the full-length movie, produced by the Media Education Foundation and narrated by Sean Penn, go here. https://www.theconnextion.com/index.cfm?ArtistID=422&NoFrame=Yes&RefID=10
Norman Solomon is the national director of RootsAction.org and executive director of the Institute for Public Accuracy. His latest book, War Made Invisible: How America Hides the Human Toll of Its Military Machine, was published in paperback with a new afterword about the Gaza war in autumn 2024.
Former readers of Mad Magazine can remember a regular feature called "Scenes We'd Like to See." It showed what might happen if candor replaced customary euphemisms and evasions. These days, what media scenes would we like to see? One aspect of news media that needs a different paradigm is the correction ritual. Newspapers are sometimes willing to acknowledge faulty reporting, but the "correction box" is routinely inadequate -- the journalistic equivalent of self-flagellation for jaywalking in the course of serving as an accessory to deadly crimes. Some daily papers are scrupulous about correcting the smallest factual errors that have made it into print. So, we learn that a first name was misspelled or a date was wrong or a person was misidentified in a photo caption. However, we rarely encounter a correction that addresses a fundamental flaw in what passes for ongoing journalism. Here are some of the basic corrections that we'd really like to see:
The new documentary film "War Made Easy: How Presidents and Pundits Keep Spinning Us to Death" is based on Norman Solomon's book of the same title. Grassroots groups have begun to show the DVD around the country. For information about the full-length movie, produced by the Media Education Foundation and narrated by Sean Penn, go here. https://www.theconnextion.com/index.cfm?ArtistID=422&NoFrame=Yes&RefID=10