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Bad Bunny didn’t just choose a lush set design. He intentionally made history visible, reminding millions of viewers that colonial power doesn’t only claim territory, it reorganizes our whole environment.
On the world’s biggest stage, amid fireworks and spectacle, there stood the crop that enriched empires while eroding Puerto Rico’s land, labor, and sovereignty.
When Bad Bunny opened his halftime performance walking through what looked like a living sugarcane field, millions simply saw a striking stage design. But those of us involved in agricultural communities saw a protest.
Sugarcane once powered Puerto Rico’s economy. Under Spanish rule and later as a territory of the United States, vast plantations consumed the island’s most fertile lands. Once diverse farming systems created by Taíno Indigenous communities gave way to monocultures designed for export. As with all colonial systems, wealth made in Puerto Rico has long flowed outward while the ecological and social costs remain for local people to have to bear.
Across colonized lands, colonial agriculture prioritized single crops for distant markets at the expense of ecological and social prosperity and resilience—a historical legacy that today ripples through communities and commodity markets. In Puerto Rico, as in other Latin American and Caribbean countries—including my own home country, Mexico—forests were cleared and watersheds were destabilized to power the colonial economic machine. Soil health declined. Local communities' cultural ties to land were fractured, and, without power over local resources anymore, they could no longer steward landscapes as they once did. In Puerto Rico, US policies favoring industrialization over agriculture from the early 20th century onward were the final straw. Although Puerto Rico once produced most of its own food on the island, it now imports over 80%.
The image of sugarcane at the Super Bowl reminds us that land is political. It carries memories of exploitation, resilience, and identity.
What appear today as “degraded land” and disempowered communities are the ecological and social residue of economic models designed for extraction. So, in a very real sense, Bad Bunny didn’t just choose a lush set design. He intentionally made history visible, reminding millions of viewers that colonial power doesn’t only claim territory, it reorganizes our whole environment and, in doing so, reshapes culture, labor, and identity itself.
For many Puerto Ricans, the performance summoned the figure of the jíbaro—the smallholder farmer of the island’s mountainous interior, living from and with the land during colonial rule. More than a rural archetype, the jíbaro is a cultural touchstone, carried through generations in music, poetry, and oral tradition. They represent resilience and dignity, and an enduring bond between people and place—a vision of land not as commodity, but as home, heritage, and self-determination. Framed within Bad Bunny’s creative vision, land is not an asset class: It is identity and community.
Modern agricultural practices, many rooted in colonialism, have long degraded land by plundering natural ecosystems and extracting their value, often concentrating ownership in a few powerful hands. This has left us in a dire situation: At least 40% of the world’s land is now degraded, driving increasing food and water insecurity, contributing to climate change, and fueling climate migration.
To ensure our future on the planet, we must urgently prioritize land restoration and transitioning to regenerative agricultural practices. But for restoration to work, the governance model colonialism installed must be inverted. Landscapes cannot be regenerated without local decision-making power. Ecological repair and political agency go hand in hand.
As climate pressures intensify and public budgets shrink, we are seeing governments and businesses alike continue to act like ecological and social resilience is a luxury, an add-on after economic profit has been achieved. But safeguarding agricultural and ecological heritage, and placing power in the hands of local communities to be able to do this on their own terms, is a scientifically sound investment in economic resilience.
If we are serious about healing degraded landscapes—in Puerto Rico, in Mexico, across Latin America and the Caribbean, and beyond—we must ensure that the finance being used to restore does not become a new form of enclosure.
Research shows us that when communities have ownership and governance over local resources, restoration lasts. Yes, this demands real upfront investment—in soil, water, agroforestry, local enterprise, and strong community institutions. But the returns are massive: Every dollar invested in restoration can generate up to $30 in benefits.
If finance continues to channel value outward while communities carry the risk, we simply repackage (neo)colonialism in a greener language. Restoration funding must, therefore, anchor ownership and governance locally, positioning communities as architects of change, not passive recipients. And there are models already demonstrating what this can look like.
In Mexico’s Sierra Gorda, the Grupo Ecológico Sierra Gorda (GESG) has built a system where conservation and livelihoods are inseparable. Working alongside the state government, GESG has designed and implemented a public policy within the Sierra Gorda Biosphere Reserve where "forest owners" are compensated to steward forests, manage grazing responsibly, and protect biodiversity.
In simple terms, communities receive compensation for maintaining ecosystems that provide measurable public benefits—carbon sequestration, clean water, biodiversity conservation. Instead of extracting value from the land, value is generated by caring for it.
In the Sierra Gorda Biosphere Reserve, more than 300 people directly benefit from a PES (payment for ecosystem services) program covering over 14,000 hectares. GESG operates through a co-management model between civil society and the federal government, grounded in strong local participation and recognition. The goal is not short-term subsidy, but long-term institutional self-sufficiency through sub-national public policy—creating funding streams that sustain conservation while advancing community-led development.
It is a powerful example of conservation that reinforces, rather than erodes, local sovereignty. But PES alone cannot finance restoration at landscape scale; this requires a different kind of financial architecture. Regenerative blended finance offers one pathway. By combining public funds, philanthropic capital, and private investment, it can reduce risk and unlock larger flows of capital for landscape recovery. When designed well, blended finance mechanisms can accelerate ecological restoration while (and by) giving communities control.
A regeneratively-designed blended finance model treats communities as owners and co-investors, not beneficiaries. It embeds social and ecological returns alongside financial ones. It builds local financial capacity, enabling communities to negotiate, manage, and reinvest capital themselves, and strengthens local institutions so landscapes can ultimately generate their own sustainable revenue.
The image of sugarcane at the Super Bowl reminds us that land is political. It carries memories of exploitation, resilience, and identity. If we are serious about healing degraded landscapes—in Puerto Rico, in Mexico, across Latin America and the Caribbean, and beyond—we must ensure that the finance being used to restore does not become a new form of enclosure. Only then will restoration break from the patterns of the past.Most of us don’t reason our way into a larger sense of “us.” We feel our way there. Bad Bunny understands that.
When Bad Bunny was announced as the Super Bowl halftime performer, critics predicted backlash. He’d be too Spanish. Too political. Not “American” enough. The assumption was that in a country this polarized, cultural borders were fixed—and he stood on the wrong side of them.
Instead, one of the largest audiences in National Football League history tuned in. Streams surged. Album sales climbed. Millions of viewers who didn’t understand every lyric found themselves moving anyway.
Maybe nothing flipped overnight. Maybe hardened partisans didn’t suddenly renounce their politics. What happened was subtler—and more powerful. The borders didn’t collapse. They became more permeable. How did Benito Antonio Martinez Ocasio pull that off?
Bad Bunny’s Puerto Rico has endured over 400 years of exploitation. And yet his music is uplifting; his community feels resilient, not defeated. Political messaging, especially among progressives, often starts with what communications strategist Anat Shenker-Osorio describes as, “Boy, have I got a problem for you.” Bad Bunny flips the sequence. He invites us to dance first. To celebrate music and food and love and family. It feels like the greatest party on Earth.
Without lecturing, Bad Bunny’s show gave us a history lesson on over 125 years of US colonization.
When I told my husband to check out Debi Tirar Más Photos, Bad Bunny’s Grammy Album of the Year (the first Spanish language winner ever), he was reluctant. The next day, though, the album was blasting through the house. The music is so accessible because there’s something for everyone. Even within a single song, he moves across genres and generations. Having grown up in the Bronx, I was drawn to the salsa rhythms of “Baile Inolvidable.” But then the dembow pulse of “Tití Me Preguntó” had me moving too—despite years of thinking that I didn’t like reggaeton because it all sounded the same. Bad Bunny’s music loosened assumptions I hadn’t even realized I’d been carrying.
Viewers who tuned in for the spectacle of the halftime show noticed people dressed as sugar cane plants, workers climbing electrical poles, empty white plastic chairs scattered across the stage. What did it mean? I know I wasn't the only one burning a hole on the internet that evening. People don’t resist information they discover themselves, especially if they’re being entertained.
Without lecturing, Bad Bunny’s show gave us a history lesson on over 125 years of US colonization: the dismantling of Puerto Rico’s agricultural economy; environmental catastrophes; and gentrification driven by tax breaks for wealthy developers. The result: a diaspora in which 2 out of 3 Puerto Ricans now live off the island.
That’s not persuasion through argument. It’s softening through exposure.
Bad Bunny’s music is more than about Puerto Rico. It’s about countering the fear and anger-mongering being used to pit us against each other. The deliberate cultivation of suspicion that someone else is taking what’s yours—when the real plundering is happening from the top.
His approach isn’t just entertainment. It’s strategy. Not a bid to crush opponents overnight, but a patient expansion of belonging—joyful, magnetic—until the line between “us” and “them” begins to dissolve.
Instead, Bad Bunny’s jumbotron message called on people to view each other through a loving lens instead of a hateful one. Former President Barack Obama praised the performance for conveying a simple message: There is room for everyone here. Contrast that to Turning Point’s All-American Halftime Show, the alternative created for those who preferred a narrower definition of who is an American.
Some observers have compared Bad Bunny to John Lennon who also insisted that love could be politically disruptive. Lennon’s “Imagine” wasn’t about changing policy; it was a call to picture the world differently. That imaginative shift is what unsettles power. Fear-based politics relies on narrowing who counts, on who gets to define the nation. Benito is all about expansion.
The NFL executives may have worried that Americans wouldn’t understand Bad Bunny if he didn’t sing in English, but he refused to change himself to accommodate a fractured country. He made the audience stretch instead. (Duolingo reported a 35% surge in Spanish learners following his show.) Understanding doesn’t always begin with translation. It can begin with proximity.
The anger directed at Bad Bunny, writes journalist Jim Heath, is about losing control over identity. “Latino culture is framed as divisive,” writes Heath, “only because its permanence challenges an older mythology about who America is.”
We often assume persuasion begins with argument—that we must win debates before we can win anyone over. But most of us don’t reason our way into a larger sense of “us.” We feel our way there. Bad Bunny understands that. His work is an invitation: to learn about his culture, to experience joy together, to recognize how much we share. Not to contort ourselves to fit in, but to widen the circle without losing who we are. And before long, we’re dancing beside people we were warned to fear.
His approach isn’t just entertainment. It’s strategy. Not a bid to crush opponents overnight, but a patient expansion of belonging—joyful, magnetic—until the line between “us” and “them” begins to dissolve.
That’s how movements grow.
Understanding America's eugenic history helps us see the present more clearly, and why the vibrant Puerto Rican presence on America's biggest stage was an act of resistance.
When Bad Bunny took the Super Bowl halftime stage, he performed one of the most beautiful examples of refusal I have witnessed in a long time.
In a moment when Immigration and Customs Enforcement (ICE) agents are conducting mass raids in American cities designed as a spectacle for social media, when families are being torn apart and warehoused in cages in hastily constructed concentration camps, when President DonaldTrump calls Somali immigrants “garbage,” Bad Bunny showed up as the embodiment of flourishing. Vibrant. Alive. Unapologetically present, resulting in the most watched Super Bowl halftime in history.
And that presence, those enormous ratings, and that contagious joy was too much for some white supremacists to bear. I do not recommend you waste your time on Trump's knockoff social media to understand his eugenic ideology. You know what he wrote without looking, and Fox News will parrot it for him anyways.
As a psychologist who studies the roots of my discipline in eugenics, I recognized immediately what made this performance so threatening, so necessary, so brilliant. While Bad Bunny was leaving us speechless at America's most-watched sporting event, he was refusing the fundamental premise of a resurgent eugenic ideology that has always been about one question: What should America look like?
The resemblance between our current moment and the height of the eugenics movement is striking, and it is very intentional. Donald Trump is driven by the same goals as those who shaped American policy in the late 19th and early 20th centuries. Eugenics was a pseudoscientific movement aimed at "improving" the human population by deciding who was worthy of reproducing and who deserved to live in America. Through forced sterilizations (that famous Buck v Bell case that you may have heard about allowed for this), immigration restrictions, and pseudoscientific classifications, eugenicists worked to eliminate people they deemed genetically inferior, always targeting immigrants, people of color, the disabled, and the poor. The movement operated by equating non-white and certain immigrant groups with violence and insanity.
In the US, the struggle to fuse whiteness and being American has been central to our national politics.
In the 19th century, academic psychiatrists shamefully claimed that Black people were psychologically unfit for freedom. Medical journals described "drapetomania" as an alleged illness that caused enslaved African Americans to run away from their white masters. Another fabricated condition, "dysaesthesia aethiopica," was characterized as a form of madness manifest by "rascality" and "disrespect for the master's property," supposedly cured by "extensive whipping."
Today, we see carbon copies of this dehumanization. Trump shares videos depicting the Obamas as monkeys. His administration unconstitutionally deports our neighbors to Venezuela, treating human beings as disposable contaminants. Homeland Security Secretary Kristi Noem stages photo ops at concentration camps, transforming sites of human suffering into backdrops for political theater.
My discipline of psychology, under the guise of rationality and objectivity, has been able to cause tremendous harm. This is the trick of eugenic projects: By cloaking racist ideology under the seemingly objective rubric of biological science, it becomes nearly impossible to discern or critique. Psychology created the institutional infrastructure that made them policy. IQ tests are one of these manufactured tricks. In 1912, immigrants arriving at Ellis Island became the first group to have these tests administered to them. And like today, different classes experienced different encounters with justice, as the Epstein Files make so palpable for us. Back in 1912, only those in steerage were subject to examination; those who could afford more posh accommodations were exempt. According to the supposed "scientific" results produced by psychologist Henry Goddard, over 80% of all Jewish, Polish, Italian, Hungarian, and Russian immigrants were "feeble-minded defectives."
Carl Brigham, one of these eugenic psychologists, went on to develop the SAT. The direct line from eugenic IQ tests to college gatekeeping runs straight through to today. Current "merit-based immigration" proposals echo this same logic: using supposedly objective measures to determine who deserves to be American, who gets to stay, whose children get opportunities.
And these psychologists have frequently collaborated with the US government, including in recent decades when they helped the government devise the most effective torture methods, breaking many ethics codes along the way. Lewis Terman, a psychologist who worked on the Army intelligence tests in the early 20th century, bragged that the exam "enabled psychology to become a beacon of light in the eugenics movement" and was especially proud of how these tests could be used to reshape national policy on immigrants. Terman’s wish was unfortunately granted, and these eugenic legacies were braided into the fabric of American policy including immigration law, education, criminal justice, voting rights.
Between 1875 and 1924, Congress entertained many immigration bills and if we study them we can see the strategies that are playing out today with more clarity as well. For instance in 1915, Assistant Attorney General LE Cofer was openly advocating deportations on eugenic grounds. Another legislation in 1917 allotted a five-year period for deportation of immigrants who were later found to be in "excludible classes." Deportations were considered by these eugenicists as self-defense. In 1928, Eugenical News listed as a priority "the deportation of all aliens illegally entered." They wrote: "The man whose introduction to American life comes through breaking the quota act is prima facie an undesirable."
The eugenic resurgence fueled by the terror of losing dominance fuels the crises we are living through today.
This is sounding eerily familiar, isn't it? Listen to current administration officials. Trump. Pam Bondi. JD Vance. Karoline Leavitt. This exact rhetoric is being repeated today. Equating people from other countries with criminals is a basic eugenic principle. Today's "border crisis" framing, the claims that undocumented immigrants are inherently criminal, the mass deportation plans, these are old-school eugenic principles with a fresh coat of white paint.
In the US, the struggle to fuse whiteness and being American has been central to our national politics. Immigrants during the height of eugenics were viewed as interlopers; along with Black Americans, they were seen as less pure bodies polluting the well-being of the entire country. Psychologists and other supposed experts made these sentiments appear scientifically valid and politically viable by arming themselves with photographs, charts, statistics, and quantified statements.
The goal of these eugenicists was "bettering and protecting the white race," the same obsession we see in the Great Replacement Theory today. This is not fringe conspiracy anymore. In 2022, a white supremacist murdered 10 Black people at a Buffalo supermarket, explicitly motivated by Great Replacement ideology. In 2019, another killed 23 people at an El Paso Walmart, targeting Latinx shoppers with the same beliefs. Tucker Carlson promotes this theory every chance he gets. Congressional Republicans now use this language openly, warning about "demographic replacement" and the need to preserve "Western civilization."
History has taught us that progress toward justice can be met with pushback, and the burden of this pushback is often heaviest on those who for various reasons have fewer resources to defend themselves. Eugenics never left us. It transmuted, it became absorbed into insidious institutions, into redlining, into the school system, into the carceral state. But there were also real movements toward justice, civil rights organizers, community activists, families, and advocates who fought for decades to untangle eugenic legacies from our policies and institutions. They won important victories. And it is precisely these gains that white supremacists cannot bear. When the status of their imagined racial hierarchy is questioned, when their power is genuinely threatened, they respond with violence and state power. The eugenic resurgence fueled by the terror of losing dominance fuels the crises we are living through today.
Eugenicist Robert Ward, influential in getting the Immigration Act of 1924 passed, said with awful transparency: "We constantly speak of the need of more hands to do our labor. We forget that we are importing not hands alone but bodies also." Eugenicists repeatedly claimed to champion American workers while actually protecting white supremacy. It was never about labor, it was about bodies, about whose body was to be protected and whose body was to be disposable.
Where Trump represents all-consuming exclusion, Bad Bunny embodied refusal, joy, and reunification.
Today's anti-immigrant rhetoric follows the same script. Trump campaigned on protecting working-class jobs from immigrant "invasion," despite no evidence of that happening. But his administration's actual policies tell a different story: Mass deportations intensify the already overwhelming labor shortage in the construction industry, creating labor shortages that hurt local economies as farms and business are forced to close. Meanwhile, the administration busts unions, enriches billionaire donors (under Trump billionaires have gotten $1.5 trillion richer in the past year) and himself, and imposes tariffs that drive up prices for working families.
Many voted for Trump because they desperately wanted someone to address economic inequity. Instead, they got eugenic scapegoating, blaming immigrants for problems caused by the wealthy and powerful. The claim is protecting American workers. The reality is a war on poor and working people of all backgrounds, while the rich face zero accountability for devastating our communities.
Which brings us back to the Super Bowl halftime show. The great American sport. The NFL. And there, at the center of it all, was an unabashed celebration of the Americans who are very much the target of ICE's raids today.
Bad Bunny didn't offer a speech or a slogan. He offered his entire being. The visual references to Hurricane Maria were unmistakable, the storm that killed nearly 3,000 Puerto Ricans while Trump threw paper towels and claimed they "want everything done for them." The ongoing refusal of statehood. The deliberate undercount of the death toll. This is eugenic neglect: the decision to let "undesirable" populations suffer and die because their lives are deemed less valuable.
The whole performance was dynamic, alive, vibrating with joy. It refused the fusion of whiteness and American identity that eugenics has always demanded. This is resistance through presence braided with brilliant critical analysis. Resistance through flourishing in his full humanity, in the full humanity of his community, on the biggest stage in America. Where Trump represents all-consuming exclusion, Bad Bunny embodied refusal, joy, and reunification. Not just saying but doing. His presence was an embodiment of flourishing that the eugenic imagination cannot accommodate.
The only thing stronger than hate is love.
Understanding eugenics helps us understand the present. It reveals that what we're witnessing is not an aberration but a recurrence, a resurgence of an ideology with a long life, an ideology that has been picked up by many political agendas over the decades. Trump has never been original once his entire life.
In my studies, I look at who is considered criminal or immoral. It has always been the immigrant. The disabled. It has always been Black people and people of color. Studying eugenics teaches us that policies presented as common sense, as economic necessity, as protecting American workers, as maintaining order, they are often merely covers for racial elimination.
He showed up and said: This is America too.
Our communities cannot be eliminated. "Seguimos aquí"—we are still here—Bad Bunny ended the performance with those words. Benito Antonio Martínez Ocasio refused to be erased, refused to shrink, refused to disappear. Showing up with joy is indeed a form of power, and gorgeous, infectious resistance. While the administration builds concentration camps, rips apart families, and unleashes violence against communities exercising their constitutional rights, Bad Bunny danced, swaggered, made us all fall in love with freedom itself. He showed up and said: This is America too.
That kind of presence, that kind of refusal, that kind of joy, it's too much for the eugenicists to bear.
Let's do more of this, America.