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A man waits at a bus stop below graffiti art by Banksy on a wall in Great Yarmouth, one of several new works from his road trip in seaside towns portrayed in "A Great British Spraycation." Photo by JUSTIN TALLIS/AFP via Getty Images
Taking a break from the God-awful news - burning planet, dying children, racism unending, earthquakes - to join the "Great English Spraycation" of self-described "overrated graffiti artist" Banksy as he takes his ragged RV through a parade of seaside towns to create his latest marvels of art, wit, rage and joy. As ever, his new works - a panoply of children, dancing, rats, gulls, cranes, hermit crabs denouncing homelessness - simultaneously delight and illuminate our ills, confirming his maxim, "There's nothing more dangerous than someone who wants to make the world a better place."
We'll get back to the God-awful news - burning planet, dying children, earthquakes, corruption, the carnage of senseless lost wars, racism unending - which clearly isn't going anywhere. But for now what better way to take a break than joining street artist Banksy as he cruises through a parade of seaside towns in his ragged RV to create his latest marvels of art, wit, rage and joy. Days after reports of a possible string of new Banksy murals across coastal England, the still-anonymous, self-described "overrated graffiti artist" - "Nobody ever listened to me until they didn't know who I was" - confirmed the new works are his in a cool-unto-itself video of his "Great English Spraycation." Accompanied by a lively accordion rendition of Dance Monkey by Australian singer Tones & I, Banksy rambles through the modest towns of Lowestoft, Gorleston, Oulton Broad, Cromer, and Great Yarmouth, with fellow-travelers sometimes filming the son of Bristol at his furtive work.
Banksy's themes are very much of the world, with whimsy added: During the early days of COVID, he raised millions for health charities with his Game Changer kid playing with a superhero nurse; his Create Escape mural on the former Reading prison, its inmate escaping down a spool of paper, was a tribute to Oscar Wilde and the power of art from a guy who's argued, "Graffiti is one of the few tools you have if you have almost nothing"; locals suspect the spraycation is his way of helping hardscrabble areas win their 2025 UK City of Culture bids. As usual, his wry new pieces - a panoply of rats at play, gulls with chips, cranes plucking, folks dancing, hermit crabs personifying homelessness and kids battling climate change - manage to simultaneously delight and illuminate our ills, confirming his maxim, "There's nothing more dangerous than someone who wants to make the world a better place." Not everyone values his latest effort: His video drolly includes a cranky older woman declaring it "mindless vandalism." Nevertheless, he persists. "A wall is a very big weapon," he says. "It's one of the nastiest things you can hit someone with."
Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission has always been simple: To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It's never been this bad out there. And it's never been this hard to keep us going. At the very moment Common Dreams is most needed, the threats we face are intensifying. We need your support now more than ever. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Will you donate now to make sure Common Dreams not only survives but thrives? —Craig Brown, Co-founder |
We'll get back to the God-awful news - burning planet, dying children, earthquakes, corruption, the carnage of senseless lost wars, racism unending - which clearly isn't going anywhere. But for now what better way to take a break than joining street artist Banksy as he cruises through a parade of seaside towns in his ragged RV to create his latest marvels of art, wit, rage and joy. Days after reports of a possible string of new Banksy murals across coastal England, the still-anonymous, self-described "overrated graffiti artist" - "Nobody ever listened to me until they didn't know who I was" - confirmed the new works are his in a cool-unto-itself video of his "Great English Spraycation." Accompanied by a lively accordion rendition of Dance Monkey by Australian singer Tones & I, Banksy rambles through the modest towns of Lowestoft, Gorleston, Oulton Broad, Cromer, and Great Yarmouth, with fellow-travelers sometimes filming the son of Bristol at his furtive work.
Banksy's themes are very much of the world, with whimsy added: During the early days of COVID, he raised millions for health charities with his Game Changer kid playing with a superhero nurse; his Create Escape mural on the former Reading prison, its inmate escaping down a spool of paper, was a tribute to Oscar Wilde and the power of art from a guy who's argued, "Graffiti is one of the few tools you have if you have almost nothing"; locals suspect the spraycation is his way of helping hardscrabble areas win their 2025 UK City of Culture bids. As usual, his wry new pieces - a panoply of rats at play, gulls with chips, cranes plucking, folks dancing, hermit crabs personifying homelessness and kids battling climate change - manage to simultaneously delight and illuminate our ills, confirming his maxim, "There's nothing more dangerous than someone who wants to make the world a better place." Not everyone values his latest effort: His video drolly includes a cranky older woman declaring it "mindless vandalism." Nevertheless, he persists. "A wall is a very big weapon," he says. "It's one of the nastiest things you can hit someone with."
We'll get back to the God-awful news - burning planet, dying children, earthquakes, corruption, the carnage of senseless lost wars, racism unending - which clearly isn't going anywhere. But for now what better way to take a break than joining street artist Banksy as he cruises through a parade of seaside towns in his ragged RV to create his latest marvels of art, wit, rage and joy. Days after reports of a possible string of new Banksy murals across coastal England, the still-anonymous, self-described "overrated graffiti artist" - "Nobody ever listened to me until they didn't know who I was" - confirmed the new works are his in a cool-unto-itself video of his "Great English Spraycation." Accompanied by a lively accordion rendition of Dance Monkey by Australian singer Tones & I, Banksy rambles through the modest towns of Lowestoft, Gorleston, Oulton Broad, Cromer, and Great Yarmouth, with fellow-travelers sometimes filming the son of Bristol at his furtive work.
Banksy's themes are very much of the world, with whimsy added: During the early days of COVID, he raised millions for health charities with his Game Changer kid playing with a superhero nurse; his Create Escape mural on the former Reading prison, its inmate escaping down a spool of paper, was a tribute to Oscar Wilde and the power of art from a guy who's argued, "Graffiti is one of the few tools you have if you have almost nothing"; locals suspect the spraycation is his way of helping hardscrabble areas win their 2025 UK City of Culture bids. As usual, his wry new pieces - a panoply of rats at play, gulls with chips, cranes plucking, folks dancing, hermit crabs personifying homelessness and kids battling climate change - manage to simultaneously delight and illuminate our ills, confirming his maxim, "There's nothing more dangerous than someone who wants to make the world a better place." Not everyone values his latest effort: His video drolly includes a cranky older woman declaring it "mindless vandalism." Nevertheless, he persists. "A wall is a very big weapon," he says. "It's one of the nastiest things you can hit someone with."