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Precisely 100 years after the deadly fact, long-traumatized black descendants of the 1921 Tulsa Massacre are marking, grieving, demanding reparations from and seeking to break a "conspiracy of silence" about one of the worst acts of mass racial violence in a country that's committed more than its share of it. Still beset by glaring racial disparity, the city remains "sacred land (but) also a crime scene" - especially for survivors who "still see smoke and smell fire."

The denizens of Black Wall Street
Precisely 100 years after the gruesome fact, traumatized black descendants of the 1921 Tulsa Massacre - long, infamously, tellingly deemed "a race riot" - are marking, grieving, demanding reparations from and seeking to break the "conspiracy of silence" around one of the most deadly acts of mass racial violence in a country that's committed more than its share of it. In a city still plagued by racial disparity, residents and officials have vowed to "remember and rise" with a host of events and initiatives aimed at "shining a light on one of the darkest days in America's history." Over 18 hours spanning May 31 and June 1, 1921, a savage white mob descended on the thriving, all-black North Tulsa neighborhood of Greenwood, known as "Black Wall Street," after they failed to lynch a young black shoeshiner who - shades of Emmett Till - may or may not have accidentally stepped on the foot of a white elevator attendant. In under 24 hours, they leveled more than 35 city blocks: White marauders, deputized by police and aided by white pilots dropping kerosene bombs from above, looted and burned over 1,200 black businesses, churches, homes, leaving 10,000 residents homeless. Over 300 black people were killed, and 800 were shot or wounded; witnesses described seeing dozens of black bodies dropped from bridges into the Arkansas River or thrown into unmarked graves. Still, headlines of the day shrieked, "Two Whites Dead in Race Riot" and "Race War Rages" in what was dubbed "Little Africa." After the fires were put out, insurance companies denied most of the black survivors' claims totaling about $1.8 million, or roughly $27 million today. No black victim or descendant was ever compensated, and no white person was punished or imprisoned for the violence.
For decades, the story of the massacre was virtually silenced - buried in city records, whitewashed in history books, skipped over in schools, with only small metal plaques to mark businesses destroyed and its victims relegated to "this country's corrosive amnesia" over race. But amidst the ongoing, if imperfect racial reckoning of recent years, and with the centennial approaching, a broad coalition of Tulsa groups undertook a campaign to commemorate the event as "a beacon of reconciliation." Its Centennial Commission - "Tulsa Triumphs" - raised $30 million and built a history center and museum, Greenwood Rising; a new Black Wall Street Times opened, and through May ran a series of cartoons about the massacre and its impact on black children - "Is the world on fire?"; hashtags - #Greenwood Rising and #Remember Tulsa - sprang up; Tulsa County Democrats called for the recognition of ongoing racism; this week's events include the belated exhuming of 12 massacre-era coffins from "where nobody is supposed to be buried." At the same time, hard truths about "reconciliation" - and the inadequacy of a museum to provide it - have also surfaced. Because saying you're sorry isn't the same as making amends for grievous, real-life losses, many have long argued that monetary reparations must be made for justice to be served and healing to begin. Now, three survivors - 107-year-old Viola Fletcher, 106-year-old Lessie Benningfield Randle and 100-year-old Hughes Van Ellis - and other victims' descendants are suing multiple city agencies under the state's public nuisance statute for reparations; they also seek to establish a victims' compensation fund to acknowledge, "This is sacred land, but it's also a crime scene."
With a black poverty rate over double that of whites, a history of police brutality, the 2016 killing of an unarmed Terence Crutcher, and an interstate in the middle of Tulsa re-enforcing de facto segregation, it's also what many black residents argue is "a continual massacre." "Tulsa is very much a microcosm," says the director of a new documentary about the 1921 massacre. "All the issues the country is continuing to confront or struggle with are writ large." Among descendants of the massacre, they're magnified by a keen awareness of the generational wealth lost to them, a sense "of where I could be versus where I am." Those tensions came into stark relief when Monday's big Remember & Rise event, featuring headliner John Legend and keynote speaker Stacey Abrams, was abruptly canceled after a squabble over reparations. A deal to pay just $100,000 to each survivor and $2 million in seed money for a descendants' fund fell apart after their lead attorney reportedly upped the amount to $1 million each and $50 million for the fund. Many supported the change, blasting the exploitation of survivors and their stories in the name of profit. "Yes, how dare (they) ask for 10% of the $30 MILLION raised by a committee that wants to display them onstage at an event ABOUT THEIR SUFFERING," fumed one, "expecting them to be grateful while the descendants of those who burned Greenwood to the ground keep profiting/exploiting them for tourism." For survivors, meanwhile, the trauma remains. Testifying recently about reparations, Viola Fletcher, the oldest survivor, told Congress, "I am here seeking justice" for a crime she relives every day: "I still see smoke and smell fire." 100 years later, with clear memories of the mob, she still sleeps sitting up on a couch with the lights on. "Being in the dark, I can't see how to get out," she said. "I can't see who is coming in."







Dear Common Dreams reader, It’s been nearly 30 years since I co-founded Common Dreams with my late wife, Lina Newhouser. We had the radical notion that journalism should serve the public good, not corporate profits. It was clear to us from the outset what it would take to build such a project. No paid advertisements. No corporate sponsors. No millionaire publisher telling us what to think or do. Many people said we wouldn't last a year, but we proved those doubters wrong. Together with a tremendous team of journalists and dedicated staff, we built an independent media outlet free from the constraints of profits and corporate control. Our mission has always been simple: To inform. To inspire. To ignite change for the common good. Building Common Dreams was not easy. Our survival was never guaranteed. When you take on the most powerful forces—Wall Street greed, fossil fuel industry destruction, Big Tech lobbyists, and uber-rich oligarchs who have spent billions upon billions rigging the economy and democracy in their favor—the only bulwark you have is supporters who believe in your work. But here’s the urgent message from me today. It's never been this bad out there. And it's never been this hard to keep us going. At the very moment Common Dreams is most needed, the threats we face are intensifying. We need your support now more than ever. We don't accept corporate advertising and never will. We don't have a paywall because we don't think people should be blocked from critical news based on their ability to pay. Everything we do is funded by the donations of readers like you. When everyone does the little they can afford, we are strong. But if that support retreats or dries up, so do we. Will you donate now to make sure Common Dreams not only survives but thrives? —Craig Brown, Co-founder |

The denizens of Black Wall Street
Precisely 100 years after the gruesome fact, traumatized black descendants of the 1921 Tulsa Massacre - long, infamously, tellingly deemed "a race riot" - are marking, grieving, demanding reparations from and seeking to break the "conspiracy of silence" around one of the most deadly acts of mass racial violence in a country that's committed more than its share of it. In a city still plagued by racial disparity, residents and officials have vowed to "remember and rise" with a host of events and initiatives aimed at "shining a light on one of the darkest days in America's history." Over 18 hours spanning May 31 and June 1, 1921, a savage white mob descended on the thriving, all-black North Tulsa neighborhood of Greenwood, known as "Black Wall Street," after they failed to lynch a young black shoeshiner who - shades of Emmett Till - may or may not have accidentally stepped on the foot of a white elevator attendant. In under 24 hours, they leveled more than 35 city blocks: White marauders, deputized by police and aided by white pilots dropping kerosene bombs from above, looted and burned over 1,200 black businesses, churches, homes, leaving 10,000 residents homeless. Over 300 black people were killed, and 800 were shot or wounded; witnesses described seeing dozens of black bodies dropped from bridges into the Arkansas River or thrown into unmarked graves. Still, headlines of the day shrieked, "Two Whites Dead in Race Riot" and "Race War Rages" in what was dubbed "Little Africa." After the fires were put out, insurance companies denied most of the black survivors' claims totaling about $1.8 million, or roughly $27 million today. No black victim or descendant was ever compensated, and no white person was punished or imprisoned for the violence.
For decades, the story of the massacre was virtually silenced - buried in city records, whitewashed in history books, skipped over in schools, with only small metal plaques to mark businesses destroyed and its victims relegated to "this country's corrosive amnesia" over race. But amidst the ongoing, if imperfect racial reckoning of recent years, and with the centennial approaching, a broad coalition of Tulsa groups undertook a campaign to commemorate the event as "a beacon of reconciliation." Its Centennial Commission - "Tulsa Triumphs" - raised $30 million and built a history center and museum, Greenwood Rising; a new Black Wall Street Times opened, and through May ran a series of cartoons about the massacre and its impact on black children - "Is the world on fire?"; hashtags - #Greenwood Rising and #Remember Tulsa - sprang up; Tulsa County Democrats called for the recognition of ongoing racism; this week's events include the belated exhuming of 12 massacre-era coffins from "where nobody is supposed to be buried." At the same time, hard truths about "reconciliation" - and the inadequacy of a museum to provide it - have also surfaced. Because saying you're sorry isn't the same as making amends for grievous, real-life losses, many have long argued that monetary reparations must be made for justice to be served and healing to begin. Now, three survivors - 107-year-old Viola Fletcher, 106-year-old Lessie Benningfield Randle and 100-year-old Hughes Van Ellis - and other victims' descendants are suing multiple city agencies under the state's public nuisance statute for reparations; they also seek to establish a victims' compensation fund to acknowledge, "This is sacred land, but it's also a crime scene."
With a black poverty rate over double that of whites, a history of police brutality, the 2016 killing of an unarmed Terence Crutcher, and an interstate in the middle of Tulsa re-enforcing de facto segregation, it's also what many black residents argue is "a continual massacre." "Tulsa is very much a microcosm," says the director of a new documentary about the 1921 massacre. "All the issues the country is continuing to confront or struggle with are writ large." Among descendants of the massacre, they're magnified by a keen awareness of the generational wealth lost to them, a sense "of where I could be versus where I am." Those tensions came into stark relief when Monday's big Remember & Rise event, featuring headliner John Legend and keynote speaker Stacey Abrams, was abruptly canceled after a squabble over reparations. A deal to pay just $100,000 to each survivor and $2 million in seed money for a descendants' fund fell apart after their lead attorney reportedly upped the amount to $1 million each and $50 million for the fund. Many supported the change, blasting the exploitation of survivors and their stories in the name of profit. "Yes, how dare (they) ask for 10% of the $30 MILLION raised by a committee that wants to display them onstage at an event ABOUT THEIR SUFFERING," fumed one, "expecting them to be grateful while the descendants of those who burned Greenwood to the ground keep profiting/exploiting them for tourism." For survivors, meanwhile, the trauma remains. Testifying recently about reparations, Viola Fletcher, the oldest survivor, told Congress, "I am here seeking justice" for a crime she relives every day: "I still see smoke and smell fire." 100 years later, with clear memories of the mob, she still sleeps sitting up on a couch with the lights on. "Being in the dark, I can't see how to get out," she said. "I can't see who is coming in."








The denizens of Black Wall Street
Precisely 100 years after the gruesome fact, traumatized black descendants of the 1921 Tulsa Massacre - long, infamously, tellingly deemed "a race riot" - are marking, grieving, demanding reparations from and seeking to break the "conspiracy of silence" around one of the most deadly acts of mass racial violence in a country that's committed more than its share of it. In a city still plagued by racial disparity, residents and officials have vowed to "remember and rise" with a host of events and initiatives aimed at "shining a light on one of the darkest days in America's history." Over 18 hours spanning May 31 and June 1, 1921, a savage white mob descended on the thriving, all-black North Tulsa neighborhood of Greenwood, known as "Black Wall Street," after they failed to lynch a young black shoeshiner who - shades of Emmett Till - may or may not have accidentally stepped on the foot of a white elevator attendant. In under 24 hours, they leveled more than 35 city blocks: White marauders, deputized by police and aided by white pilots dropping kerosene bombs from above, looted and burned over 1,200 black businesses, churches, homes, leaving 10,000 residents homeless. Over 300 black people were killed, and 800 were shot or wounded; witnesses described seeing dozens of black bodies dropped from bridges into the Arkansas River or thrown into unmarked graves. Still, headlines of the day shrieked, "Two Whites Dead in Race Riot" and "Race War Rages" in what was dubbed "Little Africa." After the fires were put out, insurance companies denied most of the black survivors' claims totaling about $1.8 million, or roughly $27 million today. No black victim or descendant was ever compensated, and no white person was punished or imprisoned for the violence.
For decades, the story of the massacre was virtually silenced - buried in city records, whitewashed in history books, skipped over in schools, with only small metal plaques to mark businesses destroyed and its victims relegated to "this country's corrosive amnesia" over race. But amidst the ongoing, if imperfect racial reckoning of recent years, and with the centennial approaching, a broad coalition of Tulsa groups undertook a campaign to commemorate the event as "a beacon of reconciliation." Its Centennial Commission - "Tulsa Triumphs" - raised $30 million and built a history center and museum, Greenwood Rising; a new Black Wall Street Times opened, and through May ran a series of cartoons about the massacre and its impact on black children - "Is the world on fire?"; hashtags - #Greenwood Rising and #Remember Tulsa - sprang up; Tulsa County Democrats called for the recognition of ongoing racism; this week's events include the belated exhuming of 12 massacre-era coffins from "where nobody is supposed to be buried." At the same time, hard truths about "reconciliation" - and the inadequacy of a museum to provide it - have also surfaced. Because saying you're sorry isn't the same as making amends for grievous, real-life losses, many have long argued that monetary reparations must be made for justice to be served and healing to begin. Now, three survivors - 107-year-old Viola Fletcher, 106-year-old Lessie Benningfield Randle and 100-year-old Hughes Van Ellis - and other victims' descendants are suing multiple city agencies under the state's public nuisance statute for reparations; they also seek to establish a victims' compensation fund to acknowledge, "This is sacred land, but it's also a crime scene."
With a black poverty rate over double that of whites, a history of police brutality, the 2016 killing of an unarmed Terence Crutcher, and an interstate in the middle of Tulsa re-enforcing de facto segregation, it's also what many black residents argue is "a continual massacre." "Tulsa is very much a microcosm," says the director of a new documentary about the 1921 massacre. "All the issues the country is continuing to confront or struggle with are writ large." Among descendants of the massacre, they're magnified by a keen awareness of the generational wealth lost to them, a sense "of where I could be versus where I am." Those tensions came into stark relief when Monday's big Remember & Rise event, featuring headliner John Legend and keynote speaker Stacey Abrams, was abruptly canceled after a squabble over reparations. A deal to pay just $100,000 to each survivor and $2 million in seed money for a descendants' fund fell apart after their lead attorney reportedly upped the amount to $1 million each and $50 million for the fund. Many supported the change, blasting the exploitation of survivors and their stories in the name of profit. "Yes, how dare (they) ask for 10% of the $30 MILLION raised by a committee that wants to display them onstage at an event ABOUT THEIR SUFFERING," fumed one, "expecting them to be grateful while the descendants of those who burned Greenwood to the ground keep profiting/exploiting them for tourism." For survivors, meanwhile, the trauma remains. Testifying recently about reparations, Viola Fletcher, the oldest survivor, told Congress, "I am here seeking justice" for a crime she relives every day: "I still see smoke and smell fire." 100 years later, with clear memories of the mob, she still sleeps sitting up on a couch with the lights on. "Being in the dark, I can't see how to get out," she said. "I can't see who is coming in."






