In creating his now iconic Obama "Hope" poster, Shepard Fairey went from being a cult street art figure to an artist synonymous with Barack Obama's revolutionary 2008 presidential campaign.
But the artist, whose stylized portrait was emblematic of change, said he hasn't been wowed by Obama's performance in the White House thus far.
is to me a quality human being and someone that, given the limitations
of the two-party system, that's trying to do a good job," Fairey told
Niteside at a book signing at the Brooklyn Museum on Sunday.
"But I have to grade the whole thing on a curve because the two-party system to me is not yielding the results I want to see."
Fairey, who is engaged in a lawsuit with the Associated Press
over the use of one of the news agency's photos as a reference for the
artist's iconic work, is pleased, however, with the role his art played
in the Obama campaign.
very proud of the Obama poster ... because it's an image that showed that
someone outside of mainstream politics, outside of corporate lobbyists
could do something that affected what's going on in politics," Fairey
said. "I think what really is the problem with the two-party system is
that it's very difficult for people without power to make a difference
unless they try very hard. But the more people that do try, the easier
the Obama poster made him household name, the underground spirit of his
Obey stickers and posters, which have been plastered around the world,
is what endears Fairey to the work that initially made him a street art
say the grassroots, do-it-yourself ethos of the Obey campaign is what's
more important to me because it's about doing something with very
little resources and building a following and building a platform to
communicate," he said.