U.S. Marine stands with Vietnamese children as they watch their house burn after a patrol set it ablaze after finding AK-47 ammunition, Jan. 13, 1971, 25 miles south of Da Nang. (Photo: HJ/AP)
Sep 29, 2017
"I think that when Americans talk about the Vietnam War ... we tend to talk only about ourselves. But if we really want to understand it ... or try to answer the fundamental question, 'What happened?' You've got to triangulate," says filmmaker Ken Burns of his celebrated PBS documentary series "The Vietnam War." "You've got to know what's going on. And we have many battles in which you've got South Vietnamese soldiers and American advisors or ... their counterparts and Vietcong or North Vietnamese. You have to get in there and understand what they're thinking."
"War is not combat, though combat is a part of war."
Burns and his co-director Lynn Novick spent 10 years on "The Vietnam War," assisted by their producer Sarah Botstein, writer Geoffrey Ward, 24 advisors, and others. They assembled 25,000 photographs, feature close to 80 interviews of Americans and Vietnamese, and spent $30 million on the project. The resulting 18-hour series is a marvel of storytelling, something in which Burns and Novick take obvious pride. "The Vietnam War" provides lots of great vintage film footage, stunning photos, a solid Age of Aquarius soundtrack, and plenty of striking soundbites. Maybe this is what Burns means by triangulation. The series seems expertly crafted to appeal to the widest possible American audience. But as far as telling us "what happened," I don't see much evidence of that.
Like Burns and Novick, I also spent a decade working on a Vietnam War epic, though carried out on a far more modest budget, a book titled "Kill Anything That Moves." Like Burns and Novick, I spoke with military men and women, Americans and Vietnamese. Like Burns and Novick, I thought I could learn "what happened" from them. It took me years to realize that I was dead wrong. That might be why I find "The Vietnam War" and its seemingly endless parade of soldier and guerrilla talking heads so painful to watch.
War is not combat, though combat is a part of war. Combatants are not the main participants in modern war. Modern war affects civilians far more and far longer than combatants. Most American soldiers and Marines spent 12 or 13 months, respectively, serving in Vietnam. Vietnamese from what was once South Vietnam, in provinces like Quang Nam, Quang Ngai, Binh Dinh, as well as those of the Mekong Delta - rural population centers that were also hotbeds of the revolution -- lived the war week after week, month after month, year after year, from one decade into the next. Burns and Novick seem to have mostly missed these people, missed their stories, and, consequently, missed the dark heart of the conflict.
Read the full article at The Intercept.
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Nick Turse
Nick Turse is the Managing Editor of TomDispatch.com and a fellow at the Type Media Center. His latest book is "Next Time They'll Come to Count the Dead: War and Survival in South Sudan" (2016). He is the author/editor of several other books, including: "Tomorrow's Battlefield: U.S. Proxy Wars and Secret Ops in Africa" (2015); "Kill Anything That Moves: The Real American War in Vietnam" (2013); "The Changing Face of Empire: Special Ops, Drones, Spies, Proxy Fighters, Secret Bases, and Cyber Warfare" (2012); "The Complex: How the Military Invades Our Everyday Lives" (2009); and "The Case for Withdrawal from Afghanistan" (2010). Turse was a fellow at Harvard University's Radcliffe Institute. His website is www.Nick Turse.com.
"I think that when Americans talk about the Vietnam War ... we tend to talk only about ourselves. But if we really want to understand it ... or try to answer the fundamental question, 'What happened?' You've got to triangulate," says filmmaker Ken Burns of his celebrated PBS documentary series "The Vietnam War." "You've got to know what's going on. And we have many battles in which you've got South Vietnamese soldiers and American advisors or ... their counterparts and Vietcong or North Vietnamese. You have to get in there and understand what they're thinking."
"War is not combat, though combat is a part of war."
Burns and his co-director Lynn Novick spent 10 years on "The Vietnam War," assisted by their producer Sarah Botstein, writer Geoffrey Ward, 24 advisors, and others. They assembled 25,000 photographs, feature close to 80 interviews of Americans and Vietnamese, and spent $30 million on the project. The resulting 18-hour series is a marvel of storytelling, something in which Burns and Novick take obvious pride. "The Vietnam War" provides lots of great vintage film footage, stunning photos, a solid Age of Aquarius soundtrack, and plenty of striking soundbites. Maybe this is what Burns means by triangulation. The series seems expertly crafted to appeal to the widest possible American audience. But as far as telling us "what happened," I don't see much evidence of that.
Like Burns and Novick, I also spent a decade working on a Vietnam War epic, though carried out on a far more modest budget, a book titled "Kill Anything That Moves." Like Burns and Novick, I spoke with military men and women, Americans and Vietnamese. Like Burns and Novick, I thought I could learn "what happened" from them. It took me years to realize that I was dead wrong. That might be why I find "The Vietnam War" and its seemingly endless parade of soldier and guerrilla talking heads so painful to watch.
War is not combat, though combat is a part of war. Combatants are not the main participants in modern war. Modern war affects civilians far more and far longer than combatants. Most American soldiers and Marines spent 12 or 13 months, respectively, serving in Vietnam. Vietnamese from what was once South Vietnam, in provinces like Quang Nam, Quang Ngai, Binh Dinh, as well as those of the Mekong Delta - rural population centers that were also hotbeds of the revolution -- lived the war week after week, month after month, year after year, from one decade into the next. Burns and Novick seem to have mostly missed these people, missed their stories, and, consequently, missed the dark heart of the conflict.
Read the full article at The Intercept.
Nick Turse
Nick Turse is the Managing Editor of TomDispatch.com and a fellow at the Type Media Center. His latest book is "Next Time They'll Come to Count the Dead: War and Survival in South Sudan" (2016). He is the author/editor of several other books, including: "Tomorrow's Battlefield: U.S. Proxy Wars and Secret Ops in Africa" (2015); "Kill Anything That Moves: The Real American War in Vietnam" (2013); "The Changing Face of Empire: Special Ops, Drones, Spies, Proxy Fighters, Secret Bases, and Cyber Warfare" (2012); "The Complex: How the Military Invades Our Everyday Lives" (2009); and "The Case for Withdrawal from Afghanistan" (2010). Turse was a fellow at Harvard University's Radcliffe Institute. His website is www.Nick Turse.com.
"I think that when Americans talk about the Vietnam War ... we tend to talk only about ourselves. But if we really want to understand it ... or try to answer the fundamental question, 'What happened?' You've got to triangulate," says filmmaker Ken Burns of his celebrated PBS documentary series "The Vietnam War." "You've got to know what's going on. And we have many battles in which you've got South Vietnamese soldiers and American advisors or ... their counterparts and Vietcong or North Vietnamese. You have to get in there and understand what they're thinking."
"War is not combat, though combat is a part of war."
Burns and his co-director Lynn Novick spent 10 years on "The Vietnam War," assisted by their producer Sarah Botstein, writer Geoffrey Ward, 24 advisors, and others. They assembled 25,000 photographs, feature close to 80 interviews of Americans and Vietnamese, and spent $30 million on the project. The resulting 18-hour series is a marvel of storytelling, something in which Burns and Novick take obvious pride. "The Vietnam War" provides lots of great vintage film footage, stunning photos, a solid Age of Aquarius soundtrack, and plenty of striking soundbites. Maybe this is what Burns means by triangulation. The series seems expertly crafted to appeal to the widest possible American audience. But as far as telling us "what happened," I don't see much evidence of that.
Like Burns and Novick, I also spent a decade working on a Vietnam War epic, though carried out on a far more modest budget, a book titled "Kill Anything That Moves." Like Burns and Novick, I spoke with military men and women, Americans and Vietnamese. Like Burns and Novick, I thought I could learn "what happened" from them. It took me years to realize that I was dead wrong. That might be why I find "The Vietnam War" and its seemingly endless parade of soldier and guerrilla talking heads so painful to watch.
War is not combat, though combat is a part of war. Combatants are not the main participants in modern war. Modern war affects civilians far more and far longer than combatants. Most American soldiers and Marines spent 12 or 13 months, respectively, serving in Vietnam. Vietnamese from what was once South Vietnam, in provinces like Quang Nam, Quang Ngai, Binh Dinh, as well as those of the Mekong Delta - rural population centers that were also hotbeds of the revolution -- lived the war week after week, month after month, year after year, from one decade into the next. Burns and Novick seem to have mostly missed these people, missed their stories, and, consequently, missed the dark heart of the conflict.
Read the full article at The Intercept.
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