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The Dead Begin to Speak Up in India
Kashmir is one of two war zones in India from which no news must come. But those in unmarked graves will not be silenced
At about 3am, on 23 September, within hours of his arrival at the Delhi airport, the US radio-journalist David Barsamian was deported. This dangerous man, who produces independent, free-to-air programs for public radio, has been visiting India for 40 years, doing such dangerous things as learning Urdu and playing the sitar.
A Kashmiri farmer walks past unmarked graves in Bimyar, west of Srinagar, in 2009. (Photograph: Mukhtar Khan/AP)
Barsamian has published book-length interviews with public intellectuals such as Edward Said, Noam Chomsky, Howard Zinn, Ejaz Ahmed and Tariq Ali (he even makes an appearance as a young, bell-bottom-wearing interviewer in Peter Wintonick's documentary film on Chomsky and Edward Herman's book Manufacturing Consent).
On his more recent trips to India he has done a series of radio interviews with activists, academics, film-makers, journalists and writers (including me). Barsamian's work has taken him to Turkey, Iran, Syria, Lebanon and Pakistan. He has never been deported from any of these countries. So why does the world's largest democracy feel so threatened by this lone, sitar-playing, Urdu-speaking, left-leaning, radio producer? Here is how Barsamian himself explains it:
"It's all about Kashmir. I've done work on Jharkand, Chattisgarh, West Bengal, Narmada dams, farmer suicides, the Gujarat pogrom, and the Binayak Sen case. But it's Kashmir that is at the heart of the Indian state's concerns. The official narrative must not be contested."
News reports about his deportation quoted official "sources" as saying that Barsamian had "violated his visa norms during his visit in 2009-10 by indulging in professional work while holding a tourist visa". Visa norms in India are an interesting peep-hole into the government's concerns and predilections. Using the tattered old banner of the "war on terror", the home ministry has decreed that scholars and academics invited for conferences and seminars require security clearance before they will be given visas. Corporate executives and businessmen do not.
So somebody who wants to invest in a dam, or build a steel plant or a buy a bauxite mine is not considered a security hazard, whereas a scholar who might wish to participate in a seminar about, say, displacement or communalism or rising malnutrition in a globalized economy, is. Terrorists with bad intentions have probably guessed that they are better off wearing Prada suits and pretending they want to buy a mine than admitting that they want to attend a seminar.
David Barsamian did not travel to India to buy a mine or to attend a conference. He just came to talk to people. The complaint against him, according to "official sources" is that he had reported on events in Jammu and Kashmir during his last visit to India and that these reports were "not based on facts". Remember Barsamian is not a reporter, he's a man who has conversations with people, mostly dissidents, about the societies in which they live.
Is it illegal for tourists to talk to people in the countries they visit? Would it be illegal for me to travel to the US or Europe and write about the people I met, even if my writing was "not based on facts"? Who decides which "facts" are correct and which are not? Would Barsamian have been deported if the conversations he recorded had been in praise of the impressive turnouts in Kashmir's elections, instead of about daily life in the densest military occupation in the world (an estimated 600,000 actively deployed armed personnel for a population of 10 million people)?
David Barsamian is not the first person to be deported over the Indian government's sensitivities over Kashmir. Professor Richard Shapiro, an anthropologist from San Francisco, was deported from Delhi airport in November 2010 without being given any reason. It was probably a way of punishing his partner, Angana Chatterji, who is a co-convenor of the international peoples' tribunal on human rights and justice which first chronicled the existence of unmarked mass graves in Kashmir.
In September 2011, May Aquino, from the Asian Federation against Involuntary Disappearances (Afad), Manila, was deported from Delhi airport. Earlier this year, on 28 May, the outspoken Indian democratic rights activist, Gautam Navlakha, was deported to Delhi from Srinagar airport. Farook Abdullah, the former chief minister of Kashmir, justified the deportation, saying that writers like Navlakha and myself had no business entering Kashmir because "Kashmir is not for burning".
Kashmir is in the process of being isolated, cut off from the outside world by two concentric rings of border patrols – in Delhi as well as Srinagar – as though it's already a free country with its own visa regime. Within its borders of course, it's open season for the government and the army. The art of controlling Kashmiri journalists and ordinary people with a deadly combination of bribes, threats, blackmail and a whole spectrum of unutterable cruelty has evolved into a twisted art form.
While the government goes about trying to silence the living, the dead have begun to speak up. Perhaps it was insensitive of Barsamian to plan a trip to Kashmir just when the state human rights commission was finally shamed into officially acknowledging the existence of 2,700 unmarked graves from three districts in Kashmir. Reports of thousands of other graves are pouring in from other districts. Perhaps it is insensitive of the unmarked graves to embarrass the government of India just when India's record is due for review before the UN human rights council.
Apart from Dangerous David, who else is the world's largest democracy afraid of? There's young Lingaram Kodopi an adivasi from Dantewada in the state of Chhattisgarh, who was arrested on 9 September. The police say they caught him red-handed in a market place, while he was handing over protection money from Essar, an iron-ore mining company, to the banned Communist party of India (Maoist). His aunt Soni Sori says that he was picked up by plainclothes policemen in a white Bolero car from his grandfather's house in Palnar village.
Interestingly, even by their own account, the police arrested Lingaram but allowed the Maoists to escape. This is only the latest in a series of bizarre, almost hallucinatory accusations they have made against Lingaram and then withdrawn. His real crime is that he is the only journalist who speaks Gondi, the local language, and who knows how to negotiate the remote forest paths in Dantewada the other war zone in India from which no news must come.
Having signed over vast tracts of indigenous tribal homelands in central India to multinational mining and infrastructure corporations in a series of secret memorandums of understanding, the government has begun to flood the forests with hundreds of thousands of security forces. All resistance, armed as well as unarmed has been branded "Maoist" (In Kashmir they are all "jihadi elements").
As the civil war grows deadlier, hundreds of villages have been burnt to the ground. Thousands of adivasis have fled as refugees into neighboring states. Hundreds of thousands are living terrified lives hiding in the forests. Paramilitary forces have laid siege to the forest, making trips to the markets for essential provisions and medicines a nightmare for villagers. Untold numbers of nameless people are in jail, charged with sedition and waging war on the state, with no lawyers to defend them. Very little news comes out of those forests, and there are no body counts.
So it's not hard to see why young Lingaram Kodopi poses such a threat. Before he trained to become a journalist, he was a driver in Dantewada. In 2009 the police arrested him and confiscated his Jeep. He was locked up in a small toilet for 40 days where he was pressurized to become a special police officer (SPO) in the Salwa Judum, the government-sponsored vigilante army that was at the time tasked with forcing people to flee from their villages (the Salwa Judum has since been declared unconstitutional by the supreme court).
The police released Lingaram after the Gandhian activist Himanshu Kumar filed a habeas corpus petition in court. But then the police arrested Lingaram's old father and five other members of his family. They attacked his village and threatened the villagers if they sheltered him. Eventually Lingaram escaped to Delhi where friends and well-wishers got him admission into a journalism school. In April 2010 he traveled to Dantewada and escorted villagers to Delhi to give testimony at the independent peoples' tribunal about the barbarity of the Salwa Judum and the police and paramilitary forces. In his own testimony, Lingaram was sharply critical of the Maoists as well.
That did not deter the Chhattisgarh police. On 2 July 2010, the senior Maoist leader, Comrade Azad, the official spokesperson for the Maoist party, was captured and executed by the Andhra Pradesh police. Deputy Inspector General Kalluri of the Chhattisgarh police announced at a press conference that Lingaram Kodopi had been elected by the Maoist party to take over Comrade Azad's role (it was like accusing a young school child in 1936 Yan'an of being Zhou Enlai). The charge was met with such derision that the police had to withdraw it. Soon after they accused Lingaram of being the mastermind of a Maoist attack on a congress legislator in Dantewada. But oddly enough, they made no move to arrest him.
Lingaram remained in Delhi, completed his course and received his diploma in journalism. In March 2011, paramilitary forces burned down three villages in Dantewada – Tadmetla, Timmapuram and Morapalli. The Chhattisgarh government blamed the Maoists. The supreme court assigned the investigation to the Central Bureau of Investigation. Lingaram returned to Dantewada with a video camera and trekked from village to village documenting first-hand testimonies of the villagers who indicted the police. By doing this he made himself one of the most wanted men in Dantewada. On 9 September the police finally got to him.
Lingaram has joined an impressive line-up of troublesome news gatherers and disseminators in Chhattisgarh. Among the earliest to be silenced was the celebrated doctor Binayak Sen, who first raised the alarm about the crimes of the Salwa Judum as far back as 2005. He was arrested in 2007, accused of being a Maoist and sentenced to life imprisonment. After years in prison, he is out on bail now.
Kopa Kunjam was my first guide into the forest villages of Dantewada. At the time he worked with Himanshu Kumar's Vanvasi Chetna ashram, doing exactly what Lingaram tried to do much later – traveling to remote villages, bringing out the news, and carefully documenting the horror that was unfolding. In May 2009 the ashram, the last neutral shelter for journalists, writers and academics who were travelling to Dantewada, was demolished by the Chhattisgarh government.
Kopa was arrested on human rights day in September 2009. He was accused of colluding with the Maoists in the murder of one man and the kidnapping of another. The case against Kopa has begun to fall apart as the police witnesses, including the man who was kidnapped, have disowned the statements they purportedly made to the police. It doesn't really matter, because in India the process is the punishment.
It could take years for Kopa to establish his innocence. Many of those who were emboldened by Kopa to file complaints against the police have been arrested too. That includes women who committed the crime of being raped. Soon after Kopa's arrest Himanshu Kumar was hounded out of Dantewada.
Eventually, here too the dead will begin to speak. And it will not just be dead human beings, it will be the dead land, dead rivers, dead mountains and dead creatures in dead forests that will insist on a hearing.
In this age of surveillance, internet policing and phone-tapping, as the clampdown on those who speak up becomes grimmer with every passing day, it's odd how India is becoming the dream destination of literary festivals. Many of these festivals are funded by the very corporations on whose behalf the police have unleashed their regime of terror.
The Harud literary festival in Srinagar (postponed for the moment) was slated to be the newest, most exciting literary festival in India – "As the autumn leaves change color the valley of Kashmir will resonate with the sound of poetry, literary dialogue, debate and discussions …"
Its organizers advertised it as an "apolitical" event, but did not say how either the rulers or the subjects of a brutal military occupation that has claimed tens of thousands of lives could be "apolitical". I wonder – will the guests come on tourist visas? Will there be separate ones for Srinagar and Delhi? Will they need security clearance?
The festive din of all this spurious freedom helps to muffle the sound of footsteps in airport corridors as the deported are frog-marched on to departing planes, to mute the click of handcuffs locking around strong, warm wrists and the cold metallic clang of prison doors.
Our lungs are gradually being depleted of oxygen. Perhaps it's time use whatever breath remains in our bodies to say: "Open the bloody gates."
Comments
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11 Comments so far
Show AllThe situation doesn't sound very democratic to me. But it does explain many of the things that have happenned in India in say the last ten years. Could we have the names of corporations now taking over Kashmir and it's natural resources? I would be very interested in following the money.
American companies in India
http://business.mapsofindia.com/india-company/america.html
As someone who knows that country well, I would describe it as a Security Democracy. Kudos to Ms. Roy for continuing to hold up a mirror to India.
Shameful, worrisome development. Shameful for obvious reasons. Worrisome because, viewed together with some other incidents in recent years, this is a clear indication that India has moved so far away from whatever ideals that may once have been considered as at least important. Worrisome also because many among the educated elite and even middle class are likely to support this move by the authorities. When "educated" people start to unquestioningly support the authorities, that is a sign of more trouble to come.
It isn't the dead we need to hear from, it's the likely-soon-to-be-dead majority, although I still fear that large scale "hitting the streets" would bring on a wave of repression worldwide the likes of which even George Orwell couldn't have imagined.
First of all, it would not remain nonviolent, not for long. A lot of people are posting replies saying it's time to "revolt and hit the streets." but I can't figure how to spread the word without causing blowback. If I knew I'd be doing it.
If insurrections starts, out will come the guns, the free-for-all shoot-'em-up that I have long feared and predicted will be on. Decent liberal types will be at a big disadvantage once that starts because their decency and reasonableness will cause them to hesitate while the right wingers will shoot first and ask questions never.
Do people truly believe that the tea party animals here in the U.S.A. would hesitate for a moment to come out guns ablazin' after hearing them cheer for death during the Republican debates? There is some hope among leftists, liberals, and progressives that these folks, who are being ripped off and swindled as much as anybody, would realize whose side they really should be on. But the tea party won't realize anything that spoils their fun any more than Hitler's brownshirts did before causing German democracy to "cave" and hand power over to him. They're in lynch mob mode and if people were to hit the streets to noisily petition for redress of grievances, they'd believe it was liberals coming to pry their guns out of their hot undead hands.
People who seem to yearn for an uprising often say "nonviolent of course" and talk about doing multifaceted approaches, things in addition to street rage, though they never say what some of those other approaches might be. It's them I'd be interested in hearing about.
Roy has been writing about this stuff for some time - with all too little of it appearing anywhere in the US, including the "progressive" media.
She is a principled, enormously talented writer (and speaker) and activist - an eloquent critic not only of Indian, but of US, policy. I encourage folks to read more of her ....
India , a democracy ?People have been repeating this nonsense for generations.Of course, Miss Roy knows that India is no democracy at all.There is so much to be said about India.
I'll simply say this :in every Police station of India, in those places where hundreds ,if not thousands ,of people, mainly the poor and the powerless, are daily,yeah daily, tortured and murdered,there is a picture of Gandhi.
Now India is the very antithesis,the negation in fact of what the Mahatma stood for; if ever anyone did not know this, I'd invite him/her to read the words of Gandhi engraved at the entrance of the Raj Ghat and take a look at the India one can see around.
Out of decency, the picture of Gandhi should in so many places be removed.
If the Mahatma were alive today, he'd certainly stand by the people of Kashmir.
How many are they who understand this ?
When the Dead Begin to Speak
the jaguars of the soil erupt and tell
the story of a million names.
The rich hot blasts of songs of dancers dancing
for hours chant the story of hands and laughter,
crease the ice that drives the mountains
into the seas. The dead
begin to speak and the artists of the blooms
of what we do to go on create drums and tambourines
in the ears of the children who have been lost
to the drones of blasts of mourning,
the losses of the oilfield and the mines
where their sweet tubers grew and their greens.
When the dead begin to speak
those whose art is the manufacture of deafness
and the knives of carving muteness into songs
do not quake but grow hungry: our old wounds
store underground, intact, for a millennium
and come up with the bones of wind chimes tangling
over their isolated islands of the denial of the beasts
they have become, how they forsake their voice
for the cacophony of a brutal and primitive
technology of murder. We can see the sea again
when the dead begin to speak
we can see how the new world rises
in the mists of the currents of our distant lore
our story passed down from mother to father to mother
to father, our stoves and our fruits.
Because they are our voices, the voices
of the dead, we know them.
We cannot turn away. The voices of the dead
rule our cantina of love because that
is what the beasts of silence try to take away.
We hold on. We know it lives longer than bones
and it webs the dissonant loveliness, a history
of our stories and the stories of our stories.
Take my heroes away if you dare!
I have found a shred of shawl
I have uncovered the genetic code of my losses
and the holiness of my deep will in the tooth
of the silence you dare try to extract from me.
When the dead begin to speak
the trees themselves create a barrier of ravishing winds
the poisons we are forced to swallow
become the armor of our singing.
Dear Bob:
I'm so glad I went back to yesterday's thread to find this GEM waiting. Your use of image, metaphor, moving language (which also works as language that moves) puts you in the category of truly GIFTED poet. As a former English teacher, our classes always devoted several weeks each year to teaching the poets... so my opinion is somewhat educated in applauding your work.
Have you published a collection of your works yet? You should. I'd love to purchase one. Also, if you put together perhaps 3-5 of your favorite poems, and sent them to people like Arundhati Roy, Phil Rockstroh, or Lewis Lapham... perhaps you'd see your work published in an impressive venue.
There's a lawn mower gnawing in the distance that's not allowing me to FEAST on your words (poignant music to the ears--and soul) as I'd like to... so I will read the poem again later.
Thank you for sharing your HIGH art with this forum. And have an inspired day.
Thanks to both of you.
I'm kind of a poetry publishing drop out... too much game, not enough gain. I'm a worker, not an academe... Funny thing: right when I stopped sending out stuff to be published (and I had been published pretty widely) the poems became more what I had always envisioned I'd write. Go figure.
How can we figure out a way to connect so I can get you a couple of copies of some of my work? I have some chapbook size collections available through a gallery here... but I don't want to broadcast over CD. Full name is Bob Vance. I'm on Facebook.
Wow great stuff. I am so very glad I revisited the comments this morning on this thread. Thanks for that.