A group of prominent Bay Area women, including pioneering chef Alice
Waters of Chez Panisse, is jousting with media giant Clear Channel
Communications over a minimalist anti-war billboard they want to unfurl in New
York City's Times Square amid flashy ads for Broadway shows, banks and
sneakers.
Project Billboard, the women's nascent nonprofit, rented prime real
estate on the Marriott Marquis Hotel on Broadway and then proposed an
illustration of a cartoonish bomb draped with stars and stripes, accompanied
by the words "Democracy is best taught by example, not by war."
It was supposed to run from Aug. 2 to Nov. 2, well-timed to a Republican
National Convention starting Aug. 30 in Manhattan and the presidential
election Nov. 2 dominated by the conflict in Iraq.

The original design for a billboard ad for Times Square in New York City, which was rejected by Clear Channel.
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The women say their group is nonpartisan and the design is "pro-democracy,
pro-peace, and nothing more.'' But it was rejected last week by Clear
Channel's Spectacolor division, which rents out more than 70 displays in Times
Square, as well as by Marriott.
"We're just not going to run bomb copy in New York City,'' said Paul
Meyer, president and chief executive of Clear Channel Outdoor -- which
oversees the Spectacolor division -- Sunday afternoon.
While accusing Clear Channel of rejecting the ad because the company
favors the Bush administration, the women on Friday changed course, turning
the bomb into a dove. They were told they would have a response sometime this
week.
But with a Thursday deadline looming for them to finalize a design --
and with Clear Channel suggesting it also didn't like the phrase "not by war''
-- the women decided to file a breach-of-contract lawsuit in U.S. District
Court in New York today. They allege they were never told they couldn't cover
political ground.
The fast-moving controversy, though, took another turn Sunday night when
Meyer said he found out from Spectacolor officials that Clear Channel had
approved the second design, and was awaiting word from Marriott, which he said
has the right to reject any ad on its facade.
"In the contract, they represented they owned these billboards. There was
never another layer of approval," said Baifang Schell of Project Billboard,
who is married to Orville Schell, dean of the school of journalism at UC
Berkeley.
Schell and two other Project Billboard founders, Deborah Rappaport and
Amy Harmon, flew to New York on Sunday morning to go to court and keep
negotiating. Another member of the group, Laurene Powell Jobs, is married to
Apple Computer co-founder Steve Jobs.
New York Marriott Marquis spokeswoman Kathleen Duffy said Sunday that the
hotel management considered the first proposal by Project Billboard to be
inappropriate because of the bomb image and said the hotel was led to believe
the ad would simply encourage people to vote.
She said management had not seen the dove design yet.
"I'm constantly shocked by how there is such an effort to really prevent
people from contemplating the difficult issues of our time,'' Waters said.
"The message of the sign was trying to get people to think about this. And
clearly, it's not what the powers-that-be want people to do.''
But Meyer said Sunday that the company reserves the right to reject
advertising for any reason. He said advertising is rejected routinely for
being indecent or offensive, or because the business owner simply doesn't want
the sign on his property. But, he said, the problem is never partisan politics.
"Never has anyone said to me from Clear Channel corporate that I should
or should not put up copy because of its political ramifications,'' Meyer said.
"That's contrary to the principles of the company -- we're in the business
of maximizing profits for our shareholders.
"I'd love to get the Democrats' spending, the Republican spending and the
Nader spending,'' he said.
The billboard flap pits a group of influential, well-heeled and
progressive Bay Area women, many of them Democratic Party contributors,
against a Fortune 500 company that is responsible for quite a bit of what
Americans see and hear.
Clear Channel, of San Antonio, owns or operates 1,270 radio stations and
39 television stations in the United States and has 776,000 outdoor
advertising displays worldwide. Some critics have accused Clear Channel, whose
top executives and political action committee have given heavily to
Republicans, of using radio airwaves and other far-reaching assets to push its
views.
According to the nonpartisan Center for Responsive Politics in Washington,
D.C., as of the end of May, the company's PAC this year had given $170,000 to
U.S. House and Senate candidates, with 70 percent going to Republicans.
Peter Scheer, executive director of the California First Amendment
Coalition in San Rafael, an advocacy group for freedom of expression and open
government, said that Clear Channel's rejection of the ad was "obnoxious to
the First Amendment,'' but that the company was probably on firm legal ground
because it's private.
"But Clear Channel is a huge corporation. ... I think one could argue
that it's gotten so big that it could have forced on it responsibilities much
like those that a government agency would have,'' Scheer said. "Obviously,
it's engaged in censorship here, and it is the worst kind of censorship
because it is based directly on the content of the message.''
"That's a specious theory,'' Meyer responded. "To my knowledge, there's
no law that supports that.''
Project Billboard was launched last year, with its founders saying they
want to foster open national debate on important issues and support diversity,
tolerance and free expression. It signed a contract with Clear Channel
Spectacolor last December for $368,000, not including production and
installation costs.
In an e-mail to Barry Kula, Spectacolor's vice president of sales and
marketing, Rappaport said: "Our billboard does not support or oppose a
particular candidate, government officer, or political party. ... Nor do we
believe that a reference to war is somehow 'distasteful' to the community.''
Meyer said the decision to reject the ad was made independently by the
Spectacolor division. But he said the company generally does not run copy that
would be unsuitable for children or cause them to ask difficult questions, nor
does it run political attacks that could be considered "personally offensive.''
"We err on the side of rejecting the copy,'' he said.
© Copyright 2004 San Francisco Chronicle
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